Opens with some nice blue skies, acoustic guitar, and text advocating for worker revolution. He starts into a history of Butte MT over some Dirty Three music, tying it into the novel Red Harvest. IWW/Wobblies vs. the Anaconda mining company in early century. The company wins, destroys the unions and lords over evil conditions. Mine runs full-tilt during WWI until a horribly fatal fire sparks renewed union interest… enter Wobbly Frank Little, arriving from Bisbee, making this the Che Part 2 to the Greene film. While he’s sleeping among the workers, the company breaks in and murders him. “All the we know of Frank Little’s time in Butte and all that we know regarding his murder comes from company papers and company spies. Thus official history is company history.”

A couple of Low songs “Mass arrests and deportations begin almost immediately” after the government declares war on organizers. Movie is ingeniously designed to make me angry, ending with the poisoning deaths of hundreds of birds. The company continues to assure residents that the water is safe.

from Cinema Scope 13:

Jason McBride: “Butte’s history – and Wilkerson’s film – is bound up with the entire history of the American left, the rise of McCarthyism, the destruction of the environment, and even the birth of the detective novel … Elegant, almost-still lifes shot by Wilkerson himself recall the work of his former teacher, James Benning.”

Wilkerson: “I’ve always been excited by the Third Cinema … something that took from the high and low culture and was highly politicized, raw, a little less perfectly finished, often with social goals that outweighed pure aesthetics. They would always argue for this notion of imperfect film – a film that was perhaps not aesthetically perfect, but perfect along the lines of what they were striving for.”

Unfortunately they still haven’t invented commie propaganda films that aren’t boring, but in the early scenes Joris pulls out some terrific images of the farmland before it goes into newsreel-like war scenes. What does lboxd mean by “The film would have been seen by those making it as a documentary.”

The soldiers and the farmers working for the same cause, driving back and destroying fascism. Nice story – of course this outcome brought decades of prosperity and creativity, which is why Spanish cinema was so dominant in Europe throughout the mid-century. The music is pretty decent, and halfway through I realized there were two narration tracks and switched from Hemingway to Welles.

Begonia opened with a big voice and a full band on keyboards and drum pads. An Issues Doc, invaders killing the indigenous people and the rain forest. Brief time is spent with the invaders themselves, poor misunderstood white supremacists who feel entitled to the land because it’s “undeveloped,” very easy to root against them even though they’re victims of the same government/capitalist system that has repressed the others. The main story follows the young new leader of a Brazilian indigenous community, educated and tech savvy, using cameras and drones to document the destruction and fight back, leading missions to peacefully arrest the invaders and destroy their settlements. A woman in the nearby city is a supporter who has fought alongside them for decades. Marvelous extreme close-ups on local creatures. Our screening got a rare burst of mid-film applause: after covid hits, the local media wants to come film the native community, breaking quarantine – but they say we have our own camera equipment, just send us your shot list.