Real animals in this one, and oh that cyclops design, that makes up for a lot. And there’s a lot to make up for: three hours of battle scenes and whinging about the downfall of respectful society. Bunch of excellent actors and the Nolan bombast and the seat-rattling IMAX beat us into submission. MVPs: Cyclops, Travis Scott, the murderous giants, Elliot Page, Leguizamo, Pattinson, Agamemnon’s armor, Samantha Morton, the raven.

I’ve been meaning to watch Oldroyd’s Lady Macbeth for 6+ years now, so instead of finally doing that, I immediately hopped on his new thing, a period piece with two actors I like getting into hijinks. But I guess you’re not supposed to know about their hijinks – the blurb gives it away, but if you came in cold, one late-movie Anne Hathaway line could’ve been the craziest surprise in any movie all year. Far less surprising (and also given away by the promo materials, this time the poster) is that Thomasin McKenzie will eventually wield the gun she confiscated from her drunk ex-cop dad. The grainy look, winter Massachusetts light and 1960’s sweaters are all fab, as is Thomasin’s excitement by the hot new prison psychologist, who alternately seems too good for her job and very, very bad at her job (the woman Anne kidnaps is Marin Ireland, the missing girl’s mom in The Empty Man). The movie’s also full of ugly sordid details, making sure nobody who watches it will remain unharmed.