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A Fistful of Dollars (1964)

What a picture. Clint comes to town and meets the grey-haired bartender next door to the busy coffin carpenter, proceeds to get paid by both sides of the warring criminal families, then after Clint does a good deed by rescuing an imprisoned girl, he and his bartender are tortured. The coffin maker secrets Clint away to a cavern so he can recover then return and slaughter everybody.

Been a while since I saw the not-really-sequel – this is just as good, though it suffers from lack of Lee Van Cleef. The girl was in Franju’s Spotlight on a Murderer, the lead Rojo gangster in Le Cercle Rouge, his main brute in Dead Pigeon, and at least two others are from Viridiana. If nobody has yet made a supercut of atrociously dubbed children in Italian movies, nobody ever should.

–
Duck, You Sucker (1971)

Real class-warfare pervert stuff, right from the start. “He doesn’t know anything” says the white man’s mouth in grotesque Svankmajer-esque extreme closeup about the peasant their coach picks up, unaware they’ve picked up bandito Rod Steiger. The bandits next encounter a fellow criminal, explosives-rigged James Coburn, so they team up. Coburn is fighting for a cause, Steiger for cash, but after the idiot bandito gets pulled into the revolution and the government slaughters his family he becomes a true believer.

Steiger is the Run of the Arrow guy, and Coburn is the oscar winner for Affliction who was also in 100 other movies I haven’t seen. I’d preferred the alternate title A Fistful of Dynamite but once you hear Irish Coburn say his catchphrase moments before his bombs go off, you realize Duck, You Sucker is correct. He drops the accent almost immediately, but Steiger lays his on so thick I had to turn on subtitles – at long last the Italians are working with sync sound, and it’s actually worse than before. Ultimately the movie gets tedious, and the Leone apologists out there making excuses for Steiger are wrong, but some stuff blows up real good.

Coburn + parakeets:

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Two of Budd B.’s lately acclaimed late-50’s westerns starring Randolph Scott. Scott is around 60 in these, but not an Eastwood-like figure, kind of a big face and a game-show-host voice. All smiley in the first movie, darker and more serious in the second. I watched both on TCM, so all screenshots are stolen from elsewhere online.

The Tall T (1957)
Randolph Scott (“Randy” to Robert Osborne – they’re close) is kind of a stupid rancher, who loses his horse in a humiliating bet and has to hitch a ride home. Too bad the coach he hitches with is hijacked by bad men. The coach’s other passengers are a just-married couple, rich woman Maureen O’Sullivan and opportunistic accountant John Hubbard. Scott is just caught in the crossfire here, but since the bad men murdered his friend and the friend’s young son and tossed ’em in the well before Scott arrived, he is gonna get himself some revenge.

Randolph, 16 years after Fritz Lang’s Western Union, and Maureen, who started out in Frank Borzage’s Song o’ My Heart:
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Our head bad guy is Arthur Hunnicutt (Big Sky, The Lusty Men), and he’s got two sidekicks – not so bright Billy Jack (Skip Homeier of Fixed Bayonets) and sharpshooter Chink (Henry Silva!). Arthur sends the husband to make a ransom deal with the girl’s father, then kills the husband. Scott gets philosophical with Maureen over the death, then when Arthur rides off to collect payment, the prisoners wipe out Billy Jack and Henry Silva (awful lot of blood for the 50’s), wait for Arthur to return then kill him too.

John Hubbard as the traitorous coward husband:
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I liked it, but didn’t see what’s the big deal. Osborne points out that Randolph and Arthur seem like similar men, and their roles could just as easily have been switched – I guess I can buy that.

The great Henry Silva, forty years before Ghost Dog, in his first credited film role:
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Ride Lonesome (1959)

This one I liked better. We’ve got a younger, prettier, tougher dame (Karen Steele), a less smiley Randolph Scott, James Coburn in the Henry Silva slot (a fair trade), and a bonus appearance by Lee Van Cleef.

TV’s Karen Steele was also in Boetticher’s earlier Decision at Sundown and John Turturro’s favorite film of 1955, Marty.
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Scott is a bounty hunter who captures wanted killer Billy John (star of Fuller’s Verboten!) then runs into two other guys – smart guy Pernell Roberts (184 episodes of Bonanza) and dumb sidekick Coburn – who were out for BJ, not for the money but for an amnesty deal so they can live decent lives. These are obviously Good Guys, though the movie plays up the tension between them and Scott, having Pernell rave on about how he’ll have to kill Scott before they get to town.

James Coburn’s first film role! He’d become a regular for Sam Peckinpah, who also cast Randolph Scott in his final film role three years later.
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But Scott isn’t out for the money after all. He knows BJ’s dangerous brother Frank will follow them, and wants revenge for Frank’s killing Scott’s wife some years ago. Revenge taken, he surrenders the prisoner to his buddies for a happy ending. Oh yeah, and Karen Steele tags along for the whole movie but I missed exactly why because I was in the kitchen getting some ice cream during that scene. There’s a standoff with some indians who just killed her husband – I think it’s mostly an excuse for another fight scene.

Lee Van Cleef, recently of Sam Fuller’s China Gate, 25 years before Master Ninja:
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Good movie, gets a lot done in 90 minutes. Also the music doesn’t telegraph everything that’s gonna happen 20 seconds beforehand like in The Tall T.

Thrilling finale at the hangin’ tree:
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