Watched this the night before it won the oscar. I was rooting for All That Breathes, not because I’d watched it yet but because it has birds. No birds here, just a Russian man with great popular support, considered the best hope against Putin. The movie follows from his sudden illness on a flight to Siberia, through his recovery in Europe and the investigation into whether he was poisoned, through his triumphant hero’s return to Russia… haha just kidding, he was arrested immediately and will be in prison indefinitely. Pretty good doc, most notable for having footage of Navalny prank-calling his suspected assassins into revealing exactly how they attempted to kill him (underpants poisoning) and cover it up. The director previously made a doc about The Band, but I should really watch The Last Waltz first.

I can’t tell if the movie pulled a fast one on us when the kid on the poster loses the climactic governor race to a kid we’ve never even seen before by distracting us with the speeches and strategies of the competing campaign leaders. Pretty impressed that the lowest-common-denominator guy lost running on a platform of dick jokes and then confessed to having underestimated the group and turned himself around. Really professionally assembled doc, and for once I mean that in a good way. Ultimately wouldn’t vote for any of these gun-rights Texans for any office, but after avoiding politics-in-movies for the last year, this turned out to be more harmless than we’d feared.

War becoming commodity… following the money (but not very specifically)… skims from a few Adam Curtis movie topics. Rough camerawork making it look like interviews were stolen, when they seem to be interviewing for this very movie. A Michael Hardt sighting. A way to pass the time on a Thanksgiving weekend afternoon, my sleepy viewing companion wanting more new information about the global arms trade, while I’m wanting more Double Take-ry.

After Possession and Cosmos, I’ve been anxious to watch more Zulawski. There’s a World War II drama, a space-travel sci-fi cult thing, a love triangle story, and this one, with which I informally kicked off SHOCKtober this year.

A nervous, wild-eyed stranger arrives at a convent in total bloody chaos where two political prisoners are being held. He kills Thomas, saves Jacob, kidnaps a nun and rides the hell out of there, but everywhere he goes is about as hysterical as the convent, and Jacob starts murdering people with a knife. He buries his father, attacks his friends, murders his mother, gets injured in a duel, deliriously gives up his co-conspirators to the stranger, then is killed. The nun takes out the devil, who transforms into an animal as he dies. It’s all very intense, and I didn’t always follow it (nor its political allegory which got it banned), but it’s definitely something else.

Jacob and the stranger:

Jacob’s mom with snake:

Jacob and the nun costarred in Zulawski’s feature debut The Third Part of the Night the previous year, and devil Wojciech Pszoniak was in Wajda’s Danton.

Jeremiah Kipp (director of The Minions and Contact) in Slant:

Jakub is led home by his dark-clad benefactor, only to discover that everything has taken a turn toward the rancid and horrible. His father has committed suicide, his mother has transformed into a prostitute, his sister has been driven insane, and his fiancĂ©e has been forced into an arranged marriage with his best friend, who has turned into a political opportunist and turncoat. Leading him through this world turned upside down is the man in black, who continually whispers sarcastic platitudes in the hero’s ear and inciting him to acts of extreme violence … As usual for his films, the camera hurtles vertically across rooms and fields and spirals around as the actors pitch their performances at maximum volume. Society for Zulawski is just a thin veneer used to disguise the horrible sadism and unhappiness lurking inside every human heart. The Devil would make for maudlin, depressing viewing if every scene didn’t feel like explosions were being set off, sending the inmates of a madhouse free into the streets outside.

He did the dumb thing… and then he did it again and again. An instructive doc, with a camera crew given full access to Anthony’s New York mayoral campaign as he’s recovering from a recent scandal and hit by a new one. It’s also very frustrating because it’s so mired in the scandal that I have no idea why anyone would vote for Anthony, who he is, or why all these poor campaign workers would be working to get him elected. Katy wanted to see this a while back but I was mad at the dude for doing the dumb thing yet again, infecting the presidential campaign his wife was working on (and landing him in federal prison), so we delayed for a year.

I was ambivalent about Zalman King in Sleeping Beauty, but his particular intensity was perfect for this one – he’s sort of a late Jean-Pierre Leaud mixed with early Sean Penn. Zalman’s at a swinging party with some friends, when Dr. Richard Crystal has his wig torn off and sorely overreacts, beating up the party girls and burning them in the fireplace. Zalman follows and fights his buddy, throws him in front of a truck, and ends up being blamed for all the deaths so he spends the rest of the movie in hiding. Zal’s girlfriend Alicia (Deborah Winters of some forgotten 60’s and 70’s movies) helps him investigate, finding other balding psychotics who participated in a psychedelic experiment in college, including babysitter Ann Cooper (of the similarly titled Blue Thunder and The Sunshine Boys) who chases a child with a knife, and the bodyguard Wayne (Ray Young, best known for playing Bigfoot on TV) of politician Mark Goddard (TV’s Lost In Space and The Detectives).

The parrot survives the massacre:

Zalman and Deborah:

Politician Ed’s slogan: