Watched this soon after reading Vox’s reviews of Joe Berlinger’s two new Ted Bundy movies, a documentary (“a bit of a slog”) and a “morally confused” Zac Efron feature. I was considering that maybe serial killer movies are a bad idea in general, but was also stressed out and feeling like watching some murders, so thought I’d torment myself by watching ol’ self-serious Lars alienate his fans. Divided into chapters, or incidents. “You might as well be a serial killer,” taunts Uma Thurman repeatedly in the first, until Matt Dillon finally, blessedly, beats her face in. Their self-conscious Tarantino conversation immediately calmed my concerns that this would be a grim, punishing movie. I keep forgetting about the campy prankster side of Lars – this was an escalating series of hateful murders, played for laughs and meta-commentary.

Segments are divided by short scenes, Dylan references, and stock footage in every aspect ratio and voiceover conversation with “Verge,” who turns out to be the late Bruno Ganz playing Virgil, Dante’s guide through hell, speaking of Jack’s murders as artworks. Next, Jack sets out to murder a woman alone at home (Siobhan Hogan, prison guard in Dancer in the Dark), talks his way inside with the most ridiculous excuses (he’s a cop but “my badge is at the silversmith”). He clumsily, awkwardly kills her then photographs the body, comes back inside to clean up and has to escape a visiting cop. Then he takes a date (Sofie Gråbøl, star of the series The Killing) and her two kids on a hunting trip and hunts them, kids first. Then the infamous double-mastectomy incident with a girlfriend (Riley Keough) whom he has cruelly nicknamed “Simple”. Then Jack, now known to the press as the serial killer Mr. Sophistication, is found out by his ammo supplier (Jeremy Davies of Dogville), and chased to his body-freezer home base by cops, where Virgil leads him into the underworld through a house made of the bodies of Jack’s victims.

I may have accidentally watched the censored version, but runtime is only two minutes different, so I’m not gonna sweat it this time.

Visually and performatively stylized melodrama, slangy and retro and dreamily lit, like a much better Grease, or a nonmusical West Side Story. Rusty James (Matt Dillon in his third S.E. Hinton movie in a row) mopes around with his tough friend Smokey (Nicolas Cage, his second year in the movies) and his nerdy David Cronenberg-looking friend Steve (Vincent Spano of City of Hope) and Nice Guy Eddie, speaking wistfully about Rusty’s long-missing older brother, local-legend gangster The Motorcycle Boy. Rusty James has a hot girlfriend Patty (Diane Lane) who’s into him, but he cheats and disappears and flakes around. Rusty James is trying to keep alive the gang wars he barely remembers from his brother’s day, and just as he’s losing a fight, The Motorcycle Boy dramatically reappears. This is the earliest I’ve seen Mickey Rourke, four years before Angel Heart, doing his gentle/tough handsome-zen thing – everyone in town agrees he’s crazy, but we don’t see him acting crazy, except maybe when he liberates every animal in the pet store.

It’s clear from the tone of the thing that somebody is doomed – probably Rourke (and yup, sure enough). The cops aren’t happy to see him back, but a heroin-addict substitute teacher starts hanging around, and old rivalries start simmering. It’s kind of a hangout movie where not much happens, but it feels tense most of the time. Dillon’s character is kind of an idiot, and his idol brother’s return blows up his worldview that things were better in the tough old days. In the end Rourke has died, Cage has stolen the girl and said he’d take over the gang if there even was a gang, Rusty James rides his brother’s motorcycle to the ocean, and it sounds like Wall of Voodoo over the credits but I guess it was that guy from The Police.

I keep meaning to watch the four hours of extras on the Criterion disc, but haven’t found the time. The Outsiders was also a Coppola-shot S.E. Hinton-written gang movie made the same year, and I should have double-featured these. The cast in this film is impressive – the brothers’ shitty alcoholic dad is Dennis Hopper, Laurence Fishburne is a gang go-between, Tom Waits a bartender. William Smith, who starred in the real David Cronenberg’s Fast Company, is the mustache cop who uses inappropriate force to kill Rourke after the pet store incident.

Rumble brothers with grudge cop: