{"id":8650,"date":"2013-06-28T21:00:56","date_gmt":"2013-06-29T01:00:56","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=8650"},"modified":"2013-06-23T18:49:50","modified_gmt":"2013-06-23T22:49:50","slug":"ben-rivers-shorts","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/8650","title":{"rendered":"Ben Rivers shorts"},"content":{"rendered":"<p>Ben Rivers is one of Cinema Scope&#8217;s <a href=\"\/journal\/archives\/7873\">50 Under 50<\/a>.  I watched his <em><a href=\"\/journal\/archives\/8375\">Two Years at Sea<\/a><\/em>, hated it, but then couldn&#8217;t stop thinking about it so decided that maybe Cinema Scope had a point.<\/p>\n<p><strong><em>I Know Where I&#8217;m Going<\/em> (2009)<\/strong><\/p>\n<p>Single-person episodes separated by driving scenes and barren landscapes with wrecked cars:<br \/>\n&#8211; Lumberjack at work, creatively (mysteriously) filmed<br \/>\n&#8211; Beekeeper\/Geologist discusses man&#8217;s overall impact on the planet 100 million years from now (answer: none, but for a very few well-buried relics)<br \/>\n&#8211; Red-bearded Jake in his quirky house full of repurposed junk<br \/>\n&#8211; Grey-bearded Jake (Williams from <em>Two Years at Sea<\/em>) in snowy house<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image13\/benrivers1.jpg\"><\/p>\n<p>Rivers: &#8220;A fragmented road trip through Britain on the peripheries. Down empty roads, off in the wilderness, a few lone stragglers.&#8221;<\/p>\n<p>From an interview: &#8220;If I hadn&#8217;t seen [George] Kuchar I may have made the mistake of going to film school.&#8221;<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image13\/benrivers2.jpg\"><\/p>\n<p><strong><em>This Is My Land<\/em> (2006)<\/strong><\/p>\n<p>Primitive looking and sounding, with some <em>Begotten<\/em> film processing.<br \/>\nScraps of dialogue, jarring scraps of music.<br \/>\nHalfway through the 15-minute movie, an intermission, then it&#8217;s winter.<br \/>\nBen&#8217;s first visit to Jake Williams is also the one where you hear Jake&#8217;s voice the most.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image13\/benrivers3.jpg\"><\/p>\n<p><strong><em>Origin of the Species<\/em> (2008)<\/strong><\/p>\n<p>&#8220;I can&#8217;t see the world surviving.&#8221;<br \/>\nDarwinist whose face is never seen lives out in the woods (of course he does) discussing (again, in brief snatches) evolution and philosophy.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image13\/benrivers4.jpg\"><\/p>\n<p><strong><em>We The People<\/em> (2004)<\/strong><\/p>\n<p>The soundtrack has a lively crowd scene, but we are only shown empty streets, corners and buildings from where these sounds might have sprung.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image13\/benrivers5.jpg\"><\/p>\n<p><strong><em>House<\/em> (2007)<\/strong><\/p>\n<p>A cinematography experiment inside a decaying house, with evidence of phantoms &#8211; a candle travels by itself, a cellar door opens, a piece of cloth is suspended.  Something about the way he shot this and We The People make them look like model miniatures.  No sound.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image13\/benrivers6.jpg\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ben Rivers is one of Cinema Scope&#8217;s 50 Under 50. I watched his Two Years at Sea, hated it, but then couldn&#8217;t stop thinking about it so decided that maybe Cinema Scope had a point. I Know Where I&#8217;m Going (2009) Single-person episodes separated by driving scenes and barren landscapes with wrecked cars: &#8211; Lumberjack [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[369,1661],"class_list":["post-8650","post","type-post","status-publish","format-standard","hentry","category-movie","tag-2000s","tag-ben-rivers"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/8650","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=8650"}],"version-history":[{"count":2,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/8650\/revisions"}],"predecessor-version":[{"id":8725,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/8650\/revisions\/8725"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=8650"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=8650"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=8650"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}