I’m sad that there’s bird killing in this movie, but at least it’s traumatic to young Bart, who remains gun-crazy but never shoots a living creature again. Going through a teenage Russ Tamblyn phase, he’s sent to reform school for breaking into a gun shop, and years later returns from the army as John Dall (just off playing Brandon-who-thought-he-was-god in Rope). Still gun crazy, he reconnects with his childhood buddies and sees the gun crazy Peggy Cummins (also love interest of Night of the Demon) in a circus. An impulsive Bart steals her away from drunken proprietor Barry Kroeger (Cry of the City) – they get fired, married, and live the high life with absolutely no plan until they end up broke in Vegas, and she talks him into doing holdups. On the run, they’re gonna give up the criminal life after One Last Job, a big one where they get hired by the targeted company and work from the inside. With no traumatic backstory to stop her, Peggy freely shoots civilians during their escape, and trouble quickly closes in when desperate Bart takes them to his hometown to hide out. Such great camerawork, especially in the car scenes.

Russ/Bart:

Pre-Body Snatchers Kevin McCarthy and his cheesehead buddy Jack Kelly (Forbidden Planet) scout Mickey Rooney at an auto race, clocking him as a capable driver without a big ego, and schmooze him for half the movie before even revealing that they’re planning a heist and need a driver. They hook him up with lovely Dianne Foster and he falls hard, while in private the beautiful people call him “a little ugly guy.” She has the decency(?) to tell Mickey they used him at the end, and cornered, he kills both of the heist guys. My first Richard Quine movie, and I have to keep reminding myself he’s the guy from television, not from the Voidoids (or Television).