I think the notes I took while watching this can stand on their own:

Girl Fishball’s prost mom gets beaten to death
He’s trying to save up for a fake ID but gets into gambling with the boys
Music is too big but maybe that’s the 1980s setting
This is 1986?

Raymond is the “employed cop” (?) of Detective vs. Sleuths
Cyclone’s doctor is looking for dead Jim’s son to kill his whole family
Chau is the doc, Lui killed his family, Jim was Lui’s killer who seems modeled after Daniel Day Lewis in Gangs of NY
Jim is Koo’s Throw Down costar

Boss Tiger lost an eye to Jim, Boss Chau his family, and Cyclone killed Jim
Cyclone was secret friends with Jim and smuggled his family out of town after killing
Our guy is Jim’s son, whitehair doc Chau is pissed
They spent a billion dollars recreating the neighborhood for this film, but needed these guys to play different ages in the 1960s and 1980s and threw some talcum in their hair
Gravity-defying fights, not going for realism despite the kowloon recreation

AV is guy with underwear mask
It uses the godzilla (??)
They all butcher each other while Lok is incapacitated
Some of the goofiest action moves since Dragon Inn
Almost everyone is dead and the cops have Lok

Sammo’s sunglasses guy King uses this fight to move in and take over
King kills his boss Sammo after killing Cyclone
King’s deal is that he is physically indestructible
The action is too choppy, but decently cool
I saw a lady for a few seconds, must have been a mistake

Dude survives the suicide pact with his now-dead girlfriend thanks to three blood donors: architect Eric, cop Lok, and cute girl with mental illness Joy. Now they’re all seeing blood visions and being haunted by the bald-capped dead girl. This drives them all nuts – Eric throws blood around at the girl’s funeral, a possessed Lok kills his dad, both men (and the surviving lover) die and Joy ends up in an asylum. Grim movie, to the point of stealing the Requiem for a Dream music during the blood transfusion scene.

tfw you have mental illness:

Catching up… I shouldn’t have watched this within a couple weeks of Detective vs. Sleuths. Johnnie To may be retired but his particular way of lighting street scenes lives on – writer, editor, and DP are all from Drug War, Blind Detective, and Romancing in Thin Air.

Bo from Sparrow is a twitchy guy trying to help people change their fates. His latest client leaves and is immediately murdered, witnessed by a pervert delivery boy whose hobby is killing CG cats, always pursued by a mustache cop. According to fate, Bo will go insane and the delivery guy will do a murder, so they team up to change the future. Then a bad-luck prostitute moves into the apartment building, looking like an excellent victim to both the delivery boy and the real killer whose bag of knives keeps changing hands. My second HK movie lately with scenes in a morgue, as Bo tries some spirit-transfer business, but tragically he ends up becoming an MPD psycho and getting locked up, as the cop retires young and the delivery boy learns to be kind to CG animals.

I should’ve watched an actual Johnnie To movie, but instead I watched this generic cops & robbers flick from his production company. A super-hot getaway driver breaks a jewel thief out of prison in time for their big heist… meanwhile, fiery young cop learns a special automotive technique from his about-to-retire partner, who is killed by the baddies post-heist, provoking a cathartic faceoff finale. It couldn’t sound more generic, but fortunately the movie is full of delicate character details which really… haha no I’m kidding, it is totally generic. I bought Heat last week on blu-ray, and should’ve rewatched that instead.

I guess I’m not enough of a gearhead to be excited about the film’s magic getaway technique (which I’m calling the Hong Kong Drift), in which the driver makes the wheels spin awfully fast, squealing without the car driving forward, then turns the wheel in order to rotate in place. So, in a week when I’m watching trailers for this summer’s fast-driving heist movies, Baby Driver and Logan Lucky, this movie’s showcase is… making the cars barely move.

Noble Cops:

Cheang went on to make The Monkey King and Kill Zone 2. Our hotheaded hero is Shawn Yue (Young Tony Leung in Infernal Affairs and its prequel), his mentor is Anthony Wong (also Infernal Affairs, and star of Exiled), and enemy driver is Xiaodong Guo (Tsui Hark’s Missing). In true Johnnie To fashion, there is a minor character named Fatso, but distressingly he is not played by Suet Lam. Oh and hey, there’s even a lady in the film: a doctor whose name I didn’t catch, but was probably Barbie Hsu of Future X-Cops and Croczilla.

They record their chases on in-car VCRs. I’m watching a bunch of 2012 movies this week – this one has VHS tapes, and both Ape and Jack & Diane have audio cassettes – what’s the deal?

Bad Dude in Killer Car:

“Cheang’s background as an horror director serves him very well as every chase becomes a slasher film cat and mouse game full of menace and the white Nissan that serves as the film real villain and one true memorable character gains an almost serial killer status.” Of course Furtado loved it – he likes Alien vs. Predator.