by ·Comments Off on Batman Returns (1992, Tim Burton)

The best Christmas movie we could find on netflix at the time. Katy had never seen this, did not know the joys of a flipper-fisted Danny DeVito and leather-suited Michelle Pfeiffer and fright-wigged Christopher Walken and Burton’s light-and-shadows pop-color photography and Elfman’s huge soaring music all stealing Micheal Keaton’s own superhero film out from under him. Batman has an undeveloped love interest in Pfeiffer, some last-minute heroism (diverting DeVito’s city-destroying rocket penguins into the zoo), obligatory Batman/Bruce identity crisis, but no major personality or emotion or story developments. And that’s fine with me – Batman movies could’ve gone on forever like this.

Totally missed noticing Paul Reubens as Penguin’s father, damn. Doug Jones (Abe Sapien in Hellboy) played a clown, and Jan Hooks (just-deceased SNL actress) Penguin’s mayoral campaign handler. Happy to see Michael “Tanner ’88” Murphy as the mayor and the great Vincent Schiavelli as Penguin’s monkey man.

Also watched the first 15 minutes of the first Burton Batman movie. Forgot that Jack Palance plays the crime boss who sends Nicholson into the Joker-backstory factory. Billy Dee Williams plays Harvey Dent, who does not get two-faced in this one.

by ·Comments Off on Big Hero 6 (2014, Disney)

Something wonderful (inflatable medical robot turned flying/fighting machine against its own will) combines with standard superhero-team origin-story and standard double-revenge plot with standard twist ending (you mean the most extremely obvious suspect doesn’t turn out to be the shadowy masked villain?). Adequately racially/sexually-diverse team of genius tech-nerd college kids use their lab experiments to defeat their own professor who has hijacked young Hiro’s micro-bots to destroy the military-capitalist who sent the prof’s daughter into another dimension. Interdimensional rescue of cryo-sleeping daughter unexpectedly recalls Interstellar, and robot’s self-sacrifice to serve man, floating away half-wrecked, recalls Terminator 2. Actually made me kinda sad, but as with Guardians of the Galaxy, we get a rebirth epilogue. As much as the world calls out for sequels to recent hit Disney movies, they keep putting out new stuff like this, to their credit.

by ·Comments Off on Guardians of the Galaxy (2014, James Gunn)

It’s like all the humorous bickering of The Avengers mixed with the action of… The Avengers. So it’s like The Avengers, or maybe Firefly. But funnier, and with more rock songs. Katy and I don’t like the shot-too-close, over-edited action scenes, but otherwise had no complaints.

Heroes: Andy Dwyer, hulky Dave Bautista (Brass Body in Man With The Iron Fists), green Zoe Saldana (Avatar), talking raccoon Bradley Cooper (Midnight Meat Train) and kinda-talking tree Vin Diesel (The Iron Giant). Not heroes: Andy’s mercenary ex-partner Michael Rooker, Zoe’s evil-blue-robot sister Nebula, “the collector” Benicio Del Toro, super baddie Ronan (partnered with Thanos, a main Thor/Avengers baddie) and Ronan’s enforcer Djimon “Digital Monsters” Hounsou.

Supplementary good guys: president Glenn Close and cops John C Reilly and Peter Serafinowicz.

Introduced: something called “infinity stones” which I think power some of the other magic stuff in Avengers-world, and rumored superhuman backstory for Andy.

by ·Comments Off on Cartoon College (2012, Josh Melrod & Tara Wray)

The movie was fine, the soul-crushing (if you’re an aspiring artist) story of a graduating class at a comics school. More memorable will be the experience, since I got to run the feature and preceding presentation from the projection room, playing it from a blu-ray I authored and burned.

While working on the disc, I’d tried to avoid spoilers, not watching any full scene for fear that there’d be little in the movie to warrant a second or third viewing on event day. Confoundingly, I ended up enjoying this more than my much-anticipated Photographic Memory. It’s nothing unique from a filmmaking perspective, but competently made and full of pathos in the form of aspiring comic artists in over their heads.

by ·Comments Off on Captain America (2011, Joe Johnston)

Chris Evans (Human Torch in the Fantastic Four movies) is a scrawny wannabe soldier who doesn’t want to kick ass to show the world that America is #1, he just wants to end global bullying. Against the advice of military dude Tommy Lee Jones, scientist Stanley Tucci sticks Evans into a machine (built by Iron Man’s Dad, Dominic Cooper) that gives him awesome muscles. He gets an invincible shield (which has no magic flying powers, it’s just throwable and bouncy), then is sent on tour to sell war bonds for a year. That was unexpected.

When nazi-spinoff villain Hugo Weaving, who underwent an early version of the Captain America process which gave him mega-muscles but turned his face red, steals Thor’s magic god-box and kills Tucci, Cap goes after him. No time to fall in love with drill instructor Hayley Atwell (of The Prisoner remake), Cap is off to defeat the Red Skull and his morally uneasy scientist Toby Jones. Success, however Cap’s best friend Bucky falls to his death, and Cap falls to his presumed death until he’s dug up by Sam Jackson seventy years in the future.

Joe Johnston previously helmed similar period-adventure-hero flick The Rocketeer and the credited screenwriters (rumor has it there were many more) wrote the Narnia movies and that Peter Sellers bio-pic with Geoffrey Rush.

by ·Comments Off on The Avengers (2012, Joss Whedon)

Almost as good as the other Joss Whedon movie I watched this month. The action scenes are fun, but the movie gets too loud and ‘splosioney at times. Better is the comic bickering between Thor, Iron Man, Sam Jackson, Captain America, Black Widow and Loki. But best of all is watching Hulk smash. For all the perceived failure of the last two Hulk movies, he seems like an excellent character and it is undeniably fun to watch him smash.

Jeremy Renner’s Hawkeye isn’t listed amongst the banterers above because he spends most of the movie as a villain under Loki’s spell, as does a mostly-offscreen Stellan Skarsgard (whose friend Natalie Portman gets quickly explained out of the movie). The extraterrestrial villain who puts Loki up to his mischief doesn’t matter, nor does the additional post-credits sequel-setup extraterrestrial villain. Essential Killing director Jerzy Skolimowski appears as the evil Russian whose ass Black Widow kicks at the beginning. And everyone is sad that Nick Fury’s bland MIB assistant Coulson gets (potentially) killed, but there’s a pretty girl MIB to take his place.

by ·Comments Off on Thor (2011, Kenneth Branagh)

I can’t pretend we watched this for any reason other than to prep for the much-more-highly-anticipated Avengers movie. We haven’t yet stooped to renting Captain America, though. Totally entertaining, an overall better flick than Iron Man 2.

Scandinavian god-prince Thor (Chris Hemsworth of Cabin in the Woods) with his four friends (including Tadanobu Asano, the crazy slit-mouthed star of Ichi the Killer) and prankster brother Loki (Tom Hiddleston of The Deep Blue Sea) piss off the ice creatures from another world, so Thor’s dad Sir Anthony Hopkins tells Idris Elba to banish Thor to Earth without his powers or hammer. Sam Jackson’s SHIELD quarantines the hammer while Thor proves irresistible (initially loutish, but learns earth-manners quickly) to storm-chaser Natalie Portman. She hangs out with comic-relief Kat Dennings (Norah of the Infinite Playlist) and science-buddy Stellan Skarsgard, who is fortunately Scandinavian and so knows what Thor is about. When Loki turns traitor, Thor manages to revive the hammer and save his homeland, leaving Portman lonely back on earth until the sequel (since I don’t think she’s in Avengers).

by ·Comments Off on Super (2011, James Gunn)

“Shut up, crime!”

Rainn Wilson plays sort of a comic-book version of Michael Douglas in Falling Down, pushed to the breaking point by a dissolving marriage and life’s constant irritations. He becomes superpowerless superhero Crimson Bolt, armed mainly with a pipe wrench, and sets out to defeat wife-snatching drug-dealer Kevin Bacon, plus people who butt in line at the movies.

An extremely dark comedy, hilarious and truly horrible, which manages to hold onto its heart through Rainn Wilson’s sheer lovability and the exceptional script. It’s possibly better than Gunn’s great Slither. Can’t compare it to other fake-superhero movies like Special, Defendor and Kick-Ass since I haven’t watched those, but now I’m afraid to. This one set the bar too high. Can you tell I’m excited?

by ·Comments Off on The Red Spectacles (1987, Mamoru Oshii)

Overlong, not particularly good, comics-influenced live-action movie. It manages some pretty cool monochrome images, but holds them for ages, static frames as the actors deliver dialogue like captions. It tries to be an art film with its patience and imaginative camera, but counteracted by fight scenes, poop jokes and silly-ass sound effects. I watched this (and kept watching after it put me to sleep every night) because I read somewhere that it was inspired by La Jetee. An IMDB plot summary also reminds me of the text in Mishima’s Patriotism: “about a man who can not let go of his past not matter how painful and dangerous it was because he never felt more alive that when he was facing death.” But when the big ending finally rolled around, I couldn’t be bothered to give it my full attention. I think maybe he dreamed the whole thing before/while taking a bullet to the head.

A glum Koichi, being forced at gunpoint to watch this movie:

This is part of a trilogy including Stray Dog and Jin-Roh – I have no memory of watching Jin-Roh but IMDB says I rated it a 6. I also don’t much remember watching Oshii’s CG-blur Avalon, which also is supposed to have Chris Marker references.

The most La Jetee-like image I could find:

In a prologue, Koichi (the lead actors are all best known for voice acting in cartoon series – Koichi is a 22-year vet of Dragonball) and his red-spectacled elite government “Kerberos” soldiers Midori and Ao/Soichiroh have gone rogue. K escapes, promising to return for the others. Either three or six years later, he’s back, trying to find his friends and figure out who’s still on his side, but mostly bumbling it. There’s some long-winded business about fast-food noodle joints being banned because too many spies used them as meeting spots. Toilet humor follows. An army of mimes is slain. And Koichi is put on the trail of his former comrades.

He’s captured by some pudgy government fellow, escapes, is captured again, escapes. He meets Ao, then Midori, finds out they’ve sold out and turned against him, but then they save his life, but then they turn on him again, etc. The final scene implies that the armor and weapons Koichi escaped with were more important than his own life – a smiling Midori slowly regains her color saturation, so I guess she’s got the weapons. Co-written with the guy who wrote the 1990’s Gamera trilogy