{"id":8967,"date":"2013-12-11T20:00:51","date_gmt":"2013-12-12T01:00:51","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=8967"},"modified":"2013-12-06T08:35:13","modified_gmt":"2013-12-06T13:35:13","slug":"les-anges-du-peche-1943-robert-bresson","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/8967","title":{"rendered":"Les Anges du peche (1943, Robert Bresson)"},"content":{"rendered":"

Like Rivette<\/a>, Bresson started his feature career with a nun movie. This is an interesting one in light of his later movies about crime and punishment. On prison trips, young nun Anne-Marie (Renee Faure, lovestruck globemaker’s daughter in L’assassinat du P\u00e8re No\u00ebl<\/a><\/em>) becomes obsessed with Therese (Jany Holt, the prostitute in Renoir’s Lower Depths<\/a><\/em>), trying to get her to join the convent – which she does after her release, but not before shooting a man to death as revenge for her imprisonment.<\/p>\n

<\/p>\n

So, Anne-Marie gets ever more intense towards the woman she thinks she has saved, and Therese is extremely moody, never fitting in at the convent since she’s really using it to hide from her latest crime.<\/p>\n

<\/p>\n

Senses:<\/p>\n

For her disruption of convent life Anne-Marie is expelled, but secretly returns nightly to pray at the tomb of her order’s founder. When she becomes deathly ill, she is discovered and readmitted to the fold; and, upon her death, Th\u00e9r\u00e8se undergoes a change of heart, delivering herself to the police and to her just punishment. .. This route to Anne-Marie’s saintly fulfilment and Th\u00e9r\u00e8se’s transformation passes through continually ambiguous terrain, in which will, destiny, and chance become indistinguishable, and in which saintliness and criminality not only work side by side but mingle.<\/p><\/blockquote>\n

<\/p>\n

Head nun Sylvie was in Le Corbeau<\/em> the same year, and one of the others – I get them confused – was Marie-H\u00e9l\u00e8ne Dast\u00e9, Jean Dast\u00e9’s wife and a stage actress for playwright\/novelist Giraudoux, who adapted the story for this film.<\/p>\n

Public Affairs<\/em> (1934)<\/strong><\/p>\n

Princess defies king, flies to nearby Crogandy to marry their clown chancellor, who gets a few funny bits in this visually indistinct, silly-ass comedy. A pretty good extended contagious-yawn joke leads to a plane crash, then everyone in town falls asleep (probably not a Paris qui dort reference). We follow the chancellor from a statue unveilling to a firehouse demonstration to the launch of a ship, with Marcel Dalio (the marquis in Rules of the Game<\/a><\/em> and Frenchy in To Have and Have Not<\/a><\/em>) playing most of the movie’s roles besides the romantic leads.<\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Like Rivette, Bresson started his feature career with a nun movie. This is an interesting one in light of his later movies about crime and punishment. On prison trips, young nun Anne-Marie (Renee Faure, lovestruck globemaker’s daughter in L’assassinat du P\u00e8re No\u00ebl) becomes obsessed with Therese (Jany Holt, the prostitute in Renoir’s Lower Depths), trying […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[416,1033,332,247,328],"class_list":["post-8967","post","type-post","status-publish","format-standard","hentry","category-movie","tag-1940s","tag-cat-tossing","tag-nuns","tag-prison","tag-robert-bresson"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/8967","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=8967"}],"version-history":[{"count":1,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/8967\/revisions"}],"predecessor-version":[{"id":8987,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/8967\/revisions\/8987"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=8967"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=8967"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=8967"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}