A couple gets axe-murdered in the opening seconds, orphaning their two fully grown frizz-haired daughters who are pretending to be cavorting schoolgirls. Once they’ve grown into their actual ages they get exploited by the patriarchy, as far as I can understand – Kirsanoff is more of an editing nerd than a clear storyteller. The cad who has taken advantage of one (or both) of them gets his head smashed in by some third woman and her mustache-man, in a mirror to the open. I played the music on the disc, nice and sinister.

Orphan road:

Destitute new mother contemplating a watery grave:

Death to the cad: