As the master dies, a duel between his top disciple QQ (Andy On, rookie cop of Mad Detective) and the master’s son Shen An (Jacky Heung of Chasing Dream), which QQ wins, taking over while the son asks for a rematch. I thought this meant Disciple QQ was the righteous leader and the son was the entitled guy trying to cheat his way into power, but I got it backwards. Anyway, the whole rest of the movie is rematches, QQ coming off worse and worse. It’s all nicely lit and designed, fake-looking in a beautiful way.

Meanwhile, Shen An has got a banker hotgirl (Bea Hayden Kuo of Tiny Times) but gets rescued by postal carrier Tang Shiyi, who knows the secret short sword technique QQ thinks Shen An is protecting. This all escalates to a video-gamey final wave battle in the castle before the the Martial Arts Circle breaks it up and sends everyone away for a few years to cool down.

Cheesy, stupid movie whenever anyone is talking, but it’s also the most handsome-looking one of these movies in a while, and Jet Li is back, and his and Clubfoot’s action scenes are hot. The action is chopped up more than usual, but it works, until it doesn’t. Music is hit or miss – playing the OUATIC theme on Western instruments is cool but sometimes the composer plays a choir on a sampling keyboard, which is less cool. Wong loses his memory on a trip to America, joins a native tribe and hooks up with Agent Tammy Preston (in her only acting role outside of Twin Peaks). Sammo sure is trying some things to revive the series, sometimes successfully, but goes too broad and ends up with anti-racism for babies, nowhere near the heights of his Millionaire’s Express.

Our guys are joined by Billy (stuntman Jeff Wolfe), far right:

Apprentice blacksmith Vincent Zhao is set to become the new shop master when he learns details of his father’s death at the hands of a heavily-tattooed Clubfoot, so he takes dad’s broken sword and heads off on a revenge quest. But the boss’s daughter likes him and tries to follow, and when he tries to help her he loses an arm.

Long frustrating recovery/training process ensues, Vincent now with some girl in another town. Sure enough he gets his revenge after inventing a one-armed half-sword whirling fighting style, and stays with the new girl, the boss’s daughter still pining for him into old age. After the increasingly safe cookie-cutter comedy-action style of the Once Upon a Time series, the most notable thing here is the electrifying anything-goes filmmaking technique, turning the action into abstract jags (as opposed to the abstract smears of Ashes of Time), matching the brutality of the story.

The stupidest, goofiest entry, thanks to the full line of disciples and family members from parts one through four being together for the first time – and also the most shootiest and explosionest. This time they’re fighting sea pirates, led by Elder Paco (a Yes Madam spinoff), Junior Stephen (Hard Boiled), and Elaine (The Bride with White Hair), and fortunately Katy didn’t watch this one (the pirates have an entire crate full of the severed fingers of their victims). It’s not as exciting as it sounds.

The gang:

Shaolin monks are made illegal, so all monks have to run or fight or die. Monk Fong (Wong Fei-hung in Drunken Master III the same year) and Carman Lee (between Wicked City and Lifeline) are on the run, get thrown in a trap-filled prison temple and have to fight and scheme their way out. One of the best-looking HK blu-rays around, the blood and intense brutality coming through crystal clear.

Doctor Yang (Yu Rongguang of Supercop 2, which is a different movie from Police Story 4 even though Supercop 1 was Police Story 3) goes around in disguise acting like Disney’s Robin Hood, with assistant Orchid (Jean Wang, kicking much more ass here than as 14th Aunt), making mockeries of corrupt governor James Wong (a major songwriter, also in Twin Dragons) and his lead cop Yuen Shun-Yi (of Drunken Master). Wong Fei-hung’s dad Donnie Yen (confusingly, he’ll play the title role in the sequel) is passing through town, the governor holds his son prisoner so he’ll help them catch the righteous bandit. But of course they all team up to defeat the evil master (also the evil master of Heroic Trio the same year).

Twin monkeys:

Much action ensues. I saw this on VHS or something back in the day, but it’s extremely helpful to have seen a bunch of kung-fu movies leading up to this, getting used to their plots and moves and sound effects, to appreciate this one’s particular excellence… in context of the OUATIC sequels going slowly downhill, this feels like the best movie ever made.

Like father like son:

Due to my copy’s wonky subtitles and my general lack of historical context and, uh, my inability to pay close attention to plots and alliances in movies, I dunno what exactly happened, but I know they all died heroically in the end, for the future of China.

The Big Sword lays waste to the Japanese:

Wang Wu (Yang Fan) is our main furious swordsman, getting his entire Big Sword troop killed by the Japanese in the opening scenes. He meets young masters Ti Lung (A Better Tomorrow) and Cynthia Khan (star of a Yes Madam sequel/ripoff the same year), they team up with some government guys who are trying to “reform” the government (sword-involved reform).

Our Boy Sammo:

Plenty of wire jumps and trampolines, swordfights and beheadings, people getting shot in the face, Sammo over/under-cranking every action scene. Clearly made in the wake of the Once Upon a Time movies, with its mix of action and historical politics – and from the writer of parts II and III, and with a small role for Rosamund Kwan as a rich lady who thinks Wang is quite nice. Sammo gives himself one fight playing a prison guard – it’s great, but all the fights are great. Not sure where James Tien appeared – one of the camel riding raiders? – but this movie notably has the same ending as his Fist of Fury, which I should’ve seen coming from the title.

Nefarious Ngo (Master Wong’s dad in OUATIC3) loses to The Big Sword:

Set in Beijing leading up to a grand lion king dance event. For a friendly sporting competition, a lot of guys sure get set on fire or catch spears through the chest. Focus is less on individual kung-fu, more on lion-head spectacle, though enemy-turned-ally Clubfoot (Xiong Xinxin, villain of The Blade) is the breakout star of the former. The comedy and romance get pretty bad – in fact anything that isn’t a lion-head dance is wasted time, and Foon is the worst offender. The photography is sharper than ever though, especially when Rosamund is around, and there’s some good shadowplay. Rosamund’s Russian motion-picture supplier turns out to be an assassin, caught in the act by his own tech.

New stunt coordinator Yuen Bun did Dragon Inn and the Royal Tramp movies the same year, later went on to work with Johnnie To on greats like Throw Down and Sparrow. Interesting to hear Tsui in the blu extras complain about lack of originality in modern film – everyone studies the same references and produces the same movies.

I realized that Tsui Hark wrote/produced this Dragon Inn remake between Once Upon a Time in China movies, and I proceeded to watch it with the wrong soundtrack selected, wondering why everyone was so badly dubbed, damn it. Beautiful action film, with more people twirling through the air holding swords than I’ve ever seen in a movie before.

Tall Tony 2 is protecting the children of his late superior from the power-mad evil eunuch’s forces. He meets up with fellow fighter/girlfriend Brigitte Lin at the desert inn run by Maggie Cheung, a mercenary whose chef serves previous guests for dinner. They spend half the movie looking for the secret exit door and when they finally escape through it after defending a massive attack on the inn, they only get a three second head start over president eunuch Donnie Yen due to a scarf mishap – they might as well have walked out the damn door. Maggie and her chef choose the righteous side and help the others defeat Donnie during a sandstorm. I saw Iron Vest in there somewhere, guess he did not survive.

Mouseover to see what happens when you hold your battle pose for too long:
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