Tales of Terror (1962, Roger Corman)

I was going to watch this right after Southbound then realized they were both anthology horrors, so spaced it out by a few days. My second Corman / Poe / Price movie this month after Pit and the Pendulum


Morella

“It’s Lenora, father.” Maggie Pierce (The Fastest Guitar Alive) hasn’t seen her dad Vincent Price in 26 years, and is visiting now because her marriage has failed and she has a mild cough (and therefore, since this is a movie, only a few months to live). Price still blames her for the death of his beloved wife Morella, is wasting away in his Miss Havisham house. Poor Lenora doesn’t even know how her mom died since she was an infant at the time, so Price explains that she collapsed at a party while yelling “it was the baby.” Hardly seems fair, but apparently Morella (Leona Gage of Scream of the Butterfly) still blames the baby, rises in the night to murder Lenora and burn the place to the ground.


The Black Cat

Montresor Herringbone is a hopeless drunk who steals from his working wife Annabel (Joyce Jameson, who’d costar with Lorre and Price again the following year in Comedy of Terrors) to get enough wine to stop the hallucinations. He’d be a hateful fellow if he wasn’t being played by Peter Lorre in comic mode… and speaking of comic mode, Price plays Fortunato Luchresi, a foppish wine expert whom Lorre challenges to a tasting competition in order to get free wine. Surprised by Lorre’s knowledge and (lack of) technique, Price follows him home and falls for Annabel. When Lorre finds out he chains them in his cellar and walls them in – the perfect crime if not for the black cat he accidentally bricks up, whose howls alert the police.

Loved the acting, the reptile hallucinations and dreams (Fortunato and Annabel playing catch with Lorre’s severed head, the picture smeared and distorted). Each scene ends with a 400 Blows zoom. Price calls the wife “my treasure,” but isn’t that what Lorre’s name “Montresor” means?


The Case of M. Valdemar

Valdemar (Price) is dying of an incurable disease, and mesmerist Carmichael (Basil Rathbone, Sherlock Holmes of the 1930’s and 40’s) agrees to relieve his pain for free in exchange for participation in an experiment – to mesmerise Price at the moment of death to see if they can extend it. Medical Doctor James (David Frankham, who worked with Price in Return of The Fly) is against all this, of course, but Price insists, and also wishes his devoted wife Debra Paget (the dancer in Fritz Lang’s Indian Epic) to marry Dr. James when he dies. But the hypnotist has other plans, and when he successfully has the dead Price’s soul trapped in mesmeric limbo, he holds it hostage until Paget will marry him instead. Price solves this problem himself, rising from his death bed and melting all over the amoral Carmichael.

The Good Doctor and Good Wife: