Schanelec movies suffer by reminding me of Zürcher movies just enough to make me wish I was watching those instead. This one isn’t as entrancing as it means to be, but slightly, seductively baffling. Down-and-out druggie couple starts out busking “The Lion Sleeps Tonight” before Kenneth is called home, his mom ailing in hospital, dad asking him to use his drug connections to find morphine for her. This first couple is last seen laying down on the earth, separately. Many years later a cop is leaving her husband, he rents his own place, and the time periods are mashing up in a non-obvious way.
Blake Williams in Cinema Scope:
… an amorphous, exceedingly enigmatic trance film masquerading as a puzzle film. Puzzles fit together; this does not … These temporal leaps we’re taken through … become equal to every other narrative element. … Time, then, beyond language, becomes the decisive medium that negotiates and complicates characters’ emotional relations to one another, and Schanelec’s avoidance of distinguishing between “now” and “then” insures that the impact of every loss, every ruptured relationship, is held in an eternal suspension.
On Letterboxd: “Virginia Woolf” by Robyn Hitchcock