Charming little small-town murder-mystery, with plenty of sharp scenes and cool editing, cutting back and forth in time during each major incident. Tourist dies first after offending the locals, but that doesn’t set a pattern, and the savage wolf attacks get more gruesome (decapitation, dead baby) until a crazed taxidermist with a wolf suit is caught. The next movie by Cummings is already out, and sounds good.

The Family Force: Robert Forster, Riki Lindhome (Knives Out, Under the Silver Lake), and our fearless writer/director

A killer, but not The killer:

The main cop’s daughter has a LOVE WITCH poster in her room!

A wordless stop-motion hell, resonant of the Quays and Bobby Yeah. A lone terranaut descends endlessly through a pitiless parade of horrors, guided by a crumbling map, apparently set on destruction of the core. It’s a mechanized hell, with rampant death of the half-human workers. Gruesome in every particular – even I was icked out by the surgery scene. Some maniac spent twenty years on this movie, and it shows.

EDIT: Watched this again at the Plaza… then again with Trevor.
EDIT DEC 2023: And again with blu commentary… he says it was inspired by Bosch and Bob Dylan.

A making-deals-with-demons movie filmed in Spain featuring some really nice beards. Powerful blacksmith lives in seclusion, keeps a demon in a cage – a properly cartoonish red demon with pitchfork and tail – until the ignorant townsfolk break in and muck everything up. Rival demon masquerading as a bald government man is in there, an innocent girl with a dead mom gets mixed up in the mess, and everyone has to go to hell to sort things out.

This looked great, and the director is legit, channeling Danzig on his letterboxd photo… let’s see if we can find his short films.

“Sci Fi Pictures presents”

The Full Moon era has ended. Sci Fi are producers of hundreds of TV movies I’ve never heard of, most of them involving sharks, and a few craptastic sequels (Species 3, Stir of Echoes 2, Firestarter Rekindled, Return of the Living Dead 4+5, lots of Lake Placid movies).

“Written by Courtney Joyner”

A cowriter on part 3, also video store faves Class of 1999 and Doctor Mordrid.

“Directed by Ted Nicolaou”

Ted made Bad Channels, which you’ll recall got mashed up with Dollman vs. Demonic Toys, and also made TerrorVision and the Subspecies movies, so he seems like the right man for the job.

It’s a Christmas movie! The Demonic Toys have been rebranded as Christmas Pals by a toy company run by Vanessa Angel (the fake woman in the 90’s Weird Science TV series). In a Child’s Play / Halloween III mashup, she’s helping a demon destroy humanity, and step one is getting cursed toys into every household.

Angel + Henchman Julian:

Meanwhile across town, Disgruntled Suburban Ruffalo Scientist Bobby Toulon has got a full collection of crucified puppets in his basement, is trying to bring them to life using ol’ Andre’s notes. It’s a funny thing to say about circa-2004 Corey Feldman, but he gives one of the finest performances of the franchise – I like the gruff crank voice he’s doing. He’s assisted by loyal daughter Dani Keaton (already a horror vet from Pinocchio’s Revenge and Carpenter’s Village of the Damned). Everyone else in the movie is Bulgarian, since that is a very cheap place to shoot a movie.

All the nazi-fighting magic is turned into toy company espionage. I don’t love the attempt to cross dark puppet magic with christianity, but whatever. Each side runs into setbacks: Six Shooter blows up the lab and all the puppets catch fire, and Angel is scrambling for a human sacrifice on Christmas eve and has to bleed her receptionist in the iron maiden.

It’s definitely a proper Puppet Master movie, in that it’s crowded with Toulon family mythology bullshit, and feels long at 90 minutes. Angel needs the Toulon secrets to complete her evil plan and kidnaps the daughter, but Corey upgrades the puppets’ weaponry, and they fuck up some demonic toys. The demon (wearing a santa suit, nice) is displeased and drags Angel to hell.

American Sam witnesses a woman get attacked in an art gallery after hours, then gets stalked by the killer and suspected by the asshole cops, but seems fine just hanging around Italy and playing detective. He replays what he saw at the scene (nicely done, with freeze frames and zooms) and the Honeywell-brand police computer equipment prints statistics and an outline of the attacker. Sam follows some unusual leads, of course paintings are involved, while his friend gets killed and his girlfriend Giulia kidnapped. Turns out the killer is Monica, the apparent victim of the gallery incident, and we get neat psychological explanations of everything over the ending.

The bird > the poster > the movie. This was Dario’s debut feature. Sam is Tony Musante, who really is American despite the dubbing, has been in a couple James Gray movies. Giulia is British, a screamer in Berberian Sound Studio. The Inspector is from Hercules and the Captive Women, and murderess Eva Renzi from The Prodigal Daughter. DP Vittorio Storaro shot The Spider’s Stratagem and The Conformist, also in 1970, a productive year.

Sam, his girl Giulia, and their Black Power poster:

Victim Killer Monica:

This is the 500th horror movie in the blog, holy shit. We’ve been running for over 15 years, so that’s around 2.7 horror movies per month. We can do better, I know we can.

Extremely convoluted and vaguely offensive, with more ideas per minute than anything else I’ve seen this year… which is to say that my high expectations set by Bodied have been met. Set in a high school where all the kids are obsessed with the 90’s. There’s a “gotta fled” reference.

After a false start, Riley is our loser main girl (Shanley Caswell seemed up-and-coming then followed this up with a David DeCoteau movie) who decides to hang herself in the school hallway and ends up fighting off an axe murderer in a princess crown cosplaying the horror sequel all the kids want to see, Cinderhella 2. She and Josh “Hunger Games” Hutcherson try to stay alive long enough to solve the mystery. There’s body swapping and time travel and alien abduction. Dumbfounded from Bodied downloads an illegal workprint of Cinderhella 3 seeking clues from the future. Shout out to Adrian Martin for listing this as one of the century’s greatest films.

Kahn:

Horror was the bait that we were dangling so we could flip all the genres around … One of the conceits of the movie was to put each of the characters in their own genre: one of them is in a sexcapade, one of them is in a horror movie, one of them is in Clueless. And then over the course of the movie they sort of start to peek over into each other’s genres. The only one who can’t see outside of his genre is Sander, who is a version of those Columbine guys. He has no backstory.

JULY 2024: Watched again… great movie.

Watching this for the first time in many years, right after Unfriended 2, a double feature of movies about perverted signals. Unfriended is purely digital, while this is the most analog movie ever made, just incredible. Multiple characters have already died but live on as a video signal. Pre-Hellraiser S&M horror and tech-flesh fusions. An optician named Barry Convex, everything here is great. The VR headset and the unwitting assassin plot tie this pretty closely to eXistenZ.

“It’s not supposed to be funny, it’s actually a horror transmedia.” No supernatural activity here, it’s something scarier – darknet internet trolls murdering teens for the lulz. There’s bitcoin, SWATing, pizzagate conspiracies. I dunno about the masked conspirators breaking into houses and doing literal murders, that doesn’t seem the same style as the SWATing, but I had fun. Watched on my laptop – I kept seeing the cursor and touching my trackpad to see if it was mine. Good sound mix, not too realistic.

Matias maybe-steals a new laptop and hangs out with his crew on game night. Nobody dies for an entire hour, then they pretty much all die. The laptop was bait, “we did everything they wanted us to do.” The blu-ray presents four different endings, some real indecision here, including a cliffhanger and one where Matias gets Vanishing‘d.

Writer/director Susco started out writing Grudge and Texas Chainsaw Massacre remakes. Lead dude Colin Woodell was in Searching, weirdly specializing in desktop movies. Somehow didn’t recognize Betty Gabriel (Get Out).

Another movie about criminals doing One Last Job before they retire on their earnings, but this time it’s young, disorganized burglars trying to leave Detroit. Rocky is Jane Levy, star of Evil Dead Remake, casing a house with her partners, tough Daniel Zovatto (It Follows) and meek Dylan Minnette (Let Me In). Unfortunately, the house is occupied by dangerous blind army vet Stephen Lang (VFW) who keeps a kidnapped impregnated girl in his basement, a killer dog in his yard, and a few million bucks in his safe.

Fortunately there’s not much dialogue – the two guys sparring over the girl was unconvincing, and I think there were three appearances of “Let’s Do This.” Better is the camera, which finchers around, between walls and under furniture. It’s a good looking movie, especially considering it’s mostly set within a decrepit house. The girl escapes with the money and sees a news story saying the old man lived, which explains the existence of Don’t Breathe 2.

mini-Cujo at the end: