Brandon's movie memory

Deeper Into Movies

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A spoiler-heavy film blog
from Richmond/Atlanta


Certain Filmmakers

Pedro Almodovar
Robert Altman
Wes Anderson
Dario Argento
Olivier Assayas
Ingmar Bergman
Bong Joon-ho
Frank Borzage
Stan Brakhage
Robert Bresson
Tod Browning
Luis Bunuel
Charles Burnett
Leos Carax
John Carpenter
Claude Chabrol
Charlie Chaplin
Henri-Georges Clouzot
Jean Cocteau
Coen Bros.
Larry Cohen
Pedro Costa
David Cronenberg
George Cukor
Adam Curtis
Joe Dante
Brian De Palma
Jonathan Demme
Jacques Demy
Claire Denis
Alexander Dovzhenko
Sergei Eisenstein
Federico Fellini
Abel Ferrara
David Fincher
John Ford
Hollis Frampton
Georges Franju
Samuel Fuller
Terry Gilliam
Jean-Luc Godard
Stuart Gordon
Peter Greenaway
Michael Haneke
Howard Hawks
Werner Herzog
Alfred Hitchcock
Hou Hsiao-hsien
Hubley Family
John Huston
Shohei Imamura
Jim Jarmusch
Jean-Pierre Jeunet
Ji-woon Kim
Jia Zhang-ke
Alejandro Jodorowsky
Aki Kaurismaki
Buster Keaton
Abbas Kiarostami
Krzysztof Kieslowski
Beat Takeshi Kitano
Stanley Kubrick
Akira Kurosawa
Kiyoshi Kurosawa
Fritz Lang
Spike Lee
Richard Lester
Richard Linklater
Ernst Lubitsch
David Lynch
Guy Maddin
Terrence Malick
Louis Malle
Anthony Mann
Chris Marker
Yasuzo Masumura
Leo McCarey
Takashi Miike
Errol Morris
FW Murnau
Manoel de Oliveira
Max Ophuls
Nagisa Oshima
Yasujiro Ozu
Chan-Wook Park
Pixar
Roman Polanski
Dennis Potter
Michael Powell
Nicholas Ray
Satyajit Ray
Kelly Reichardt
Jean Renoir
Alain Resnais
Jacques Rivette
Eric Rohmer
Roberto Rossellini
Raoul Ruiz
Ken Russell
Martin Scorsese
Ousmane Sembene
Douglas Sirk
Abderrahmane Sissako
Michael Snow
Steven Soderbergh
Straub/Huillet
Erich Von Stroheim
Preston Sturges
Seijun Suzuki
Bela Tarr
Frank Tashlin
Jacques Tati
Hiroshi Teshigahara
Tsai Ming-Liang
Jacques Tourneur
Francois Truffaut
Shinya Tsukamoto
Agnes Varda
Josef von Sternberg
Peter Watkins
Apichatpong Weerasethakul
Orson Welles
William Wellman
Billy Wilder
Wong Kar Wai
Edgar Wright

tags alphabetically, I guess: 2010s 2020s 2000s horror shorts documentary 1980's 1970's animation 1990's france 1960's Criterion 1950's japan filmmaking sequel 1930's 1940's television musical true false britain identity birds lists africa 1920's ghosts Italy silent suicide avant-garde germany New York revenge politics western aliens drugs stop-motion zombies China apocalypse russia children rock doc painting vampires WWII remake dance religion space travel comics hong kong comedy sex trains kidnapping Mexico nazis racism LNKarno awful Chris Marker pop music prison war robots double feature Spain Canada anthology film gangsters memory time travel theater magic Korea emory witches police brutality disney 1977 photography revolution poetry book adaptation Iran raoul ruiz Australia Alain Resnais digital video Portugal Last Ten Minutes kung fu samuel fuller dog demons dystopia long-ass movie David Lynch cult devil memorial screening india jean-luc godard cannibalism mad scientist Jacques Rivette Christmas Tilda Swinton Sweden Argentina dreaming animal slaughter meta artificial intelligence Werner Herzog David Cronenberg Pixar starts at the end espionage johnnie to willem dafoe time takashi miike Luis Bunuel psychic cinematography Journal Buster Keaton torture 1910's Shakespeare fake documentary WWI Agnes Varda late film giant monsters Paris circus guy maddin Stan Brakhage prostitution blindness nudity monkey serial killer cary grant cat tossing Martin Scorsese Taiwan insects puppets incest Czechoslovakia eric rohmer Joe Dante flashback film noir concert Robert Deniro conspiracy Steven Soderbergh Michel Piccoli abbas kiarostami Hong Sang-soo capitalism Edgar Allen Poe Chile performance Ireland Jean Renoir Poland Aki Kaurismaki heist Tsui Hark The Ross virtual reality Inventory werewolf frank tashlin nuns biopic video games romania coens brian de palma communism udo kier takeshi kitano Fritz Lang Kiyoshi Kurosawa Tsai Ming-liang Greece Frankenstein death identical twins

May December (2023, Todd Haynes)

February 11, 2024 by Brandon·Comments Off on May December (2023, Todd Haynes)

Shot (digitally) with major grain, in Savannah/Tybee. Natalie Portman comes to visit the scandal-couple to prep for a role, portraying criminal wife/mom Julianne Moore. Portman learns how to wear the makeup and do the lisping voice, and seduce Charles Melton, and that might be all she learned.

2020s age gap romance filmmaking georgia Julianne Moore Natalie Portman Todd Haynes

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