AV Club: “The script comes from Eric Roth, who would probably by accused of borrowing too liberally from Forrest Gump if he hadnâ€™t written that too.” Wow, dude also wrote that Eric Bana gambler love story I was just mocking yesterday, and my favorite film to hate, The Postman. No wonder writing seemed to be the weakness in this would-be-spectacular movie. Huge issues (hello, racism) were ignored, episodes (hello, Tilda Swinton) weren’t well integrated with the rest of the film, and Button ended up seeming like an unambitious blank who doesn’t do much with his so-called remarkable life.
Katy suggested the unambitious-blank part and some Forrest Gump comparisons, but I wonder if that wasn’t the point, to show a regular guy with parental issues who meets a girl, goes to war, has a kid, rambles around and never quite finds his place in the world, the whole aging-backwards thing being the only remarkable thing about him. That and the movie’s obsession with mortality make it a meaningful story about life and how to live it. Maybe we unrealistically expected Button to be some kinda sci-fi superhero, while the movie was trying to speak to us about life and death, love and loss, or maybe on Christmas day we weren’t in the mood for an extended monologue about mortality, but this came out feeling like a pretty alright movie, a tearjerker to be sure but maybe not the acclaimed masterpiece to which we’d been looking forward.
Pretty nice music by Alexandre Desplat was loud and fuckin’ clear, since 45 minutes before the end of the film our dialogue track almost entirely cut out leaving us with whispered words under a huge score… thanks heaps, Regal. At least we could still hear when we tried hard, since most of the audience was either heavily concentrating or fast asleep by then. Shot NOT by Fincher’s Zodiac guy, and boy am I relieved, cuz in the parking lot I was bemoaning the lack of surprise or interest in the camera setups (figuring the CG effects left no room for surprise), comparing it negatively to the immaculately-shot Milk, which we’d snuck into before our feature started… forgetting that the Zodiac guy actually shot Milk, and some nobody (the D.P. of the last M. McConaughey romance flick) shot The Ben Buttons, thus preserving my aesthetic intuitions.
So right, Ben kills his mom being born in New Orleans on the day WWI ends, is abandoned Penguin-style by his dad, discovered and raised by Queenie and (boyfriend?) Tizzy in an old folks’ home, where unsurprisingly, people die from time to time. Ben meets a girl who is not yet Cate Blanchett but one day will be. Ben, BTW, is incredibly old, confined to a wheelchair, then learns to walk with canes as he grows ever younger. He gets a job on a tugboat, has regular sex with married Tilda Swinton in a hotel, and helps in the WWII effort while Cate becomes a dancer with hip bohemian friends & spontaneous lovers. The time is not right for those two to get together, but one day after Cate’s career-destroying car accident the time is right and they do and are very happy and have a kid. Ben finds out that his real dad is Mr. Buttons, who dies and leaves Ben the button factory he ran. Also dying: war friends, Tizzy then Queenie. Ben is afraid when he grows too young he’ll be a burden (he is) so he leaves Cate and bums around the world instead. Interesting how as his brain becomes less developed and he gets smaller, it’s effectively alzheimer’s disease – he forgets more and reverts to childish behavior living in his childhood home. Cate’s daughter grows up, her “dad” dies, and while caring for her dying mom (still played by Cate, unrecognizably) the day before Hurricane Katrina hits, she learns the whole story in a huge framing device.
Brad Pitt, after a brief spell of manic energy in Burn After Reading, is back to his brooding-as-acting style, which should work just fine in next year’s Terence Malick picture with appropriate wistful voiceover. Cate is wonderful as fucking always – the acting highlight of the movie, she can do no wrong. Brad’s Coen-costar Tilda Swinton is fine with the tiny role she gets.
People I Thought I Should Have Recognized But Actually Shouldn’t Have include TV’s M. Etc. Ali as Tizzy, an otherwise uncredited actor as the African fella who takes young Ben to a brothel, Cap’n Mike: Jared Harris (Lady in the Water), and adoptive mom Taraji Henson (Talk To Me). People I Recognized But Didn’t Know From Where include Guy Ritchie action star Jason Flemyng as Mr. Button. People I Did Not Recognize At All include framing-story secret Button daughter Julia Ormond (Inland Empire), and People I Should Have Recognized But Somehow Missed include Elias Koteas as the blind clockmaker who kicks off the story.