{"id":9227,"date":"2014-08-21T20:00:17","date_gmt":"2014-08-22T01:00:17","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=9227"},"modified":"2014-08-17T18:32:13","modified_gmt":"2014-08-17T23:32:13","slug":"autumn-sonata-1978-ingmar-bergman","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/9227","title":{"rendered":"Autumn Sonata (1978, Ingmar Bergman)"},"content":{"rendered":"<p>Final theatrical film of the two Bergmans (since <em>Fanny &#038; Alexander<\/em> was shot for television), and each Bergman got an oscar nomination (as did two unrelated songwriters named Bergman that year), but were no match for Hal Ashby&#8217;s <em>Coming Home<\/em>.  Began shooting three days after I was born.  First Bergman film I&#8217;ve seen shot in color, except for <em>Saraband<\/em> which I barely remember.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image14\/autumnsonata4.jpg\"><\/p>\n<p>Opens with Liv Ullmann&#8217;s pastor husband narrating to us about her.  Later Ingrid will speak aloud as in a play.  There are flashbacks (either remembered or imagined) and a nightmare scene, all more theatrical and artificial than the other Bergmans I&#8217;ve been watching.  It makes sense to watch this right after <em><a href=\"\/journal\/archives\/9167\">The Silence<\/a><\/em>, which is also about two family members revealing their hatred for each other over the course of a night and day.  However, I&#8217;d heard <em>The Silence<\/em> was one of Bergman&#8217;s top masterpieces, and I liked this one better &#8211; thought the conflict had a better and more explicable build-up.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image14\/autumnsonata2.jpg\"><\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image14\/autumnsonata3.jpg\"><\/p>\n<p>So Ingrid plays the famed concert pianist mother of Liv, who has a more modest life in the country with her husband.  Unbeknown to Ingrid, Liv is also housing her disabled younger sister Helena (Lena Nyman of <em><a href=\"\/journal\/archives\/8233\">I Am Curious<\/a><\/em>), whose presence shakes Ingrid, reminding her of her failures as a mother, which Liv reminds her more and more about until Ingrid is driven from the house for what seems like the final time, riding home on a train alongside <em><a href=\"\/journal\/archives\/9049\">Winter Light<\/a>&#8216;s<\/em> Gunnar Bjornstrand.  It&#8217;s all very intense and poisonous and makes you wonder about Ingmar&#8217;s obsession with family members&#8217; simmering hatred for each other.  Looks absolutely splendid, though.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image14\/autumnsonata1.jpg\"><\/p>\n<p>Watched some of the extras &#8211; played through the commentary but didn&#8217;t have the stamina for the full 3.5-hour making-of, right after watching the similar full-length doc about <em>Winter Light<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Final theatrical film of the two Bergmans (since Fanny &#038; Alexander was shot for television), and each Bergman got an oscar nomination (as did two unrelated songwriters named Bergman that year), but were no match for Hal Ashby&#8217;s Coming Home. Began shooting three days after I was born. First Bergman film I&#8217;ve seen shot in [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[400,1227,415,1824],"class_list":["post-9227","post","type-post","status-publish","format-standard","hentry","category-movie","tag-1970s","tag-ingmar-bergman","tag-ingrid-bergman","tag-liv-ullmann"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/9227","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=9227"}],"version-history":[{"count":2,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/9227\/revisions"}],"predecessor-version":[{"id":9251,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/9227\/revisions\/9251"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=9227"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=9227"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=9227"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}