{"id":9290,"date":"2014-09-22T20:00:26","date_gmt":"2014-09-23T01:00:26","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=9290"},"modified":"2016-11-28T13:56:13","modified_gmt":"2016-11-28T19:56:13","slug":"sight-sound-documentary-list-2014","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/9290","title":{"rendered":"Sight &#038; Sound Documentary List 2014"},"content":{"rendered":"<p>Sight &#038; Sound has a new list of movies I should see.<\/p>\n<p>This is not a full duplication of the Sight &#038; Sound documentary lists.<br \/>\nIt is a personal checklist.<\/p>\n<p><strong>Consensus Picks:<\/strong><\/p>\n<p><del><a href=\"\/journal\/archives\/9394\">Man with a Movie Camera<\/a><\/del><br \/>\n<del><a href=\"\/journal\/archives\/11002\">Shoah<\/a><\/del><br \/>\n<em>The Thin Blue Line<\/em><br \/>\n<em>Salesman<\/em><br \/>\n<em>Man of Aran<\/em><br \/>\n<em>Belovy<\/em> (Kossakovsky 1994)<br \/>\n<del><a href=\"\/journal\/archives\/9355\">Chronicle of a Summer<\/a><\/del><br \/>\n<em>The Sorrow and the Pity<\/em><br \/>\n<em>Darwin&#8217;s Nightmare<\/em><br \/>\n<del><a href=\"\/journal\/archives\/9934\">Nostalgia for the Light<\/a><\/del><br \/>\n<em>Seasons<\/em> (Pelechian 1975)<br \/>\n<em>Welfare (Wiseman)<\/em><br \/>\n<em>When We Were Kings<\/em><br \/>\n<em>West of the Tracks<\/em><br \/>\n<em>Listen to Britain<\/em><br \/>\n<em>The Emperor&#8217;s Naked Army Marches On<\/em><br \/>\n<em>The Quince Tree Sun<\/em><br \/>\n<del><a href=\"\/journal\/archives\/9998\">Night Mail<\/a><\/del><br \/>\n<em>A Diary for Timothy<\/em><br \/>\n<em>Moi, un noir<\/em><br \/>\n<em>Handsworth Songs<\/em> (Akomfrah 1986)<br \/>\n<em>Hour of the Furnaces<\/em><br \/>\n<em>Waltz with Bashir<\/em><\/p>\n<p><strong>Individual Picks:<\/strong><\/p>\n<p>Quintin<br \/>\n<em>Santiago<\/em> (2007)<br \/>\n<em>Informe general sobre unas cuestiones de inter\u00e9s para una proyecci\u00f3n p\u00fablica<\/em> (1976)<br \/>\n<em>La Rosiere de Pessac<\/em> (1968)<\/p>\n<p>John Akomfrah<br \/>\n<em>A Sixth Part of the World<\/em> (1926)<br \/>\n<em>Divine Horsemen: The Living Gods of Haiti<\/em> (1977)<br \/>\n<em>For Memory<\/em> (1986)<br \/>\n<em>Jaguar<\/em> (1967)<\/p>\n<p>Thom Andersen<br \/>\n<em>In the Land of the Head Hunters<\/em> (1914)<br \/>\n<em>What Do Those Old Films Mean<\/em> (1985)<\/p>\n<p>Jennifer Baichwal<br \/>\n<em>Volcano<\/em> (1976)<br \/>\n<em>Sud<\/em> (1999)<br \/>\n<em>Our Daily Bread<\/em> (2005)<br \/>\n<em>Picture of Light<\/em> (1994)<br \/>\n<em>Examined Life<\/em> (2008)<\/p>\n<p>Richard Brody<br \/>\n<em>The Children Were Watching<\/em> (1961)<br \/>\n<em>Strange Victory<\/em> (1948)<\/p>\n<p>Noel Burch<br \/>\n<em>Hotel des Invalides<\/em> (1951)<br \/>\n<em>King, Murray<\/em> (1969)<br \/>\n<em>Artists in the Big Top: Perplexed<\/em> (1968)<\/p>\n<p>Ian Christie<br \/>\n<em>From the Pole to the Equator<\/em> (1987)<br \/>\n<em>Of Great Events and Ordinary People<\/em> (1978)<br \/>\n<em>Our Century<\/em> (1983)<\/p>\n<p>Mark Cousins<br \/>\n<em>Minamata: The Victims and Their World<\/em> (1972)<br \/>\n<em>Last of the Unjust<\/em> (2013)<br \/>\n<em>Siddheshwari Devi<\/em> (1989)<br \/>\n<em>Letter From My Village<\/em> (1976)<br \/>\n<em>Sreda<\/em> (1997)<br \/>\n<em>November Days: Voices and Choices<\/em> (1990)<\/p>\n<p>Helen Dewitt<br \/>\n<em>The Houses Are Full of Smoke<\/em> (1987)<\/p>\n<p>Su Friedrich<br \/>\n<em>Basic Training<\/em> (1971)<br \/>\n<em>The Devil Never Sleeps<\/em> (1994)<\/p>\n<p>Jean-Michel Frodon<br \/>\n<em>History of Post-war Japan as Told by a Bar Hostess<\/em> (1970)<br \/>\n<del><a href=\"\/journal\/archives\/10152\">I Wish I Knew<\/a><\/del> (2010)<br \/>\n<em>Route One\/USA<\/em> (1990)<\/p>\n<p>Chris Fujiwara<br \/>\n<em>Oriental Elegy<\/em> (1998)<br \/>\n<em>On the Bowery<\/em> (1955)<br \/>\n<em>The Shiranui Sea<\/em> (1975)<\/p>\n<p>Tag Gallagher<br \/>\n<em>Acts of the Apostles<\/em> (1968)<br \/>\n<em>Cezanne<\/em> (1989)<br \/>\n<em>Valse brillante de Chopin<\/em> (1936)<br \/>\n<em>Toscanini<\/em> (1944)<\/p>\n<p>John Gianvito<br \/>\n<em>Starting Place<\/em> (1993)<br \/>\n<em>How to Behave<\/em> (1985)<br \/>\n<em>The Journey<\/em> (1987)<br \/>\n<em>79 Primaveras<\/em> (1969)<br \/>\n<em>L&#8217;Algerie en Flammes<\/em> (1958)<\/p>\n<p>Joao Rui Guerra da Mata<br \/>\n<em>Jaime<\/em> (1973)<br \/>\n<em>Berlin, Symphony of a City<\/em> (1927)<\/p>\n<p>Barbara Hammer<br \/>\n<em>The Atomic Cafe<\/em> (1982)<br \/>\n<em>Tongues Untied<\/em> (1989)<\/p>\n<p>J. Hoberman<br \/>\n<del><a href=\"\/journal\/archives\/11260\">In the Street<\/a><\/del> (1947)<br \/>\n<em>Meet Marlon Brando<\/em> (1965)<\/p>\n<p>Ferroni Brigade<br \/>\n<em>Misery in Borinage<\/em> (1933)<\/p>\n<p>Patrick Keiller<br \/>\n<del><a href=\"\/journal\/archives\/11062\">News From Home<\/a><\/del> (1976)<\/p>\n<p>Gabe Klinger<br \/>\n<em>Seventeenth Parallel<\/em> (1968)<br \/>\n<em>Renoir, The Boss<\/em> (1967)<\/p>\n<p>Viktor Kossakovsky<br \/>\n<em>Ten Minutes Older<\/em> (1978)<br \/>\n<em>Spiritual Voices<\/em> (1996)<br \/>\n<em>Workingman&#8217;s Death<\/em> (2005)<br \/>\n<em>Look at His Face<\/em> (1966)<br \/>\n<em>Our Mother is a Hero<\/em> (1979)<\/p>\n<p>Kevin Lee<br \/>\n<em>Afrique 50<\/em> (1950)<\/p>\n<p>Jorgen Leth<br \/>\n<em>First Cousin Once Removed<\/em> (2012)<br \/>\n<em>Jogo de Cena<\/em> (2007)<\/p>\n<p>Scott MacDonald<br \/>\n<em>Unsere Afrikareise<\/em> (1961)<br \/>\n<em>Time Indefinite<\/em> (1993)<br \/>\n<em>Microcosmos<\/em> (1996)<\/p>\n<p>Adrian Martin<br \/>\n<em>Journey to the End of Night<\/em> (1982)<br \/>\n<em>The Video Diary of Ricardo Lopez<\/em> (2000)<\/p>\n<p>Peter Matthews<br \/>\n<em>Homework<\/em> (1990)<br \/>\n<em>Dying at Grace<\/em> (2003)<\/p>\n<p>Adam Nayman<br \/>\n<em>The True Meaning of Pictures<\/em> (2003)<\/p>\n<p>Ben Rivers<br \/>\n<em>Filmmaker&#8217;s Holiday<\/em> (1974)<br \/>\n<em>Horendi<\/em> (1972)<br \/>\n<em>Milestones<\/em> (1975)<\/p>\n<p>Jonathan Rosenbaum<br \/>\n<em>La guerre d&#8217;un seul homme<\/em> (1982)<br \/>\n<em>Workers, Peasants<\/em> (2001)<br \/>\n<em>RR<\/em> (2008)<\/p>\n<p>Ben Russell<br \/>\n<em>My Name is Oona<\/em> (1971)<br \/>\n<em>Crossroads<\/em> (1976)<br \/>\n<em>What the Water Said, No 1-3<\/em> (1997)<br \/>\n<em>The Visitation<\/em> (2002)<br \/>\n<em>Episode III: Enjoy Poverty<\/em> (2009)<\/p>\n<p>Michael Sicinski<br \/>\n<em>Louisiana Story<\/em> (1948)<br \/>\n<em>Disorder<\/em> (2009)<br \/>\n<em>Images of the World and the Inscription of War<\/em> (1988)<br \/>\n<em>Granton Trawler<\/em> (1934)<\/p>\n<p>Amy Taubin<br \/>\n<em>Las Muertas Chiquitas Una historia inacabada de placer y de violencia<\/em> (2010)<br \/>\n<em>S21: The Khmer Rouge Killing Machine<\/em> (2003)<\/p>\n<p>James Toback<br \/>\n<em>Hotel Terminus<\/em> (1988)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sight &#038; Sound has a new list of movies I should see. This is not a full duplication of the Sight &#038; Sound documentary lists. It is a personal checklist. Consensus Picks: Man with a Movie Camera Shoah The Thin Blue Line Salesman Man of Aran Belovy (Kossakovsky 1994) Chronicle of a Summer The Sorrow [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[152],"class_list":["post-9290","post","type-post","status-publish","format-standard","hentry","category-movie","tag-lists"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/9290","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=9290"}],"version-history":[{"count":5,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/9290\/revisions"}],"predecessor-version":[{"id":11624,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/9290\/revisions\/11624"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=9290"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=9290"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=9290"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}