{"id":8901,"date":"2013-12-12T21:00:03","date_gmt":"2013-12-13T02:00:03","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=8901"},"modified":"2013-12-06T08:45:45","modified_gmt":"2013-12-06T13:45:45","slug":"the-black-cat-1934-edgar-g-ulmer","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/8901","title":{"rendered":"The Black Cat (1934, Edgar G. Ulmer)"},"content":{"rendered":"<p>&#8220;Strange about the cat &#8211; Joan seemed so curiously affected when you killed it.&#8221;<br \/>\n&#8220;That was coincidence, I think.&#8221;<\/p>\n<p>Another in the great tradition of Hollywood movies starting with great actors playing interesting characters in cool locations, then throwing a bland romantic couple into the middle of it. They&#8217;re not as bad as your usual bland romantic couple, these two.  David Manners was Harker in <em><a href=\"\/journal\/archives\/3377\">Dracula<\/a><\/em> and a main dude in <em>The Mummy<\/em> with Karloff, and Jacqueline Wells had just costarred in a Tarzan movie.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image13\/blackcat1.jpg\"><\/p>\n<p>Lugosi is a Hungarian psychiatrist, a prisoner of war for 15 years, free again and visiting his old friend Karloff, a great Austrian architect. Lugosi plans to confront Karloff and demand back his wife and daughter, whom he suspects Karloff has stolen from him &#8211; but he brings along the couple, having just survived a car crash. Jacqueline stumbles in all dazed and woozy, and they give her a narcotic and tell her to sleep (&#8220;SLEEEEEP&#8221;), excellent medical advice.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image13\/blackcat3.jpg\"><\/p>\n<p>&#8220;Are we not both the living dead?&#8221; Lugosi (whose character name sounds too much like Fetus) has &#8220;an intense and all-consuming horror of cats,&#8221; which I suspect will come up again later in the movie. Lugosi&#8217;s daughter turns out to be alive, 18 years old and sleeping with Karloff. Karloff is also a satanist, keeping Lugosi&#8217;s wife&#8217;s body suspended in his basement. So they sit down for a game of chess &#8211; winner gets to keep the body.  It&#8217;s a ludicrous movie, and closes with a meta-joke about its own melodramatic craziness.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image13\/blackcat2.jpg\"><\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image13\/blackcat5.jpg\"><\/p>\n<p>The beginning and end of Ulmer&#8217;s major-studio Hollywood career &#8211; he had a major hit but fell in love with the wrong girl and spent the rest of his life on the specialty and b-movie circuits.  Before this, he&#8217;d done set design for Fritz Lang (<em>Die Nibelungen<\/em>, <em>M<\/em>, <em><a href=\"\/journal\/archives\/678\">Metropolis<\/a><\/em>, <em>Spies<\/em>) and production and art design for Murnau (<em><a href=\"\/journal\/archives\/606\">Tabu<\/a><\/em>, <em>Last Laugh<\/em>, <em><a href=\"\/journal\/archives\/2999\">Sunrise<\/a><\/em>, <em>4 Devils<\/em>) &#8211; so the expressionist look to <em>The Black Cat<\/em> wasn&#8217;t just Hollywood ripping off a hot trend, but a 20-year vet of great German cinema importing his own style.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image13\/blackcat4.jpg\"><\/p>\n<p>Found a good article by &#8220;The Nitrate Diva&#8221; about the WWI references and emotional resonance within the film. The story was &#8220;suggested&#8221; by the Edgar Allen Poe story which was more faithfully adapted by <a href=\"\/journal\/archives\/392\">Stuart Gordon<\/a> recently.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Strange about the cat &#8211; Joan seemed so curiously affected when you killed it.&#8221; &#8220;That was coincidence, I think.&#8221; Another in the great tradition of Hollywood movies starting with great actors playing interesting characters in cool locations, then throwing a bland romantic couple into the middle of it. They&#8217;re not as bad as your usual [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[343,1421,1139,1397,54,1759],"class_list":["post-8901","post","type-post","status-publish","format-standard","hentry","category-movie","tag-1930s","tag-bela-lugosi","tag-boris-karloff","tag-edgar-ulmer","tag-horror","tag-satanists"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/8901","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=8901"}],"version-history":[{"count":1,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/8901\/revisions"}],"predecessor-version":[{"id":8990,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/8901\/revisions\/8990"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=8901"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=8901"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=8901"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}