We regret that we couldn’t stay for all 24 hours of The Clock in Minneapolis some years ago, so while in Boston it was easy to catch all 60 minutes of Doors, which plays on a loop with no beginning or end. People from classic movies (with some modern-auteurist exceptions: Phantom Thread, Lost Highway) enter doors, then we cut to the opposite angle and they’ve transformed into somebody different. I thought the cuts were going for maximum contrast (old person to young, man to woman, black/white to color), and I thought he was purposely choosing cheapie Brit dramas so we’d never recognize a clip/actor, but every time I thought I’d found a pattern he’d switch it up. Very funny to me that it’s 95% G-rated harmless scenes (some light gunpoint threats) except for the two minutes a class of small children was being ushered in, then it switched to Fire Walk With Me / Scream horror, and the kids were ushered right back out. We also saw Sara Cwynar’s Alphabet exhibit and her giant awesome mural in the lobby, where the desk people told me it’s pronounced “swinn-arr”. Katy watched Rose Gold with me when we got home, and felt eight minutes was long enough so she didn’t want to check out Glass Life afterwards.