Visions of Europe is a 2004 anthology film with shorts by various directors about the current state of the continent, which I’ve already started to watch earlier and still may never finish. Pretty hit or miss.
The Miracle (Martin Sulik)
An immaculate conception story, the girl’s parents and priest trying to get answers. God’s message, via the girl, “We mustn’t build tower blocks. The big ones must heed the small. We need to travel more to resist the false messiah.” Weird, kinda spooky. Not sure if the floating coffee cup at the end helped or not.
Anna Lives In Marghera (Francesca Comencini)
Briskly edited montage of an Italian student who participates in Rage Against The Machine-soundtracked political protests and prays when she’s not working on her thesis about industrial pollution.
Children Lose Nothing (Sharunas Bartas)
A girl collects frogs. Two boys fight over a girl. A paper boat! Finely photographed brownish little art short. Symbolic of something!
Room For All (Constantine Giannaris)
Talking heads tell us about the immigrant experience in Greece. Giannaris just made a movie called Gender Pop – the title alone is more interesting than this.
Prologue (Béla Tarr)
Loooong black-and-white dolly shot (imagine that) with pretty music by Mihaly Vig showing hundreds of people waiting in line to get food. Tibor Takacs was one name in the credits – could it be the director of The Gate?
Invisible State (Aisling Walsh)
A serious man in a suit tells us angrily about human trafficking. “They will tell of Irish eyes not smiling.” Walsh made a teary Aidan Quinn drama the previous year.
Crossroad (Malgorzata Szumowska)
The adventures of a catholic cross outdoors at a crossroad. Eventually some coroners take down the classic Jesus and replace it with a blobby new plastic Jesus. Was it supposed to be funny? I found it kinda funny.
Paris By Night (Tony Gatlif)
Immigrants on the run, one of them injured, run through the Paris streets to some good music. Jarmuschy. Same year as Gatlif’s acclaimed Exiles.