Rewatched on the fancy new blu-ray. I’m not this movie’s biggest fan (some of my favorite film critics revere it) but its depiction of two socially awkward people in love is pretty delightful to watch, and feels more true than your Silver Linings Playbook and other recent attempts. The plot reads like a total Little Miss Sunshine quirk-fest (man finds harmonium on the street, gets robbed and stalked by phone sex operators, buys thousands of puddings in order to make a big romantic gesture) but in practice it never seems lame or trite. This time around I appreciated how the music gets weirder, pinging and scratching, according to Sandler’s frame of mind.
There is an attractive spontaneity here that is largely absent elsewhere. More importantly it is the first, and perhaps only, Anderson film that feels wholly his. It is much harder to pick out the filmic references this time around. No doubt both Boogie Nights and Magnolia were intense labours of love but this film shows Anderson free from the shackles of Scorsese, Altman and his other inspirations and free from audience and critical expectation.