The Aviator’s Wife (1981, Eric Rohmer)

Skipped the Golden Globes and watched this non-award-winning Rohmer movie instead. Rohmer’s lead characters aren’t always cool cats. In this case, kinda obsessive, immature Francois sees the ex of his girlfriend Anne (Marie Rivière, star of Autumn Tale) leaving her apartment, then runs into him again later and stalks him to the park. While inexpertly following this guy (Mathieu Carrière, a German who appeared in some Volker Schlöndorff movies and India Song) with another girl, clueless Francois runs into super-cute (too young) Lucie, who figures out what he’s up to and helps out as a laugh. Francois stays on the trail after they part, finds out the ex was just walking around with his sister, goes to meet his fellow spy but catches Lucie with her boyfriend and sends a postcard instead. So the title refers to the ex (a pilot), whose wife isn’t even in the movie.

Lucie:

“It is impossible to think about nothing.” The first of the six-film Comedies and Proverbs series. Pretty fun little adventure, but not sure that I got anything meaningful out of it, least of all an illustration of why it is impossible to think about nothing.

Ebert:

The story … reveals little of the texture of this film, which Is about how goofy, sad and driven we can be, especially when our hearts are fueled by self-made loneliness. There’s a lot of talk in this movie … There needs to be a lot of talk, because The Aviator’s Wife isn’t about actions but about reactions, speculations, false leads, hurtful suspicions and romantic insecurity. We need to live within these weaknesses for a time in order to understand them. … The ending, in which the hero chooses alienation over the simplicity of accepting happiness, is sad, and sadder still in that we immediately identify with it.

Francois and Anne:

Lead guy Philippe Marlaud had been in a Maurice Pialat film, died at 22 in a camping accident a few months after this opened, and the young Anne-Laure Meury would return in Rohmer’s Boyfriends and Girlfriends.