Locorazo 2016/2017/2022

It’s the fourth annual* Locorazo Festival, formerly known as LNKarno, a reprise of Locarno’s lineup from five or six years ago, viewed alone at home during this year’s in-person festival.

LNKarno-week viewings linked in green, regular blue links are films I’d seen previously, unlinked are films of interest that I haven’t watched yet.

Main Competition:

The Dreamed Path (Angela Schanelec)
Hermia & Helena (Matías Piñeiro)
Gemini (Aaron Katz)
Good Luck (Ben Russell)
Madame Hyde (Serge Bozon)
The Ornithologist (João Pedro Rodrigues)
Good Manners (Juliana Rojas & Marco Dutra)
Did You Wonder Who Fired the Gun? (Travis Wilkerson)
La Telenovela Errante (Raúl Ruiz & Valéria Sarmiento)
Bangkok Nites (Katsuya Tomita)
Correspondências (Rita Azevedo Gomes)
By the Time It Gets Dark (Anocha Suwichakornpong)
Scarred Hearts (Radu Jude)
Mister Universo (Tizza Covi & Rainer Frimmel)
9 Doigts (F.J. Ossang)
Lucky (John Carroll Lynch)
A Skin So Soft (Denis Côté)
Winter Brothers (Hlynur Pálmason)

Filmmakers of the Present (first and second features)

Withered Green (Mohammed Hammad)
Those Who Are Fine (Cyril Schäublin)
Person to Person (Dustin Guy Defa)
The Human Surge (Eduardo Williams)
The Challenge (Yuri Ancarani)
3/4 (Ilian Metev)
Distant Constellation (Shevaun Mizrahi)
Destruction Babies (Tetsuya Mariko)
El Futuro Perfecto (Nele Wohlatz)
This Time Tomorrow (Lina Rodríguez)
Dark Skull (Kiro Russo)
Le Fort des Fous (Narimane Mari)
Milla (Valerie Massadian)

Critics’ Week (documentary section organized by a swiss film journalist group)

Communion (Anna Zamecka)
Monk of the Sea (Rafal Skalski)
The Family (Rok Biček)
Las Cinéphilas (Maria Alvarez)

Piazza Grande (open air screenings, out of competition)

Endless Poetry (Alejandro Jodorowsky)
Atomic Blonde (David Leitch)
Good Time (Ben & Joshua Safdie)
I Walked with a Zombie (Jacques Tourneur)
Let the Corpses Tan (Hélène Cattet & Bruno Forzani)
Sicilia! (Jean-Marie Straub & Danièle Huillet)
The Big Sick (Michael Showalter)
Into the Forest (Gilles Marchand)
I, Daniel Blake (Ken Loach)
Moka (Frédéric Mermoud)
The Tunnel (Kim Seong-hun)
The Girl With All The Gifts (Colm McCarthy)
Stefan Zweig: Farewell to Europe (Maria Schrader)
Chien (Samuel Benchetrit)
Tomorrow and Thereafter (Noémie Lvovsky)

Signs of Life (new forms and innovation)

Beduino (Júlio Bressane)
All the Cities of the North (Dane Komljen)
Rat Film (Theo Anthony)
Cocote (Nelson Carlo De Los Santos Arias)
Ouroboros (Basma Alsharif)
Ascent (Fiona Tan)
Pow Wow (Robinson Devor)
The Sun, The Sun Blinded Me (Anka & Wilhelm Sasnal)
In Praise of Nothing (Boris Mitic)
Panoptic (Rana Eid)
Phantasiesätze (Dane Komljen)
Surbiles (Giovanni Columbu)
The Dead Nation (Radu Jude)

Fuori Concorso (non-competitive, features by established filmmakers)

The Reagan Show (Pacho Velez & Sierra Pettengill)
A Young Girl In Her Nineties (Valeria Bruni-Tedeschi & Yann Coridian)
Where Is Rocky II? (Pierre Bismuth)
July Tales (Guillaume Brac)
Rise & Fall of a Small Film Company (Jean-Luc Godard)
Prototype (Blake Williams)

Shorts:

Scaffold (Kazik Radwanski)
Plus Ultra (Helena Girón & Samuel M. Delgado)
Cilaos (Camilo Restrepo)
Among the Black Waves (Anna Budanova)
Indefinite Pitch (James N. Kienitz Wilkins)
The Hedonists (Jia Zhang-ke)
The Hunchback (Ben Rivers & Gabriel Abrantes)
Wasteland no. 1: Ardent, Verdant (Jodie Mack)
A Brief History of Princess X (Gabriel Abrantes)
A Train Arrives at the Station (Thom Andersen)
Edge of Alchemy (Stacey Steers)
Arrière-saison (Jean-Claude Rousseau)
Per una rosa (Marco Bellocchio)
Si loin, si proche (Jean-Claude Rousseau)
Rhapsody (Constance Meyer)