Pear (2024 Joel Potrykus)
Two-hander about trauma, and Joel’s second movie of the year about suicide. Woman re-grows her dead husband in the back yard, but he’s not the same.

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De Düva: The Dove (1968, Coe & Lover)
A silly-assed Ingmar Bergman parody in fake-Swedish (challenging Death to a game of badminton) has no business being this good.
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The Cuckoo Waltz (1955, Emile van Moerkerken)
Processions of people (or zoo animals), some serious and some less so, speed-manipulated so they dance back and forth in slow-fast-motion. Cute.
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Fashion (1960, Yoji Kuri)
No real build to this, just a five-minute boogie of film-scratch animation playing off some cut-out figures with an all-drums soundtrack for five minutes.

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Love (1964, Yoji Kuri)
Absurd love story – tall woman chases short man with a butterfly net until she captures him and makes him her pet. Much dialogue, but only the word “hi.”

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The Window (1965, Yoji Kuri)
Windows, more like it – apartment building with windows lighting up to follow the hijinks within.
