{"id":9906,"date":"2015-06-30T20:00:02","date_gmt":"2015-07-01T01:00:02","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=9906"},"modified":"2015-06-30T11:57:26","modified_gmt":"2015-06-30T16:57:26","slug":"clouds-of-sils-maria-2014-olivier-assayas","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/9906","title":{"rendered":"Clouds of Sils Maria (2014, Olivier Assayas)"},"content":{"rendered":"<p>Juliette Binoche is at a crossroads.  She started her career with the younger role in a two-hander drama and still identifies with that role, but a new director wants to stunt-cast her as the older role opposite a young Hollywood celebrity.  The play&#8217;s author, her mentor, has just died.  At least her personal life is well-managed by assistant Valentine (Kristen Stewart), but as Binoche starts rehearsing scenes with her, playing the pathetic, delusional actress to Valentine&#8217;s cynical manipulator, the lines take on multiple meanings.<\/p>\n<p>Binoche is as great as she&#8217;s ever been, and Stewart nearly matches her.  Chloe Moretz doesn&#8217;t have enough screen time for greatness, but is at least given an amazing introduction within a fake sci-fi film.  On top of the overwhelming performances, the actresses&#8217; own stories and celebrity are beautifully woven into the characters, as a major plot point is casting young action-movie stars in serious productions.  Moretz plays the self-assured, paparazzi-hunted superstar and Stewart gets to be more reigned-in, gradually asserting herself then suddenly vanishing.<\/p>\n<p>Assayas admits this:<\/p>\n<blockquote><p>It&#8217;s a movie where you never lose consciousness of who the actresses are, and in the end that&#8217;s a very important element of the film. But that&#8217;s something I only realized gradually. <\/p><\/blockquote>\n<p>but also:<\/p>\n<blockquote><p>It&#8217;s not a meta movie, it&#8217;s not a movie about cinema \u2014 it&#8217;s not even a movie about theater. It&#8217;s a movie about very basic human emotions, which have to do with time passing, the perspective you have on your past.<\/p><\/blockquote>\n<p>English folk singer Johnny Flynn (he looks convincingly like a Johnny Flynn) plays Chloe&#8217;s girlfriend whose wife attempts suicide, Angela Winkler (star of <em>The Lost Honor of Katharina Blum<\/em>, <em>The Tin Drum<\/em> and <em>Benny&#8217;s Video<\/em>) is the original play director&#8217;s widow and Lars Eidinger (<em>Goltzius and the Pelican Company<\/em>) is directing the new version.<\/p>\n<p>S. Tobias mentions Bergman and D. Ehrlich mentions <em><a href=\"\/journal\/archives\/615\">All About Eve<\/a><\/em>.  Played Cannes last year &#8211; and since Cannes 2015 was just beginning when I watched this at the Ross, this was supposed to kick off Cannes Month, in which I watch movies I missed from this decade&#8217;s fests &#8211; but it&#8217;s a busy month, so we&#8217;ll see.  Nominated for everything at the Cesars, mostly beaten by <em><a href=\"\/journal\/archives\/9844\">Timbuktu<\/a><\/em> but Kristen Stewart won for supporting.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Juliette Binoche is at a crossroads. She started her career with the younger role in a two-hander drama and still identifies with that role, but a new director wants to stunt-cast her as the older role opposite a young Hollywood celebrity. The play&#8217;s author, her mentor, has just died. At least her personal life is [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[30,177,213,1847],"class_list":["post-9906","post","type-post","status-publish","format-standard","hentry","category-movie","tag-identity","tag-juliette-binoche","tag-olivier-assayas","tag-the-ross"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/9906","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=9906"}],"version-history":[{"count":1,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/9906\/revisions"}],"predecessor-version":[{"id":9990,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/9906\/revisions\/9990"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=9906"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=9906"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=9906"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}