Somewhat-funny comedy with some good moments, but mostly made me wonder when it would be over. Did not leave in a good mood, and things only got worse from there.

Tim Meadows was the funniest part. Harold Ramis funny too. Dewey Cox’s love interest is in the American “Office”. Everyone’s favorite scene was Dewey’s meditation with The Beatles: Jason Schwartzmann, Jack Black, Paul Rudd and Justin Long (of “live free die hard”). John C. Reilly good, but not awards-good.

Katy liked the songs.

“Personally, I wouldn’t marry a man who proposed to me over an invention.”

The biggest MGM hit of its time, featuring original (original!) songs “clang clang went the trolley”, “meet me in st. louis”, and “have yourself a merry little christmas”. With the awesome Judy Garland (of Alone. Life Wastes Andy Hardy).

Seven-year-old Margaret O’Brien (Tootie) was second and third billed in three major 1944 movies, and won an honorary Oscar for this one. I’ll bet no seven-year-old has done as well in a single year since. Neither has Margaret, who starred in two big pictures in ’49 then disappeared to television.

At least two girls are trying to get husbands (Judy nabs the next-door neighbor at the very end, after trying hard for the whole movie) and, along with little Tootie, are blowing every little thing way out of proportion, as girls tend to do. Some excellent side plots, such as Tootie’s Halloween challenge to “kill” an intimidating neighbor (throw flour in his face). Halloween was much more anarchic and fun back then – the kids build a bonfire out of furniture in the middle of the street. The title refers to the world’s fair, which the family sadly is going to miss because Dad got a big promotion and is moving them all to New York. Happy ending: he picks his hysteric family over job advancement, Judy is to be married, and Christmas is merry after all.

Silent star Mary Astor (Two Arabian Knights, The Palm Beach Story, Maltese Falcon) played the mother. The other sister, who nobody seems to care much about, older than Tootie by a few years, was in Leo McCarey’s The Bells of St. Mary’s the next year. I could swear oldest sister Rose looked familiar, but no she hasn’t been in anything else I’ve heard of. Servant woman Katie became famous as “Ma Kettle” in ten movies over the next ten years. Handsome boy next door John Truett worked through the seventies, when he appeared in The Boy Who Stole The Elephant and A Matter of Wife… and Death. Grandpa Harry Davenport (“Mr. Jarr” in a whole bunch of 1915 comedy shorts) also appeared in William Dieterle’s Hunchback of Notre Dame and a bunch of films with “Heaven” in their titles. And Leon Ames, the father of the Smith clan, was in a bunch of good films by name directors over the next ten years, including Little Women which featured four main St. Louis cast members, had a recurring role on Mr. Ed, and in his eighties appeared with Margaret O’Sullivan in Peggy Sue Got Married. June Lockhart appears briefly. I thought she was a big name, but I guess she’s best known for TV roles in Lassie and Lost In Space, later appearing in Troll and CHUD II: Bud The Chud.

The third feature, and first in color, by musical master Minnelli, who married star Judy Garland the following year. Produced by Arthur Freed, who wrote the song “Singin’ in the Rain”.

IMDB trivia sad note for Katy: “Van Johnson was supposed to play John Truett, but Tom Drake took over.”

More sadness: “The book on which the film is based originally ran as a weekly feature in the New Yorker Magazine in 1942. For the film many of the actions attributed to Tootie were actually done in real life by [author Sally] Benson’s sister Agnes. Also in reality Benson’s father moved the family to NYC and they never did come back for the World’s Fair.”

I liked it a lot.

DEC 2023: Watched again in HD… perfect movie.

N.P. Thompson: “the most numbingly inert movie musical ever made”.

Watched it twice in a week, the second time with good sound.

Barber is imprisoned and wife-snatched by judge, returns years later (with young sailor) for revenge, kills blackmailing rival barber, finds then loses interest in own daughter, starts meat pie business with neighbor, mistreats and tries to kill young assistant, kills judge, neighbor, and (accidentally) own wife, is killed by assistant while young sailor rides off with barber’s daughter.

Loving the songs, especially “not while I’m around,” “pretty women,” “I’ll steal you joanna,” and “these are my friends”. The actors all do wonderfully, and the ol’ Burton goth murk is back with a vengeance. Katy disliked the horror aspects and wished that any character besides the two kids in love was a likeable protagonist, someone she could root for, and not a horrible corrupt monster. I thought the two kids were plenty enough brightness in the black, black. I wouldn’t call it numbingly inert, but for a musical it doesn’t exactly pop off the screen. Maybe Thompson will dig the 3-D re-release.

I’ve gone back and forth a few times since seeing this.

FOR: the subjective camerawork from a bleary-eyed stroke victim’s point of view for the first 20 minutes is beautiful and avant-garde. The flights of fantasy mix and clash with harsh realities, like Bauby’s ex-wife and current girlfriend fighting over him via conference call, and there’s enough humor and absurdity to keep the whole thing light, even with the clouds of death and disability and shattered families hanging above.

AGAINST: it’s Schnabel’s third bio-pic in a row, and the story of a rich guy in hospital looking back on his life’s mistakes and dictating an autobiography by blinking his one good eye makes for the least essential story of the three. Bauby’s post-stroke struggle is interesting, but his life and character are not.

I feel like I should warn people against watching it, and at the same time, I want to run out and watch it again.

Max Von Sydow played Bauby’s father, and Ghost Dog’s ice cream man played his friend. His hot wife has been in a few Polanski movies (oh, she’s married to Polanski) and his even hotter nurse was in Ararat (the painting-slashing girlfriend, I think). Bauby himself starred in Assayas’s “Late August, Early September” and was billed just below Michael Lonsdale in “Munich”.

A sentence fragment from an IMDB review could be an alternate title: “The Patience of Others”.

Good ol’ Muppet Christmas Carol, just like I’ve seen it twenty times before.

Christmas Past is voiced by a nine-year-old, Christmas Present has Katy’s favorite line “come in and know me better man”, and Future is run by the lead puppeteer from Little Shop of Horrors.

Brian Henson also did Muppet Treasure Island and is supposedly exec-producing a Dark Crystal sequel and Fraggle Rock: The Movie in ’09, ugh.

Michael Caine did pretty well, but I thought Kermit and the hecklers both upstaged him.

Sembene’s fourth feature and his second movie I’ve seen named after a spell/curse.

IMDB: “It is the dawn of Senegal’s independence from France, but as the citizens celebrate in the streets we soon become aware that only the faces have changed. White money still controls the government. One official, Aboucader Beye, known by the title “El Hadji,” takes advantage of some of that money to marry his third wife, to the sorrow and chagrin of his first two wives and the resentment of his nationalist daughter. But he discovers on his wedding night that he has been struck with a “xala,” a curse of impotence. El Hadji goes to comic lengths to find the cause and remove the xala, resulting in a scathing satirical ending.”

Rama the daughter appears in Guelwaar.

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My Favorite Twenty New Movies in 2007

not sorted, just grouped by vague categories:

five miraculous foreign films:
Bamako (Abderrahmane Sissako)
Black Book (Paul Verhoeven)
The Wind That Shakes The Barley (Ken Loach)
Dry Season (Mahamat-Saleh Haroun)
Chacun son cinéma (shorts by a buncha directors)

two critically-loved mid-year american masterpieces
Zodiac (David Fincher)
Ratatouille (Brad Bird)

three brilliant early-year action-comedies
Grindhouse (Rodriguez/Tarantino/Wright/Roth/Zombie)
The Host (Bong Joon-ho)
Hot Fuzz (Edgar Wright)

oscar-season masterpieces
Atonement (Joe Wright)
No Country For Old Men (Joel & Ethan Coen)

glorious and unconventional musicals
Sweeney Todd (Tim Burton)
Once (John Carney)

fits both of the above categories:
I’m Not There (Todd Haynes)

difficult auteur-defense conflict pictures
Inland Empire (David Lynch)
Eastern Promises (David Cronenberg)

three that nobody cared about but me:
Sunshine (Danny Boyle)
The Screwfly Solution (Joe Dante)
Ten Canoes (Rolf de Heer)

next ten runners-up: The Namesake… Offside… Across the Universe… The Lives of Others… Away From Her… Private Fears in Public Places… Into the Wild… Paris je t’aime… The Simpsons Movie… The Diving Bell and the Butterfly

All seen on video for the first time, none are current releases, except maybe “The War Tapes” because I can’t remember if it played theaters here or not.

Top ten, in order:

1. Celine and Julie Go Boating (1974, Jacques Rivette)
far exceeds its reputation, a truly amazing film, like candy on my TV
2. Muriel (1963, Alain Resnais)
3. Dog’s Dialogue (1977, Raoul Ruiz)
one of my favorite short films ever
4. Pennies from Heaven (1981, Herbert Ross)
one of my favorite musicals ever
5. Three travel films by Chris Marker:
– Sunday In Peking (1956 China)
– Description of a Struggle (1960 Israel)
– The Koumiko Mystery (1965 Japan)
6. Matinee (1993, Joe Dante)
7. Miami Vice (2006, Michael Mann)
a work of art unfairly lumped in with “dukes of hazzard” and other TV remakes
8. The War Tapes (2006, Deborah Scranton)
I cried tears of pure sadness
9. Army of Shadows (1969, Jean-Pierre Melville)
fewer tears, but still a shocking war story
10. Little Dieter Needs To Fly (1997, Werner Herzog)
third war movie in a row, this one considerably happier

Next ten, alpha:

Cabin Fever (2002, Eli Roth)
The Exterminating Angel (Luis Buñuel)
The Face of Another (1966, Hiroshi Teshigahara)
The Girl Can’t Help It (1956, Frank Tashlin)
Guys and Dolls (1956, Joseph Mankiewicz)
The Lady Eve (1941, Preston Sturges)
Los Angeles Plays Itself (2003, Thom Andersen)
The Tales of Hoffmann (1951, Powell & Pressburger)
Waiting For Happiness (2002, Abderrahmane Sissako)
Werckmeister Harmonies (2000, Béla Tarr)

Runners-up:
Le Joli Mai (1963), Zazie dans le métro (1960), David Copperfield (1935)

honorable mention:
A Brighter Summer Day (1991, Edward Yang)
seemed like it lives up to its masterpiece reputation, but in the crummy version I watched, I think I lost a ton of plot details… will surely place higher when I see it again.

happy auteur discoveries:
John Ford (The Searchers)
Billy Wilder (Some Like It Hot)
Shohei Imamura (Vengeance Is Mine)
Eric Rohmer (first two moral tales)

five more great musicals:
The Young Girls of Rochefort (1967, Jacques Demy)
The Music Man (1962, Morton DaCosta)
Fiddler on the Roof (1971, Norman Jewison)
Meet Me In St. Louis (1944, Vincente Minnelli)
Red Garters (1954, George Marshall)

the better-than-it-should-be award:
a tie between Hard Candy & Lord of War (both 2005)

the most awesome cult / b-movie award:
Brain Damage (1988, Frank Henenlotter)

the “ahh, I get it now” award:
L’Avventura (1960, Michelangelo Antonioni)
runner-up: Hiroshima Mon Amour (1959, Alain Resnais)

the saddest movie award:
The Road to Guantánamo (Michael Winterbottom)

the “child favorite that is, against all odds, still a favorite 20 years
later” award: a three-way tie!
Gremlins 2: The New Batch (1990, Joe Dante)
Night of the Creeps (1986, Fred Dekker)
Little Shop of Horrors (1986, Frank Oz)

the “makes me feel cooler just for having seen it” award:
Pandora’s Box (1929, G.W. Pabst)

funniest movie ever seen on an airplane:
Jackass The Movie 2

Best Retrospective/Not-Current Films Seen Theatrically

#0. Out 1 (1971, Jacques Rivette) at the Museum of the Moving Image in New York
not so much a movie as an experience, too amazing to even join the rest of the list

1. Play Time (1967, Jacques Tati) at Emory
2. To Sleep With Anger (1990, Charles Burnett) at the film festival
3. An Autumn Afternoon (1962, Yasujiro Ozu) at Emory
4. La Ronde (1950, Max Ophüls) at Emory
5. Killer of Sheep (1977, Charles Burnett) at the film festival
6. Red Balloon / White Mane (1953/56, Albert Lamorisse) at the Midtown Art
7. Pierrot le fou (1965, Jean-Luc Godard) at the Midtown Art

all below had seen before, but was great to see again:
8. L’Atalante / Zero for Conduct (1933-34, Jean Vigo) at Emory
9. The Nightmare Before Christmas in 3-D (1993) at some multiplex
10. The 400 Blows (1959, Francois Truffaut) at the Plaza