Actress is on a soundstage recreating a lost film with Cociña and León, in which everyone but her is replaced by puppets. She ends up entering a spreadsheet cheat code, entering the hollow earth, and arguing with the Hitler-worshipping filmmakers. I don’t know what it all meant for Chile or for cinema, but I enjoyed every scene. After The Wolf House and Los Huesos, dudes are on a roll – and I’ve just learned that they did effects for Beau Is Afraid.
Antonia Giesen and her rock & roll patient:
Shooting a flower-creature shadow with a camera-laser:
The “directors”:
