Not my first movie this week shot with a distractingly distorted camera lens. Soderbergh unafraid to put big-ass music into his scenes, at least. Cheesy plot, in the end (from the writer of Secret Window), but vaguely interesting to see a serial killer meets ghost story filmed in such a detached way. See: Sam Mac, Michael Sicinski.

Funny to watch this so soon after Blue Velvet: