Ms. 45 (1981, Abel Ferrara)

A lonely mute girl gets raped, robbed, and raped again, all in one night. She stops the second guy though (kills him with an iron, chops him up), grabs his gun and goes on a vengeance spree through the city, killing just any man she can.

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All this killing takes its toll on her daily life, and her seamstress friends at work start to notice the change. She sort of goes from righteous victim to homicidal maniac, but then she never quite loses our affection either. A lot more carefully measured and watchable than the grating Driller Killer.

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One “victim” actually takes the gun and shoots himself out on a park bench. She doesn’t kill the dog (screen shot below). Eventually puts on the nun suit and goes all Carrie at a halloween party before she’s taken out.

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Scott Ashlin says:
“What we get instead is… a film that depicts men in the harshest and most unforgiving light, presenting them as legitimately deserving a substantial proportion of Thana’s wrath. Simply put, Ms. .45 has no patience with mitigating circumstances. In this movie, people, both men and women, are defined entirely by what they do rather than by who they are. It doesn’t matter, or so Ms. .45 contends, whether an exploiter had a rough childhood or a bad day at work or a steady stream of shitty luck with the girls he dated in his formative years. Violence buys violence, end of story.”

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September 2011: Great to see this again on 35mm at Cinefest.