Was this a great movie, or just pretty good? Were Scarlett Johansson and Hilary Swank good in this or not? Was the movie full of style or very straightforwardly told? My answers keep changing, so I guess I’d better see it again sometime.

Josh “Bucky” Hartnett and Aaron “Lee” Eckhart are boxers (“Ice” and “Fire” respectively) turned detective-partners. Lee becomes obsessed with the Black Dahlia murder after the body is found while he’s on a stakeout shooting someone involved with the money he stole from somewhere else I forget, and abandons his wife who I think is a former prostitute who has a crush on Bucky and was disfigured by a guy who’s about to get out of jail and when he does Lee wants to kill him but ends up killed himself by shadowy rich Hilary Swank I forget why exactly while Bucky watches helpless like he so often does. At the end Bucky ends up with Scarlett of course, but still haunted by this Black Dahlia who actually doesn’t play a big part in this (and doesn’t look one bit like her lookalike Swank). There’s more to it I’m sure. Oh, and it’s all told through Bucky’s eyes so performances are actually colored by his memory of them – a cool touch.

Was fun to watch anyway, never dull, and was neat to look around the opening-night theater as the lights came up at the big WTF expression on everyone’s faces.

Man and woman are contestants on game show, go back to her place after. She argues with her ex-husband in the evening, her “sister” in the morning, then her “sister” kills the man with a big knife. Neighbor Reporter sees the killing, bring the cops, they don’t believe her. She hires private eye, then investigates on her own. Finds out woman had siamese twin who died. Gets trapped, brainwashed at woman’s ex-husband’s suspicious psychiatric house, then twin kills doctor/ex-husband. Cops now believe brainwashed reporter, but she won’t help them anymore, only repeats that there was no body because there was no murder.

Amazing that in such a hitchcock-referential movie, IMDB and I can only think of three direct sources:
Rear Window, for the obsessive voyeurism
Rope, for the body in the couch that everyone walks around and sits upon
Psycho for the killing the “main character” 30 minutes in and switching focus to someone new, and for all the psycho-babble.
I guess Sisters just intensifies the sources, makes you all-too-aware of the references if you’ve seen the original movies. Strange then that Sisters itself is getting a remake.

Best visual gag: the cake decorator tool, which in close-up looks like a long dagger dripping blood.

Has that extreme-70’s-interiors look and red red fake blood of the early David Cronenberg movies sometimes. Cronenberg must’ve seen this at some point before making Dead Ringers.

Love the Bernard Herrmann score, love the split screen scenes. Movie’s far from a perfect thriller, but it’s definitely satisfying. Great, great ending (private eye on phone pole still watching the couch at a train station).