I don’t sit around wondering about the private/interior lives of musicians, but ever since the classic Of Montreal lineup (roughly from Gay Parade through False Priest) broke up, whenever I hear one of their songs in a mix or they release a new annoyingly-titled record, I think “what is Kevin’s deal anyway?” So I watched this to discover what is his deal. BP Helium sums it up pretty clearly at the start of the movie (“Kevin is a weirdo”) then at the end after firing all his bandmates Kevin reports that he “chose art over human relationships.”

Songs are cut pretty short until the title track, a great montage of fans singing along with his divorce lyrics. The band had been bleeding members as they got big, hiring too many new members at the peak of their popularity (Solange is onstage, Susan Sarandon is a fan), then when he recorded Sylvianbriar he fired anyone who was left. Brother David concurs: they’re here to make art, not to make friends. It’s all pretty promotional-chronological, with zero mention of Kevin’s trans alter ego, even though record reviews made a huge deal of it back then. Great scraps of concert footage anyway, a valuable collection of their antics and costumes.

with Nina Twin:

On Valentine’s Day I watched the Ethan Hawke gay cowboy movie. He’s a lawman, and says his old flame Pedro Pascal’s no-good son killed someone, so Pedro shoots Ethan so the son can get away. Pretty good sketch of a movie, not as fully-formed as The Human Voice. Cheap digital cinematography, “maybe an ad for something” I wrote, and I think it’s the clothes – costumed and produced 15 years posthumously by Yves S/L, whose Bonello biopic I should watch one of these days.

Mia Wasikowska is new at boarding school, teaching “conscious eating” to five students, either because they’re weight-watching or environmentalists or looking for an easy grade. It’s a culty class, but everything in these kids’ lives is culty. She has them eating less and less, then nothing. “You could be among the few who could actually live, when the rest of the world is going under.” She’s fired for associating with a pupil in private, because she took Fred to the opera, not for endangering their lives. Some kids take the course more seriously than others – environmentalist Elsa loses her mind completely – and at Christmas break four of the kids disappear.

Great soundtrack. My first Mia movie since Piercing, but that’s on me for missing Bergman Island. Funny to watch this right after Thanksgiving – both movies feature a trampoline and electric carving knife. That movie had more horrific deaths but this one has more disclaimers in its credits. Blake took it seriously in Filmmaker.

Fred, Ragna, Helen, Elsa, Ben:

Lotta characters in this – at least the third feature film based on joke Grindhouse trailers – but what’s important is that the survivors of a black friday riot are being hunted, captured, and posed at a private “turkey” dinner by bereft psycho cop Patrick Dempsey, who loved riot victim Gina Gershon. The killer hides behind a pilgrim mask until the climactic parade, when he swaps out for a killer klown mask. Lotta nastiness – one girl gets corncob holders in the ears then chucked into a table saw. Enough victims and false leads to get over the 100 minute mark. A gross good time, but not substantially better than the two-minute version. I’ve skipped everything by Roth for sixteen years – since Hostel 2 he’s done a couple TV things, a shark documentary, a remake, a kids movie, a cannibal horror, and a Keanu Reeves movie I watched the last ten minutes of.

When you’ve been facially mutilated and cannot call for help:

Jason Schwartzman is an underachiever, an anti-authority loser who accepts his lot in life. He hangs out with his mom Olympia Dukakis until she dies and leaves her fortune to caretaker Tunde Adebimpe. He takes a jiffy lube job to get close to Eleanore Pienta, but Tunde likes her too. He talks to his dog. The title song plays over the closing credits. I didn’t feel like immediately rewatching it, a la Frances Ferguson, but I’ll rewatch them all if I live long enough.

Great rock doc, maybe the absolute ideal. Songs play all the way through, with good live sound. The movie conveys the experience of a high-energy club show, and she asks direct interview questions behind the scenes. They filmed in 1979 and ’80 and this came out summer 1981… where’d the bands end up?

The Bags broke up before the movie’s release. Alice’s recent solo records are good, her bandmates migrated to Gun Club.

Ron Reyes was a short-lived Black Flag member, their second singer, and by mid-1981 the band was testing out Rollins, their fourth.

Ron:

Circle Jerks are still together, kind of, and their members have been in Redd Kross, Bad Religion, Off!, and Black Flag.

Catholic Discipline was short-lived – their keyboardist became El Vez.

The Germs singer died at the end of 1980 – one band member would later form a group called Celebrity Skin, and another would join Nirvana.

Darby:

Lee Ving of Fear was in the movie Flashdance, and every few years all his band members quit over “his right wing beliefs and his lack of empathy” and he hires new band members.

X would stay together forever, more or less.

People like this one much more than I did… I’m losing my touch, I’m enjoying the wrong movies. I figured Minnelli plus Shirley MacLaine as an automatic good time, and throw in Frank and Dean for some buddy comedy, but everyone’s in morose drama mode, enacting a novel by James Jones and trying to replicate From Here to Eternity‘s oscar success.

The first problem is casting Frank and letting his brother be named Frank. They changed the ending of the novel, killing off Shirley instead of Sinatra, they couldn’t change a character name? Sinatra wishes the annoyingly intellectual Martha Hyer would fall for him, he shacks up with traveling gambler Dean, and finally settles for Shirley since she won’t leave.

L-R: Frank’s Brother Frank, the real Frank, Agnes and Dawn:

Ness/Costner, a true believer, says “let’s do some good” before busting up a joint he falsely heard is importing liquor, then the others make fun of him for the action-movie quip. He puts a team together in honest cop Sean Connery, sharpshooter Andy Garcia, and accountant Charles Stone (future director of Air Bud) to go after Al “De Niro” Capone for tax evasion since they can’t get him for anything else, and do-gooder Ness learns that he can’t stay clean when everyone else plays dirty.

Towards the end of this movie I wrote that it’s “THE 1987 movie” – not the best or most popular, but it’s the movie, and I wondered if I could find the movie for every other year – but the next morning I wasn’t sure what I meant by that.

It is hilarious that Connery won a supporting oscar for his Highlander II-ass performance instead of… I dunno, John Goodman in Raising Arizona, or The Cowboy in Innerspace, or Alice Cooper in Prince of Darkness, or That 70’s Dad in RoboCop.

De Palma makes a theme of child endangerment leading up to his stairway setpiece:

A hornt-up married couple cause an army transport to lose its unstoppable bulletproof kung-fu super-zombie cargo. A discordite said Snyder’s title sequences are always tops – agreed, even the font is nice, but it’s all downhill pretty soon.

Las Vegas quickly falls into a contained Resident Evil situation (aka a Doomsday scenario), which the President is gonna nuke on independence day (obvs. a Mr. Show “America Blows Up The Moon” reference). Before that happens, rich guy wants Dave Bautista to put a team together (you sonofabitch) and heist some money from Zombie Vegas. The only actor worth mentioning is chopper pilot Tig Notaro, and even she runs out of good quips in the second half. The team get picked off by zombies and/or by Sunglasses Dillahunt, sent along by the sinister rich guy, Bautista has meaningful conversations with his large-eyed daughter Ella Purnell, and it all goes on for a real long time.

Z Royalty:

Z Tiger: