I think the movie wants us to root for the cops who are trying to out-brutality each other, versus drug boss Sammo Hung who had the parents of a “cute” child murdered before they could testify against him. I chose to wish righteous death upon everyone onscreen, and nearly got my wish. Each cop has his little emotional family subplot before getting killed by a white-suited knife guy, except for retiring-due-to-brain-cancer Simon Yam who unfairly gets to live to see the sequel. Sammo also survives, but has been through a lot (accidentally murdering his family using Donnie Yen as a weapon), so he’s allowed to skip the sequel. The lighting was good, anyway.

Look what happens to bad cops:

My coworkers are always asking the autocomplete apps for professional advice and they no longer trust any knowledge that doesn’t come from bots, so I finally gave in, asking a bot how this movie ends, and it gave a completely wrong answer. Brandon’s Deeper Into Movies Blog: providing more accurate movie descriptions than the autocomplete bots for almost twenty years.

You have defeated Donnie Yen, but at what cost?

Irene barely survives a violent home invasion, her family killed, her dad Johnny Hallyday (Man on the Train) visits in a Macau hospital and swears revenge. But Johnny’s not an elite killer getting dragged back into the business, he’s just a French restauranteur with a fading memory. He runs across a team of hitmen played by the Johnnie To superstars Suet Lam, Anthony Wong and Lam “Bo in Sparrow” Ka-Tung and they can fit his revenge scheme into their schedule. Of course since their boss is Simon Yam and he barely appears in the first half of the movie, I guessed the (very satisfying) second half would pit our doomed men against their own organization. Since there’s a French lead actor, this was able to play in competition at Cannes, but got robbed by Haneke and Audiard.

Bird-tossing right out of the gate. The sparrow looks like a finch, but I’m immediately happy that there’s even a bird and the title wasn’t a metaphor, though lbxd says it’s also slang for pickpocket. Back to that opening scene, Simon Yam is smiling too much and gliding around his artfully lit apartment like he’s in a musical, which nicely sets the tone for this movie, a HK crime flick where nobody gets killed and the climax is a wordless slow-mo umbrella dance. Johnnie To gives Throw Down fans another romantic balloon incident, and uses some kind of wide-angle lens distortion throughout. It looks and moves differently than his others, light on its feet, and a movie about a pickpocket gang gives him ample opportunity to show off his mastery in staging and visual design. Perfect movie.

Kelly and sparrow/finch:

Simon, Bo, Sak, Mac:

The Girl is Kelly Lin – she and the protege pickpocket Ka Tung Lan are returning from the previous year’s Mad Detective and Triangle. Lead dude Simon Yam was Lok in the Election series. Pickpocket Mac (the one with the busted head) has had some small roles, and Sak with the glasses is To’s assistant director and editor, who would later make a Donnie Yen movie about ancient warriors time traveling to modern-day HK. Suet “Fatso” Lam works for Kelly’s boss/captor Mr. Fu, and the umbrella showdown pits his skills against our guys’ for her freedom.

EDIT 2023: Watched again with Trevor, who then asked for all my Johnnie To films.