by ·Comments Off on Trás-os-Montes (1976, Cordeiro & Reis)

A near-doc, near-drama with flights of fantasy, it must’ve looked like a whole new thing at the time. Luis and Armando pass some ladies at a mysterious cave and end up traveling seven generations into the future. A silent episode, serving snow for dinner. Too much with the rural rhythms, but quite beautiful, even in my TV copy.

Cordeiro and Reis were a married couple who made three features together set in this region of Portugal, which is convenient for film viewers who are obsessed with trilogies. Not shockingly, the cinematographer also worked on Monteiro and Ruiz films, and Paulo Branco produced.

by ·Comments Off on Faces of Death (2026, Daniel Goldhaber)

Watched this meta-remake because I trust the Pipeline guy, and Director Daniel did not let me down even if Writer Daniel (and his Cam co-writer) strayed increasingly into dumb-ass territory. I find his internet thrillers less compelling – let’s blow up some more pipelines.

Barbie Ferreira of Euphoria is a viral-snuff-video survivor who now reviews flagged violent videos all day for shithead boss Josh (of multiple LaKeith Stanfield movies) until she uncovers a serial killer who’s recreating scenes from Faces of Death (1978). Killer Arthur (a power ranger) takes over the second half, killing her roommate (of Cocaine Bear), as Arthur and Barbie turn the tables on each other repeatedly until his inevitable (captured on video) death.

The roommate has two copies of Independence Day on VHS:

and two of The Sixth Sense:

by ·Comments Off on Redux Redux / How to Shoot a Ghost

Redux Redux (2025, Kevin & Matthew McManus)

A great concept turned into an unfortunately bad movie with boring music. I watched on fast-forward.

The Block Island Sound directors cast their sister as a multidimensional force of vengance, hopping parallel universes in search of a world where her murdered daughter is still alive, taking out serial killer Jeremy Holm each time before moving on, until she picks up one of his survivors Stella Marcus and they get to repeatedly save each other.

with Jim Cummings of Snow Hollow as her hookup:

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How to Shoot a Ghost (2025, Charlie Kaufman)

Earned this half-hour movie with the time saved from fast-forwarding Redux. This one has some good words and some good images, making it better than the last Kaufman short I saw (from the same writer). The whole emotional journal of being a ghost in Greece doesn’t come together, but Kaufman and Jessie Buckley deserve a belated victory lap after I’m Thinking of Ending Things.

by ·Comments Off on The Incredible Shrinking Man (1957, Jack Arnold)

Scott “Biff” Grant of The Monolith Monsters yachts through a glitter cloud, his wife (of I Was a Male War Bride) unaffected since she was in the cabin. “People actually decrease in height during the day,” says a doctor trying to comfort him. But it’s no use, doc, Biff is definitely getting smaller, and being a real pain in the ass about it. He goes out on the town and meets circus midget April Kent, but that doesn’t help either. Finally he’s small enough to be chased around by the family cat – he escapes into the cellar, but his brother Charlie arrives, and refusing to look in the cellar declares his brother definitely dead then wanders off with the hot wife. Meanwhile, Biff makes a grappling hook (this is exactly what I used to assume I’d do in any desperate situation) to defeat a spider, after which he reaches transcendence as he vanishes into atoms.

Per Criterion, Joe Dante (of course!) loved this movie, and cast the doctor in Innerspace… the same cat who tried to kill Biff later starred in Breakfast at Tiffany’s… I should really watch the remake with Lily Tomlin and Charles Grodin.

by ·Comments Off on The Testament of Ann Lee (2025, Mona Fastvold)

Ann Seyfried totes her little brother (Lewis Pullman of a Salem’s Lot remake) as she discovers a Christian sect called the Shakers, marries Chris Abbott but can’t have kids, gets arrested and returns as their messiah, moves to America and leads the group as they grow and inevitably diminish, since her main rule is strict celibacy. The US arrests her for being a treasonous witch but releases her for lack of evidence, then vigilantes burn their place down and murder a bunch of them – this country was cursed from the start.

A musical of the best sort, the looping rhythmic hymns reminding me of Lungfish songs. I assume the great Seyfried won all the awards, but I’m clicking on the awards link and getting distracted by which movies the Golden Globes consider a “musical or comedy.”

by ·Comments Off on Pompeii (2014, Paul W.S. Anderson)

Sometimes the vulgar auteurists are wrong. This brit-accented antiquity drama mixed with fast-cut bloodless gladiator action (edited to hell, the same way I recall RE6) from the writers of Batman Forever was a nice-enough waste of time between Resident Evil episodes.

Pretty girl Emily Browning (The Uninvited) likes slave-gladiator Kit Harington (best known as the star of Xavier Dolan’s eighth-best feature). Her dad Jared Harris (Benmont in Dead Man) and Emperor(?) Kiefer Sutherland are playing some kind of political-financial game nobody cares about while Kiefer arranges slave-battles, until the world explodes.

Girlies:

Gladiators:

Emily’s mum is Carrie-Anne Moss, and her friend is Jessica Lucas of Evil Dead Remake. The curly-wigged Charles Laughton-type in charge of the slaves is Graecus of Antiviral, his jailer Bellator is from a Cabin Fever prequel, and the tough Black slave (on his last day on the gladiator force before retirement) pitted against Kit until they team up to fight their oppressors is Heavy Duty from GI Joe 2 or 3.

Birdie:

Apocalypse:

by ·Comments Off on Pompei: Below the Clouds (2025, Gianfranco Rosi)

A wrecked movie theater where they project Pompei-related films (but not color ones)

The fire department answering callers after earthquakes, all wanting to know if Vesuvius is exploding.

Archaeologists and grave robbery investigations, a ship unloading tons of grain from Ukraine.

Another lovely doc with gorgeous photography by Rosi, who would probably not be amused that I chose his movie for a double-feature with the Paul W.S. Anderson. How did the city name lose an “i” in the intervening decade?

by ·Comments Off on John Lilly and the Earth Coincidence Control Office (2025, Almereyda & Stephens)

Altered States: the documentary. Lilly invented the isolation tank, did psychedelic drugs, got naked, and “regressed through generational time.” He survives experiments with dolphins, the US government, hollywood, LSD, and the isolation tanks, only to go insane on ketamine (“hourly injections of ketamine inspire increasingly apocalyptic visions”). Besides Altered States, works based on his studies include Ecco the Dolphin, Day of the Dolphin, Holy Mountain, and probably parts of the Hitchhikers Guide series.

I’d hoped this would be more formally exciting, some kind of Experimenter storytelling with Invention vibes, but it’s more a traditional doc (with archival footage, talking head interviewees, and clips from related works) covering their shared interests in oddball scientists and American un/popular history.

Lilly may have been a wealthy weirdo dolphin torturer whose science wasn’t so scientific, but per Filmmaker:

One of Coincidence Control’s clear takeaways is that universal reverence for dolphins and whales, and how their preservation became a stand-in for caring about the environment as a whole, is a direct and uncomplicatedly laudable part of Lilly’s legacy.

by ·Comments Off on Magical Mystery Tour (1967, The Beatles)

This collection of TV music videos with a loose framing story seems more like first-take/b-roll mess. Is it for kids? Was it influenced by The Monkees? They probably explained briefly in Anthology how this turned out so badly, and I already forgot.

At least each song gets a different visual treatment and some are nice (like the color-filtered mountainscapes over an instrumental song) and not just over-literal imagery (showing policemen in a row for the line “policemen in a row”). And at least during the awful narrative parts (Ringo squabbling with his aunt on a bus) we get nice symphonic versions of early band hits.

Have they been watching Kenneth Anger? Paul does his best silly walk. Ridiculous striptease with the Bonzo Dog Band. I don’t know if people back then knew who Mal was, but after you’ve seen Get Back it’s impossible not to notice him in every scene here. The anonymous veteran co-director was poor old Bernie Knowles, DP of The 39 Steps, now working with DP Richard Starkey.