Monster follow-cam, like if Ben Russell made a horror movie. Maybe this was an experiment in distancing and de-emphasis – like, what if a crazed zombie stalking and slaughtering a group of sexy young people was just one of many things occurring in the life of the forest. Looking for his stolen locket, our zombie monster starts by killing the wrong guy, an asshole trapper. Strange to see this kind of thing with no music score. Maybe they didn’t know or couldn’t afford anyone who could pull off groovy stalker-tension music. They didn’t manage to write or deliver any good dialogue so maybe they should’ve done without that too. This movie’s major outcome was getting me to immediately rewatch The Cabin in the Woods, and it’d been too long since I’d last seen that, so, thank you.