{"id":9424,"date":"2014-11-21T20:00:47","date_gmt":"2014-11-22T02:00:47","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=9424"},"modified":"2014-11-21T17:46:14","modified_gmt":"2014-11-21T23:46:14","slug":"rosemarys-baby-1968-roman-polanski","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/9424","title":{"rendered":"Rosemary&#8217;s Baby (1968, Roman Polanski)"},"content":{"rendered":"<p>Took a couple weeks off the blog, now back to the SHOCKtober backlog.  Got a new visual theme to support larger images (and incidentally phones\/tables\/etc) so beginning with this post, screenshots are no longer limited to 640px wide.  Party!<\/p>\n<p>After enjoying <em><a href=\"\/journal\/archives\/9376\">The Tenant<\/a><\/em>, I decided to rewatch the rest of Polanski&#8217;s &#8220;apartment trilogy:&#8221; this and <em><a href=\"\/journal\/archives\/9423\">Repulsion<\/a><\/em>, both of which I&#8217;d seen on cable so long ago that I may as well have never seen them at all before now.  Obviously these movies were the highlight of Shocktober this year, alongside <em><a href=\"\/journal\/archives\/9422\">Hellraiser<\/a><\/em>, <em><a href=\"\/journal\/archives\/9389\">Scanners<\/a><\/em> and <em><a href=\"\/journal\/archives\/9378\">Possession<\/a><\/em>.  After not paying him much attention until 2011, I&#8217;m a big Polanski fan.  All three apartment movies have terrific peephole shots, and this and <em>Repulsion<\/em> both have a dream sequence in which a ticking clock is the only sound.  I found out in the extras that Polanski threw off the lipsynch in another dream sequence on purpose &#8211; I&#8217;d been annoyed at the technical flaw but he meant it to add to the unreal atmosphere.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image14\/rosemary1.jpg\"><\/p>\n<p>Omaha native Rosemary (Mia Farrow) and husband Guy (John Cassavetes, same year as <em><a href=\"\/journal\/archives\/531\">Faces<\/a><\/em>) shop for an NYC apartment with realtor Elisha Cook (<em><a href=\"\/journal\/archives\/6840\">Phantom Lady<\/a><\/em>, <em><a href=\"\/journal\/archives\/8070\">The Killing<\/a><\/em>), settle on a place with nosy neighbors whose previous tenant passed away just a few days before.  Mia&#8217;s first friend (Victoria Vetri, Playmate of the Month right before this filmed) jumps to her death soon after they move in.  Already this is sounding like <em>The Tenant<\/em>, but instead of the new tenants going slowly insane, aspiring actor Guy makes a deal with the intrusive Castevet couple next door to have his wife impregnated with the antichrist.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image14\/rosemary3.jpg\"><\/p>\n<p>Collateral damage: the suicide woman, who it&#8217;s assumed was meant to be the demon child&#8217;s host before Rosemary came along, Hutch, the couple&#8217;s best friend before the whole demon pregnancy thing (Maurice Evans, a lead ape the same year in <em>Planet of the Apes<\/em>), Guy&#8217;s competition for a major acting role (he goes inexplicably blind).  I think Rosemary&#8217;s doctor, the great Charles Grodin (as opposed to the doc the Castevets choose for her, Ralph Bellamy of <em>The Wolf Man<\/em>), is allowed to live.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image14\/rosemary2.jpg\"><\/p>\n<p>Even without the demon baby, moving in next door to the Castevets seems like horror movie material &#8211; this may be what led to <em>The Tenant<\/em>.  Paradoxically, the crazy Castevets also keep the mood light, injecting humor into the horror.  Ruth Gordon won an oscar (beating the star of Cassavetes <em>Faces<\/em>), would star in <em>Harold and Maude<\/em> a few years later, and Sidney Blackmer played Leslie Nielsen&#8217;s dad in <em><a href=\"\/journal\/archives\/8099\">Tammy and the Bachelor<\/a><\/em>.  The ending is intense, though &#8211; Rosemary discovering the whole conspiracy, walks into a room with her demon baby, her traitor husband and a bunch of revelers yelling &#8220;hail Satan,&#8221; and instead of hurling herself out the window or burning the place to the ground, she approaches the cradle and starts to rock it gently.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image14\/rosemary4.jpg\"><\/p>\n<p>Polanski&#8217;s first American film after <em>Repulsion<\/em> and two others in England.  There was a sequel!  It starred <em><a href=\"\/journal\/archives\/3556\">Pontypool<\/a>&#8216;s<\/em> Stephen McHattie as the demon kid now in his twenties, with Patty Duke and Ray Milland.  Mia Farrow starred in <em>Secret Ceremony<\/em>, another disappearing child\/hysterical mom movie the same year as <em>Rosemary&#8217;s<\/em>.<\/p>\n<p>Author Ira Levin in 2003:<\/p>\n<blockquote><p>Lately, I&#8217;ve had a new worry. The success of <em>Rosemary&#8217;s Baby<\/em> inspired <em>Exorcists<\/em> and <em>Omens<\/em> and lots of et ceteras. Two generations of youngsters have grown to adulthood watching depictions of Satan as a living reality. Here&#8217;s what I worry about now: if I hadn&#8217;t pursued an idea for a suspense novel almost forty years ago, would there be quite as many religious fundamentalists around today?<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Took a couple weeks off the blog, now back to the SHOCKtober backlog. Got a new visual theme to support larger images (and incidentally phones\/tables\/etc) so beginning with this post, screenshots are no longer limited to 640px wide. Party! After enjoying The Tenant, I decided to rewatch the rest of Polanski&#8217;s &#8220;apartment trilogy:&#8221; this and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[842,54,39,1887,1232,1888],"class_list":["post-9424","post","type-post","status-publish","format-standard","hentry","category-movie","tag-devil","tag-horror","tag-john-cassavetes","tag-mia-farrow","tag-roman-polanski","tag-ruth-gordon"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/9424","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=9424"}],"version-history":[{"count":4,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/9424\/revisions"}],"predecessor-version":[{"id":9552,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/9424\/revisions\/9552"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=9424"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=9424"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=9424"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}