Gorgeous movie with an unusual look, like storybook illustrations in motion. Aging, childless couple get a baby, fine cloth and a ton of gold from bamboo plants. The girl grows rapidly, loves playing outdoors, likes a local boy called Sutemaru, but her dad decides all this gold should be spent to give his Princess a finer life so he has a palace built in the city, where she learns to sit very still and play music and not do much of anything except be courted by deceitful rich men. Then it turns out she’s from the moon, which is weird, but M. Schilling says it’s “based on the oldest-known Japanese folk tale, which dates to the 10th century,” also filmed in the 1980’s by Kon Ichikawa as Princess from the Moon. We watched the English version – only notably great voice was James Caan as the Princess’s foster dad.

One of the best scenes, where Kaguya is sitting still behind walls as others decide her fate, then she panics and flees, and the animation style panics with her.

Incoherence (1994, Bong Joon-ho)

Bong’s half-hour student short has been on my laptop for ages, and since I’d just watched Coherence, I couldn’t resist pairing these. I’m guessing it’s closer in tone to his unseen Barking Dogs Never Bite than his more sinister features of the 2000’s. Three comic chapters, each featuring a man in a position of power doing something immoral (professor reading porn in his office, business exec stealing milk from stranger’s front step, lawyer getting drunk and belligerent) with an epilogue of the three appearing on a panel show to discuss morality and self-control. The drunk prosecutor would go on to play a detective in Memories of Murder.

Light Is Calling (2004, Bill Morrison)

Like a Decasia outtakes short. Scenes from The Bells (1926, James Young), destroyed and decayed, set to serious violin music. The director of Begotten probably cries himself to sleep watching this.

Three Video Haikus (1994, Chris Marker)

Firstly, some manipulated digital video of a river under a bridge.

Catherine Belkhodja from Level Five smokes a cigarette, each exhale punctuated with superimposition of an owl in flight. I think the smoking is the same footage from Marker’s Silent Movie. These first two were set to piano music.

The third has opening and closing titles, static shot of railroad tracks, and electronic sfx, and I think was supposed to be humorous?

Tomatoes Another Day (1930, James Sibley Watson)

I didn’t know indie goof-off sound shorts existed in 1930. Where’d they get the equipment? Oddball talkie featuring a wife, her husband and her lover playing out a predestined scene while flatly speaking their every thought (“You are my husband”). The second half is full of punny wordplay like the title line, which the Portuguese subtitles on Youtube faithfully translate as “outro dia de tomates”.

This is Watson of Watson & Webber, following up their Fall of the House of Usher. A. Grossman, who brought the movie to my attention with a Bright Lights article, calls it a “satire of the redundancy of talkie cinema, in which image and sound are inflexibly congruent” … “a revelation that the silent trance, when granted sound, becomes embarrassingly demystified.”

On Departure (2012, Eoin Duffy)

The Missing Scarf finally showed up online, so after failing to impress Katy with that, I watched Duffy’s other popular success. Depressed alien goes on a business trip… then, as tends to happen at the end of his movies, the world ends. Actually I read an interview with Duffy, and this is about something else entirely, but I’m gonna gonna stick with my interpretation.

Sausage (2013, Robert Grieves)

Local craft food sellers work together to defeat mustache-twirling corporate foodlike-product manufacturer. Populace is easily distracted by whatever shiny new thing tries to catch their attentions. Movie shows the public swayed by price and spectacle (true) and turning up their noses at gross combinations of things like hotdog-in-a-donut (sadly not true).

Three Little Bops (1957, Friz Freleng)

I’d planned to follow up Shocktober with Animation November but cancelled… still watched a few Looney Tunes, though. Wolf vs. Three Pigs story retold in the jazz age. At the end, the wolf dies, goes to hell, returns as a ghost sitting in with the pigs on trumpet. Could they not get a vocalist who could sing on the beat… or is that jazz? Great line: “The Dew Drop Inn did drop down.”

Duck Soup to Nuts (1944, Friz Freleng)

Porky goes duck hunting. Daffy does his thing, gets away.

Ali Baba Bunny (1957, Chuck Jones)

Bugs and Daffy are buddies on vacation together until Bugs digs ’em into an Arabian treasure cavern and DD gets greedy. Showdown with the Sultan’s enforcer follows. DD gets shrunk by a genie. Stereotypes abound, but this is all better than it sounds.

Transylvania 6-5000 (1963, Chuck Jones)

The one with the two-headed bird-witch. Bugs stays at a vampire’s castle, learns some useful magic words. Remade in the 80’s with Jeff Goldblum and Geena Davis,

Vampire vs. umpire:

Porky in Wackyland (1938, Robert Clampett)

Katy’s first time in Wackyland – she seemed annoyed at just how wacky this was, decried the “darkest africa” bit, asked if that’s what dodos really looked like, and claims scientists are trying to clone new ones.

Boop-Oop-a-Doop (1932, Dave Fleischer)

Less nuts than my favorite Boops can be. A couple terrific visual gags, some good cartoon weirdness (sinister circus ringmaster has a mighty morphing mustache, empty seats applaud on their own) and one song (“don’t take my boop-oop-a-doop away”) but Betty’s act only amounts to whipping lions, and her standard damsel-in-distress scene (saved by Koko the Clown) is uninspiring.

Arcana (2011, Henry Hills)

A half hour of zen based on a “treatment” by John Zorn (a numbered list of things) and featuring his music. I always love Hills’s editing (less extreme here than I’ve seen before), so this is enjoyable and relaxing, with seemingly no rhyme or reason to the order of events. I fell asleep to this a couple times in Georgia but only now watched it all the way through. Katy also praised the movie when I used it once as a kitchen screensaver.

Something wonderful (inflatable medical robot turned flying/fighting machine against its own will) combines with standard superhero-team origin-story and standard double-revenge plot with standard twist ending (you mean the most extremely obvious suspect doesn’t turn out to be the shadowy masked villain?). Adequately racially/sexually-diverse team of genius tech-nerd college kids use their lab experiments to defeat their own professor who has hijacked young Hiro’s micro-bots to destroy the military-capitalist who sent the prof’s daughter into another dimension. Interdimensional rescue of cryo-sleeping daughter unexpectedly recalls Interstellar, and robot’s self-sacrifice to serve man, floating away half-wrecked, recalls Terminator 2. Actually made me kinda sad, but as with Guardians of the Galaxy, we get a rebirth epilogue. As much as the world calls out for sequels to recent hit Disney movies, they keep putting out new stuff like this, to their credit.

Dollhouse season 2 (2010)

We watched this sporadically over the last year with months-long gaps between episodes (moving across country and all that) so I lost some details of the always-complex plot, like where we left off with Alpha before the final flash-forward episode. Still one of my favorite shows. Many allegiance shifts, and Summer Glau is introduced as Topher’s headquarters counterpart/love interest.

Costars of the two “epitaph” episodes: Felicia Day (Dr. Horrible’s Sing-Along Blog), Zack Ward (of TV’s Titus) and young Adair Tishler loaded with Dushku-Caroline’s personality.

Since Dollhouse ended, Dushku is voicing an animated She-Hulk, Harry Lennix did a Superman movie or two, we’ve seen Topher in two Whedon movies, Paul Ballard appears in different sci-fi series, Victor did TV shows with Halle Berry, Dennis Quaid and Madchen Amick, Sierra’s on two different nuclear war dramas, Olivia Williams is on a third nuclear war drama, sci-fi hero Summer Glau joined Arrow, The Cape and The Sarah Connor Chronicles, and Alpha is on Suburgatory, also voicing characters in the last three Disney movies.

Veep season 2 (2013)

I admit I didn’t care about plot or politics, just sped through this season for the relentless jokes. Looks like we’ll have a big campaign next season, since after the endless scandals the president has announced he’s not running again.

Added to the cast: Veep’s daughter Sarah “daughter of Keifer” Sutherland, Gary Cole (voice of Harvey Birdman), Randall Park of Larry Crowne and every comedy this year, Dan Bakkedahl of highly-rated comedy Legit, Kevin Dunn of True Detective (also Shia’s embarrassing dad in the Transformers movies), and great guest spots by Allison Janney and Dave Foley.

Futurama season 8 (2011)

More great episodes.

With owls!

And the best season finale ever.

Our first time at Film Streams in Omaha, which is playing great stuff (Celine & Julie, Je t’aime, je t’aime, Boyhood, the Nick Cave movie) and is located right next to the Saddle Creek shop and the club where The New Pornographers are playing. This was a groovy screening of finely restored Hubley shorts, which looked just brilliant. Katy enjoyed half of them, dozed during the others.

Covered in a post last year:
The Hat, Eggs, The Adventures of *, Moonbird and Urbanissimo

Of Men and Demons (1969)

Man starts to build himself a nice place to live and hunt and work and play, and demons of fire, water and lightning mess it all up. So he teams up with a woman, builds a stronger base with whole manufacturing plants, and the demons find ways to turn his work against him. It ends (either hopefully or ominously, depending on your outlook) with computer technology being the new invention. Some animation by Omaha-born Art Babbitt, creator of Goofy. This lost the oscar to It’s Tough to Be a Bird by John’s former Disney coworker Ward Kimball.

The Tender Game (1958)

Lovely little love story, flower girl meets a gardener. Wordless and slightly abstract, set to an Ella Fitzgerald song, more like a painted music video than anything else here. Some wild techniques – I love the scratchy static as surface motion on the lake.

Windy Day (1968)

Young Emily and younger Georgia are attempting to put on a play with a knight and princess, but Georgia keeps breaking character, asking questions, and changing their characters into kangaroos. Lost the oscar to Winnie the Pooh and the Blustery Day.

Last time I was in love with both The Hat and Moonbird – funny how those are the two I complained about this time, saying The Hat was too rambling and Windy Day outdoes Moonbird in every way.

This seemed like a good time to check out the Hubley DVD that came with an issue of The Believer.

A Date With Dizzy (1958)

Real crackly soundtrack on this one. Ridiculous plot, not brilliantly acted, in which Dizzy Gillespie and his band are being asked to score a TV ad for a fake product (“instant rope ladder”). We see a pencil test for that, plus three completed-looking ads for real products, and hear some good mini-songs by the band, with the dialogue scenes the filler between.

Cockaboody (1973)

Like an indoor, bedtime version of Windy Day. This was made years later but the girls seem about the same age, so I’m guessing the sound recordings for both movies were made the same year. Best part is when Georgia is upset, which the animation shows by having a grey storm start in her belly and form into wild animals jumping through her mouth as she screams. Katy tells me this all sounded obnoxious from the other room.

The Hole (1962)

The original improvised-dialogue Dizzy Gillespie short, predating The Hat, this time with Dizzy and George Mathews as construction workers talking about the big issues, fate and accidents, with a nuclear twist ending. Unlike The Hat and Moonbird, this one seemed better than I remembered it. Maybe it’s about how long I wait between viewings. Animators are Gary Mooney (from Lady and the Tramp and Sleeping Beauty to Four Rooms and Jurassic Park) and Bill Littlejohn (from the Parrotville series in the 1930’s to all the Charlie Brown specials, The Phantom Tollbooth and Watership Down.

The disc includes five more advertisements that weren’t in Date With Dizzy. Best is the very short Sanforized piece, but also notable is the three-minute short about what pretentious know-it-alls PBS watchers can be. What ever happened to “flavor maker” dog food sauce?

Plus home movies and photographs and behind-the-scenes footage for Cockaboody. Real cool DVD, can’t believe it came free with a magazine.

First movie watched since moving to Nebraska!

A movie with no baddies. Cursed ice-princess loses control of her snowy powers and hurts her little sister, then years later as hormonal ice-queen she dooms the whole town to endless winter and runs off. Little sister gathers hunky ice salesman and magic comic snowman (with the voice of Elder Cunningham) to set things right. There is singing.

The Signalman (1976 Lawrence Gordon Clark)

A fellow with too much time on his hands stops to visit a train signalman (Denholm Elliott of Brimstone & Treacle), whose apparent job is to live in a little house next to a train tunnel signaling whether another train is approaching or not, never leaving his post. The signalman tells of a ghostly visitor, who appears next to the tunnel apparently warning him of something, always shortly before a train accident. The final time he sees the spectre, he runs out to confront it and is killed by a train. Based on a Charles Dickens story, a good little movie.

Anger Sees Red (2004 Kenneth Anger)

Guy in red hat visits Rudolph Valentino’s grave, lays down, walks about.
Looks like this was shot by just anyone with a camera, not by a sixty-year filmmaking veteran.

Edgar Allen Poe (1909 DW Griffith)

Woman (played by Linda Arvidson, Griffith’s wife) awakens and stumbles around a room before collapsing into bed. Poe (Barry O’Moore, who’d later find fame as Octavius, the Amateur Detective), dressed like Jeffrey Combs in The Black Cat, gesticulates wildly towards a Melies-trick raven, dashes off a quick poem and runs to the newspaper, where he’s roundly dismissed, gesticulating wildly. But he argues his way into the editor’s office, sells the poem, runs home with blankets and food, but his wife has just died. He responds by gesticulating wildly.

Jabberwocky (1971 Jan Svankmajer)

A stop-mo masterpiece from the ass-slapping percussive opening credits on. A girl reads the poem on the soundtrack for the first couple minutes, then Jan runs out of poem and just riffs for the next ten. Love how objects appear and grow using replacements of progressively larger objects. As usual, he obsesses over dolls and food. Funny that two very different stop-motion animators would make Jabberwocky movies in the 1970’s.

Herzog and the Monsters (2007 Lesley Barnes)

Motion graphics, 3D camera moves, typography and a groovy song tell the story of Herzog, living in his grandmother’s house full of books but not allowed to touch them.

Johnny Express (2014 Kyungmin Woo)

Overrated delivery man has a scale problem when attempting to deliver a microscopic package to a tiny planet, wrecks planet, kills everyone. But it’s very funny.

The Dover Boys at Pimento University (1942 Chuck Jones)

Gag-filled parody of stories where square college boys save damsels from drunkard villains.

Sculpting Sound: The Art of Vinyl Mastering (2014 The Vinyl Factory)

Only six minutes – I wouldn’t have started watching it if it’d been three times longer, but now that I’ve watched, and half its runtime was stock footage of archaic gear and focus-pulls on the modern engineers’ dials and knobs, I want to know more specifics, for instance to follow a song through the recording, engineering, mastering and pressing process, hear exactly how the nature of the sound changes at each step. Can somebody do this please? Music in the doc by James “UNKLE” Lavelle

Also: saw more making-of footage of The Day The Clown Cried online, now with an on-set Pierre Etaix interview (in french).

Goofball Juzo bets his penis that he can sleep with high-class courtesan Komurasaki. There is no way this will happen, but fortunately Yonosuke, the most sexually experienced man alive, overhears his troubles and helps him out.

The same 17th century novel was adapted by Yasuzo Masumura as A Lustful Man.

Emotionally similar to Grand Budapest Hotel, romance and work-obsession interrupted by WWII, with a sense of loss that doesn’t really hit until the movie’s final scenes, or a couple hours afterward.

Good movie, except when I am 100% distracted by the voice of Werner Herzog!