{"id":9027,"date":"2014-01-14T21:00:44","date_gmt":"2014-01-15T02:00:44","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=9027"},"modified":"2014-01-11T23:56:26","modified_gmt":"2014-01-12T04:56:26","slug":"favorite-older-movies-watched-on-video-in-2013","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/9027","title":{"rendered":"Favorite Older Movies watched on video in 2013"},"content":{"rendered":"<p><strong>1. <em><a href=\"\/journal\/archives\/8544\">The Mirror<\/a><\/em> (Andrei Tarkovsky)<\/strong><br \/>\n<strong>2. <em><a href=\"\/journal\/archives\/8884\">Women in Love<\/a><\/em> (Ken Russell)<\/strong><br \/>\n<strong>3. <em><a href=\"\/journal\/archives\/8891\">Genealogies of a Crime<\/a><\/em> (Raoul Ruiz)<\/strong><br \/>\n<strong>4. <em><a href=\"\/journal\/archives\/8900\">Don&#8217;t Look Now<\/a><\/em> (Nicolas Roeg)<\/strong><br \/>\n<strong>5. <em><a href=\"\/journal\/archives\/8969\">Harakiri<\/a><\/em> (Masaki Kobayashi)<\/strong><br \/>\n<strong>6. <em><a href=\"\/journal\/archives\/8973\">Passing Through<\/a><\/em> (Larry Clark)<\/strong><br \/>\n<strong>7. <em><a href=\"\/journal\/archives\/8428\">The Blind Owl<\/a><\/em> (Raoul Ruiz)<\/strong><br \/>\n<strong>8. <em><a href=\"\/journal\/archives\/8538\">Edge of the World<\/a><\/em> (Michael Powell)<\/strong><br \/>\n<strong>9. <em><a href=\"\/journal\/archives\/8875\">Through a Glass Darkly<\/a><\/em> (Ingmar Bergman)<\/strong><br \/>\n<strong>10. <em><a href=\"\/journal\/archives\/8652\">Hobson&#8217;s Choice<\/a><\/em> (David Lean)<\/strong><br \/>\n<strong>11. <em><a href=\"\/journal\/archives\/8885\">Damnation<\/a><\/em> (Bela Tarr)<\/strong><\/p>\n<p>I don&#8217;t feel very strongly about the ordering. There&#8217;s always a Rivette, a Resnais, a Russell, a Ruiz on this list &#8211; my four trusty R&#8217;s. This year you can have a Roeg and an extra Ruiz, as the Resnais I watched made the Recent list instead, and the Rivette makes the honorable mentions &#8211; and there are lots, so let&#8217;s just number out some more, in no particular order.<\/p>\n<p><strong>12. <em><a href=\"\/journal\/archives\/8431\">Up, Down, Fragile<\/a><\/em> (Jacques Rivette)<\/strong><br \/>\n<strong>13. <em><a href=\"\/journal\/archives\/8481\">Late Spring<\/a><\/em> (Yasujiro Ozu)<\/strong><br \/>\n<strong>14. <em><a href=\"\/journal\/archives\/8535\">Juliet of the Spirits<\/a><\/em> (Federico Fellini)<\/strong><br \/>\n<strong>15. <em><a href=\"\/journal\/archives\/8531\">The Man Who Left His Will On Film<\/a><\/em> (Nagisa Oshima)<\/strong><br \/>\n<strong>16. <em><a href=\"\/journal\/archives\/8971\">High and Low<\/a><\/em> (Akira Kurosawa)<\/strong><br \/>\n<strong>17. <em><a href=\"\/journal\/archives\/8757\">The More The Merrier<\/a><\/em> (George Stevens)<\/strong><br \/>\n<strong>18. <em><a href=\"\/journal\/archives\/8858\">I&#8217;m No Angel<\/a><\/em> (Wesley Ruggles)<\/strong><br \/>\n<strong>19. <em><a href=\"\/journal\/archives\/8806\">The Hole<\/a><\/em> (Tsai Ming-Liang)<\/strong><\/p>\n<p>Bonus: five more I&#8217;ve seen before in the dark, pre-blog era, which I enjoyed again this year (in no order):<\/p>\n<p><strong>. <em><a href=\"\/journal\/archives\/8587\">White Dog<\/a><\/em> (Samuel Fuller)<\/strong><br \/>\n<strong>. <em><a href=\"\/journal\/archives\/8440\">Vagabond<\/a><\/em> (Agnes Varda)<\/strong><br \/>\n<strong>. <em><a href=\"\/journal\/archives\/8614\">Eyes Without a Face<\/a><\/em> (Georges Franju)<\/strong><br \/>\n<strong>. <em><a href=\"\/journal\/archives\/8801\">The Nun<\/a><\/em> (Jacques Rivette)<\/strong><br \/>\n<strong>. <em><a href=\"\/journal\/archives\/8585\">Only Angels Have Wings<\/a><\/em> (Howard Hawks)<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>1. The Mirror (Andrei Tarkovsky) 2. Women in Love (Ken Russell) 3. Genealogies of a Crime (Raoul Ruiz) 4. Don&#8217;t Look Now (Nicolas Roeg) 5. Harakiri (Masaki Kobayashi) 6. Passing Through (Larry Clark) 7. The Blind Owl (Raoul Ruiz) 8. Edge of the World (Michael Powell) 9. Through a Glass Darkly (Ingmar Bergman) 10. Hobson&#8217;s [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[152],"class_list":["post-9027","post","type-post","status-publish","format-standard","hentry","category-movie","tag-lists"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/9027","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=9027"}],"version-history":[{"count":2,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/9027\/revisions"}],"predecessor-version":[{"id":9040,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/9027\/revisions\/9040"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=9027"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=9027"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=9027"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}