In the midst of my disreputable movie spree I found some new movie list to obsess over, and wondered if it’s perhaps possible to watch the high framerate version of Gemini Man on a laptop screen. And it is… it is!

Will Smith is a super-elite hit man serving his country, who offhandedly mentions he’s “deathly allergic to bees” but that probably won’t come up again. After one last (successful) job shooting a fella on a moving train he tells his handler Ralph Brown (of the mid-2000s Exorcist prequel travesty) he’s retiring before he loses his touch. Starting his new vacation life he meets a girl with hair like this, clocks her as a spy, then rescues her when gov’t boss Clive Owen starts ordering everybody dead.

Benedict Wong shouldn’t smoke so close to a toucan:

The handler reports that the bosses have activated Gemini, and soon Will is getting his ass whupped in a motorcycle fight by the Fresh Prince. People get killed: Will’s boat friend Jack (Black Museum proprietor Douglas Hodge), his train friend Marino (EJ Bonilla of the latest Exorcist sequel travesty), eventually his plane friend Benedict Wong. Finally Will and Mary put together what we’ve known since the trailer came out and flee to Budapest to visit Yuri. Ilia Volok is stunt casting, having acted in Mission: Impossible 4 (American spy is disowned and pursued by his bosses) and Benjamin Button (lead actor is made younger with digital effects). And about those effects, the movie doesn’t shy away from long closeups on Fresh Prince’s uncanny face. The Prince gets talked out of assassinating himself after realizing Clive Owen is manufacturing infinite Wills Smith as suicide-mission supersoldiers.

Will and Fresh and Mary hoping their skulls don’t get added to the pile:

What turns this sci-fi twist on a spy-revenge story (from the writers of Shrek 4, The Hunger Games, and 25th Hour) into a literally insane must-see movie is the filmmaking tech. The crazy stunt action and star power say it’s a megamovie, but the ghost lighting, hollow sound design, and overall DTV look keep reminding of the no-budget festival screener DVDs I watched in 2008.

Letterboxed fisheye shot of a passing train, great:

A molten-masked third Will Smith gets blowed up: