Oh Doctor (1917)

Arbuckle’s doctor is a horrible man, abusing his son Buster, straying from his wife at any opportunity, and gambling away the family savings on a hunch. Some people try to scam him but he beats them up, steals a bunch of cash, prospers. An evil movie!


The Cook (1918)

A whole different thing, Arbuckle & Keaton coordinating impossible stunts in a kitchen with a running gag that all food orders come out of the same giant pot. Sure it gets weird when The Joker arrives at the restaurant and tries to dance some ladies to death.


The Bell Boy (1918)

More ingenious gags, plus some silly haircuts. Ended up watching this one twice.

The Joker (Roscoe’s nephew Al St. John) demonstrates how not to ride a horse:

German Chloe Sevigny gets a job at a haunted hotel where everyone is unfriendly then she disappears into the woods like her predecessor did. Think this was Hausner’s second feature – I looked it up after watching her sixth. Our girl’s sinister coworker was Birgit Minichmayr, star of Everyone Else.

After reading Beatrice Loayza’s essay for the new box set, I had to watch an Akerman movie. But I cannot tolerate silence in a home screening, so, per the artist’s original intent, I made a playlist with Colleen then Titan to Tachyons then Tomeka Reid Quartet.

Static camera, hanging around in the hotel lobby and hallways and especially elevators, even getting into a couple rooms. Then back to the hallways… long static takes of hallways. Then movement! Dolly up a hallway, looking out the window at NYC, impressive jump cut from night to day, back up and down the hallway. Movie ends on the roof, slow rotation looking out at the city, the movement reminding of La Chambre. Akerman had moved to NYC and made these films with DP Babette Mangolte, both artists influenced by Michael Snow, then Mangolte shot Snow’s Rameau’s Nephew the following year.