Thought I’d watch some shorts tonight, starting with the Guy Maddin shorts listed in the previous post. Unintentional theme: none of them had any spoken dialogue!

Film (Emend) by Deco Dawson
Crazily-edited scratched, grainy black-and-white silent footage of hands? If I hadn’t already known that Dawson was involved with Guy Maddin (as editor and camera op on Dracula and Heart of the World), I easily would’ve been able to tell.

Film (Luster) by Deco Dawson
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Same thing, except now it’s a boy shining shoes instead of a woman sewing. Some peephole photography and scary closeups of the bootblack-mascaraed boy. As far as falsely-aged avant-garde films go, this is thankfully closer to Maddin than Merhige, although it’s less captivating than it means to be. Good music.

Din of Celestial Birds by E. Elias Merhige
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Some Begotten image manipulation meets the time tunnel from 2001: A Space Odyssey accompanied by minimalist music and too much MPEG artifacting. Merhige fans may ask “HOW does he do it?” but I’d like to know “WHY does he do it?” Did jobs dry up after Suspect Zero? Some cool time-lapse of plant life for a second there. Made in collaboration with Haskell Wexler’s grandson. There was a “visual philosopher” involved, ha! The actor who played “son of earth” in Begotten (the dude who gets dragged around by druids through the second half) played “son of light” in this (seen above).

Begone Dull Care by Norman McLaren
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Handpainted film cut to jazz music, excellent in every way. I could watch this all day. First half is full explosive color, multiple layers, second half starts out all slow white scratch lines and finally gets crazy after a couple minutes.

Bread and Alley by Abbas Kiarostami (his first short)
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Opens with a prolonged shot of a boy kicking a can down an alley to the Beatles “ob-la-di, ob-la-da”. Boy can’t figure out how to get down the alley without being chased by a dog. Puzzles it out for a long while, follows an old man but he only goes halfway. Finally braves it by himself and accidentally makes friends with the dog by feeding it. No dialogue. A very happy little movie.

The Running Jumping & Standing Still Film by Richard Lester & Peter Sellers
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A jolly bit of madness out in a field. Not the funniest ten minutes of cinema I’ve ever seen, but worth watching. Some of these guys had a radio program called The Goon Show, which I’ve heard somehow led to this film which somehow led to Petulia and Strangelove and Steve Martin’s Pink Panther remake.

EDIT 2021: Watched The Running Jumping Etc. again in slightly improved picture quality, which didn’t elevate the comedy any – nothing new to report.

Second half of shorts listing from Cannes 60th anniv. celebration (first half is here):

It’s A Dream by Tsai Ming-liang
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Occupations by a hatchet-wielding Lars Von Trier
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The Gift, more weirdness by Raoul Ruiz
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The Cinema Around The Corner, happy reminiscing by Claude Lelouch
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First Kiss, pretty but obvious, by Gus Van Sant.
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Cinema Erotique, a funny gag by Roman Polanksi with one of Jean-Pierre Jeunet’s large-faced actors.
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No Translation Needed, almost too bizarre to be considered self-indulgent, first Michael Cimino movie since 1996.
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At the Suicide of the Last Jew in the World in the Last Cinema in the World by and starring David Cronenberg, one of his funniest and most disturbing movies.
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I Travelled 9,000 km To Give It To You by Wong Kar-Wai.
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Where Is My Romeo? – Abbas Kiarostami films women crying at a movie.
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The Last Dating Show, funny joke on dating and racial tension by Bille August.
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Awkward featuring Elia Suleiman as himself.
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Sole Meeting, another gag, by Manoel de Oliveira and starring Michel Piccoli (left) and MdO fave Duarte de Almeida (right).
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8,944 km From Cannes, a very pleasurable musical gag by Walter Salles.
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War In Peace, either perverse or tragic, I don’t know which, by Wim Wenders.
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Zhanxiou Village, supreme childhood pleasure by Chen Kaige.
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Happy Ending, ironically funny ending by Ken Loach.
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Epilogue is an excerpt from a Rene Clair film.
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Not included in the DVD version was World Cinema by Joel & Ethan Coen and reportedly a second Walter Salles segment.

Not included in the program at all was Absurda by David Lynch (reportedly he submitted too late, so his short was shown separately). I saw a download copy… some digital business with crazed sound effects and giant scissors.