by ·Comments Off on Orphan (2009, Jaume Collet-Serra)

I’d originally written this off, already know how it ends, but after the prequel and The Shallows I reconsidered. Good movie, from the showy opening scene transitions on through the surprising kills, even with advance knowledge that Esther is not an orphan child but a short adult psycho killer.

Horror specialist Vera Farmiga (The Conjuring, The Nun) is the psycho’s ex-alkie adoptive mom, already a mom with Peter Sarsgaard to deaf girl Max and older Daniel. First death is unfortunately a bird, then while terrorizing schoolkids and enlisting Max as an ally, Esther finds the time to knock off suspicious nun CCH Pounder. She burns down the boy’s treehouse with him locked inside, finishes the job in hospital, and conspires to make Vera seem crazy and abusive. Dad gets stabbed to death, should’ve believed his wife over the soviet psychopath. Supposedly Esther is drowned in the frozen pond, but the movies never permanently close the door on a good villain.

The critics raved: “one of the most genuinely deranged modern horror films” … “[Jaume] gleefully overcooks this with Farmiga’s eager and crucial assistance” … “[Sarsgaard] has been cast as the most clueless oaf patriarch in the history of the horror genre.”

by ·Comments Off on Final Destination 4 (2009, David R. Ellis)

Funny how this keeps happening but only to groups of 18 year olds. Opening setpiece here is a racetrack pileup that explodes into the stands. Our precog final-boy is darkhaired Nick (Bobby Campo, also star of a starvation deathmatch thing) with redhead gf Lori (Shantel VanSanten, went on to star in an Oregonian ghost movie), and their buddies: darkhair Janet (Haley Webb, who went on to Blonde) and cocky Hunt (Nick Zano also of a Joy Ride sequel). As per the formula, the kids also rope in a few randos from the first scene: ally security guard Mykelti Williamson (Don King in Ali), uninterested tampon mom Krista Allen (of Henry Rollins monster movie Feast), hapless mechanic Andrew Fiscella (of some Abel Ferrara movies), and antagonist nazi Justin Welborn (The Signal).

come on now:

That’s a lotta people, so let’s start killing ’em off. Nick dreams the deaths in advance, first as the lower-mid-tier CG opening scene and subsequently via appallingly-CG symbolic visions (“it seemed real,” he says after one of those). Mom catches a lawnmower-propelled rock to the face and the mechanic is jet propelled through a chainlink fence. They rescue Janet from being carwashed to death and George from suiciding, while Hunt gets his guts sucked out by a pool. After looking up the plots of the previous films they celebrate having broken the chain, but with a half hour of movie still remaining, uh oh. I don’t get how some cowboy surviving the crash then re-dying in hospital means they’re all in danger again, but now Nick has to save his friends from an exploding movie theater while fighting off a sentient nailgun… then they’re all simply smashed to death by a runaway truck. Good pacing, one long death premonition. Between parts 2 and 4, Ellis made Snakes on a Plane. The DP also did Trick ‘r Treat and the last three Resident Evil sequels, clearly a cool guy.

the moment I realized this must’ve been released in 3D:

by ·Comments Off on Oldboy (2003, Park Chan-wook)

One of those movies (see also: The Game, Hypnotic) where people have to behave exactly as predicted by the supervillain for the plot to work – though there is a hitch in the plan when our man on the run (Choi Min-sik, who’d return in Lady Vengeance) and his sushi chef girlfriend/daughter (Kang Hye-jung of Invisible Waves) discover and remove their tracking devices, and the bad guy (Yoo Ji-tae, the married guy in Woman is the Future of Man) kills one of Choi’s friends with a “you made me do this” sort of speech that I didn’t buy, figuring that killing all of Choi’s friends was part of the deal. The deal is that Young Choi spotted Yoo smooching his sister in high school, told others then forgot about it, she killed herself, so Yoo becomes a rich maniac devoted to tricking Choi into fucking his own daughter. Good ending: they end up happy together after he gets the illegal prison’s house hypnotist to make him forget the girl’s identity. I can forget things just fine without hypnosis, so I’ll happily rewatch this in theaters every 20 years and be surprised each time.

by ·Comments Off on Mission: Impossible 2 (2000, John Woo)

John Woo’s follow-up to Blackjack, a Dolph Lundgren movie I’d never heard of before this moment. But he was obviously chosen based on his Face/Off experience in mask-based deception, and his ability to make dudes look extremely cool riding motorcycles, wearing leather jackets and sunglasses, kicking ass surrounded by explosions, jumping through the air whilst firing two guns.

Thandiwe Newton bounces between hero and villain (Dougray Scott of Ever After). Anthony Hopkins too embarrassed to be credited as the mission leader even though his other credit that year was the Jim Carrey Grinch movie. Aussies: Ving is joined by John Polson in the chopper and the baddie is assisted by finger-trauma Richard Roxburgh. Evil henchman William Mapother had been in Magnolia, but I think not in the Cruise scenes, and the scientist who sets off the whole plot by creating a supervirus runs the costume shop in Eyes Wide Shut. Bad guys just want to spread the virus across Sydney after securing stock options in Brendan Gleeson’s chem company that will manufacture the cure, and stock options are a boring reason to get the whole IMF on your ass, killing you and your friends, but at least they do it in style.

by ·Comments Off on Mind Game (2004, Masaaki Yuasa)

Young guy dies pathetically in front of the girl he likes, flees the afterlife, rewinds time and returns to his body, manic and indestructible. The character models keep shifting, the movie throws in 3D and crazy perspectives and photography, light and form and dimension and rationality all fluid. I wasn’t purposely looking for something to show up The Congress, but couldn’t have chosen better. The guy, his girl Myon (whose main characterization is “has got large boobs”) and her sister are swallowed by a whale while escaping the situation caused by our dude’s violent resurrection, and meet an old man who built a city inside.

I haven’t loved Yuasa’s recent features, but he’s in the animator pantheon for this and Walk On Girl. I should try either Kemonozume or Devilman Crybaby.

by ·Comments Off on You Can Count On Me (2000, Kenneth Lonergan)

I am sorry that I’m so far behind on the movie blog…
I do intend to write more thoughtful and researched posts,
but in order to catch up, I’ve got to deal with the last two months of movies
and sometimes my notes just say:

Mabel is bank worker with wacky monitor colors
Nancy is Broderick’s wife?
Ruffalo halfway between Odenkirk in the donut shop and Doug from The State
Bob asks her to marry
Rod/Ron comes from the church to talk to Ruffalo
Rudy Sr drops charges

by ·Comments Off on Love Torn in Dream (2000, Raoul Ruiz)

We have found another great Ruiz movie – the cinematography and music in this are not kidding around. Like La Flor, it opens with a diagram of the movie’s structure, then proceeds to blend some of Ruiz’s favorite things (pirates, painting, mirrors) into a meta-narrative folding in on itself. Death is extremely temporary here. Throw in some cannibalism and incest. And of course there’s a Ruiz film with morphing in it, why wouldn’t there be?

Guy Scarpetta in Rouge:

Here, the familiar features of Ruiz’s universe – parallel worlds, baroque uncertainties, telescoping of different times, co-presence of multiple spaces, deconstruction of characters, transgression of every parameter of classical narrative – are subject to an overflowing enthusiasm and gamesmanship … But we must not conclude that the film proceeds from the pure arbitrariness of an unbridled imagination. Quite the contrary, and this is the first great paradox to be emphasised: nothing, here, is left to chance … Nine narrative themes (in principle autonomous, heterogeneous) are posed as the raw material … the entire combinatory consists of making these cellular narratives cross each other’s paths, whether two by two or three by three, and also consecutively – each of these telescopings engendering, almost automatically, a specific narrative (one which logically implies that the characters can double or reincarnate themselves, leap time frames, and belong in several places at once).

by ·Comments Off on Ginger Snaps (2000, John Fawcett)

High quality from the start, the rare perfectly-calibrated teen movie, best I’ve seen since Detention. The writers have watched Harold & Maude a couple times, but the teen sisters’ suicide pact and gruesome fake deaths pay off nicely.

Ginger is bitten by a wolf, which drug dealer Sam then runs over with his van, and now outcast Brigitte tries to save her sister’s life while Ginger makes the most of her new supernatural popularity.

Mimi Rogers nails it as their mom. Chris Nolan a big fan, cast both girls in Insomnia the next year – Ginger also did Bones and Freddy vs. Jason, and both returned for the sequels. Drug Dealer Sam is aka Revenge-Seeking Goth Ian from Final Destination 3.

by ·Comments Off on Final Destination 3 (2006, James Wong)

The Roller Coaster Sequel. After the big funhouse setpiece, M.E. Winstead (the girl with hair like this) and her late bestie’s bf Kevin (a guy from The Ring Two Remake) survive, along with two goths (I’m about to see him in Ginger Snaps, she was in a Queen Latifah movie), a jock (Texas Battle of Wrong Turn 2), and two girls named Ashley who will soon die in cranked-up tanning beds, leading to a great edit to their coffins. Winstead figures out the pattern just quickly enough to find each person moments before their deaths, while being stalked by a goth, until something happens, I forget what, and they all think they’ve escaped, until a haha coda on an NYC train.

Our heroes, too late to save the jock:

Little sister Julie in front of a Carolyn Mark poster:

Very funny and enjoyable movie, obviously a must-see motion picture, but it loses something – part one was original, and part two carried a previous character forward and developed the idea, but then this is just part one again, almost a remake, the previous movies only existing diegetically in a web search jumbled in with 9/11 conspiracy theories.