{"id":9758,"date":"2015-01-20T21:00:38","date_gmt":"2015-01-21T03:00:38","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=9758"},"modified":"2015-01-18T13:14:51","modified_gmt":"2015-01-18T19:14:51","slug":"la-memoire-courte-1982-eduardo-de-gregorio","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/9758","title":{"rendered":"La M\u00e9moire Courte (1982, Eduardo de Gregorio)"},"content":{"rendered":"<p>U.N. translator Nathalie Baye (<em>D\u00e9tective<\/em>, <em>La chambre verte<\/em>, DiCaprio&#8217;s mom in <em>Catch Me If You Can<\/em>) is hired for a job involving the nazi-investigation papers of a man played by Jacques Rivette in flashbacks.  Gregorio cowrote many of Rivette&#8217;s films, and he&#8217;s joined here by Rivette, the Lubtchanskys, Hermine Karagheuz (<em><a href=\"\/journal\/archives\/229\">Out 1<\/a><\/em>&#8216;s Marie) and Bulle Ogier (and I might&#8217;ve spotted Barbet Schroeder in a dinner party scene).  Given the personnel it&#8217;s clearly a must-watch for Rivette fans, and now that I&#8217;ve finally found and seen a subtitled copy, it&#8217;s a must-watch-again, since I&#8217;m afraid I got lost in the multinational conspiracy.  Then again, maybe that was the idea.<\/p>\n<p><em>Double dose of Rivette and Karagheuz:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image15\/memoirecourte1.jpg\"><\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image15\/memoirecourte2.jpg\"><\/p>\n<p>Rivette was seeking a nazi called Andros, possibly with help from a mysterious Holocaust survivor called Mr. Mann.  Baye tracks down a woman of Andros&#8217;s acquaintance, but Bulle is unhelpful.  Baye talks to a guy named Franck (Philippe L\u00e9otard of a couple early 1970&#8217;s Truffaut films), who provides elegant flashbacks about Bulle&#8217;s history with a general working for Andros, selling new passports to escaped nazis.  But Andros may actually be Mann, who may have killed Franck&#8217;s parents, and he&#8217;s out for revenge.  The movie ends with Mann unhurt and unexposed, Franck injured and police seeking his accomplice Baye.<\/p>\n<p><em>Baye, cornered:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image15\/memoirecourte3.jpg\"><\/p>\n<p>Nice shadowy conspiracy drama (Rosenbaum calls it &#8220;a film noir in color&#8221;) with good music (a nervous piano rumble) and stylish flashbacks.  Gregorio and cowriter Edgardo Cozarinsky are from Argentina, a country known for harboring nazis after WWII.  In their contemporary review NYTimes claimed Philippe L\u00e9otard played either the general or Andros &#8211; is that true?<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image15\/memoirecourte4.jpg\"><\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image15\/memoirecourte5.jpg\"><\/p>\n<p>Oh yeah look at that, they&#8217;ve got the same eyes.<br \/>\nThen who&#8217;s Eduardo Manet, who IMDB says plays the general in flashbacks?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>U.N. translator Nathalie Baye (D\u00e9tective, La chambre verte, DiCaprio&#8217;s mom in Catch Me If You Can) is hired for a job involving the nazi-investigation papers of a man played by Jacques Rivette in flashbacks. Gregorio cowrote many of Rivette&#8217;s films, and he&#8217;s joined here by Rivette, the Lubtchanskys, Hermine Karagheuz (Out 1&#8216;s Marie) and Bulle [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[357,98,1640,9,248],"class_list":["post-9758","post","type-post","status-publish","format-standard","hentry","category-movie","tag-1980s","tag-bulle-ogier","tag-eduardo-de-gregorio","tag-jacques-rivette","tag-nazis"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/9758","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=9758"}],"version-history":[{"count":2,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/9758\/revisions"}],"predecessor-version":[{"id":9775,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/9758\/revisions\/9775"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=9758"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=9758"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=9758"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}