by ·Comments Off on Misc Shorts, Q2 2015

World of Tomorrow (2015, Don Hertzfeldt)

Emily Prime is contacted by her third-generation clone, discussing memory, robots, love and life in the outernet of the future.

Only 16 minutes long but I watched it seven times.

Choose You (2013, Spike Jonze & Chris Milk)

Written by Lena Dunham and directed by Spike Jonze – and yet it’s terrible? I think that’s because it’s a corporate-sponsored short made for a music video awards show. Anyway, subtitled and censored, club dude’s ex-gf is now dating DJ Michael Shannon, some girl he doesn’t even know freaks out about this, then Jason Schwartzmann hosts a choose-your-own-adventure ending and double suicide is chosen.

The Discontented Canary (1934, Rudolf Ising)

A sad caged canary gets his chance to escape, but nature beats the hell out of him, so he returns home, learning to appreciate his captivity. At least he wasn’t hit by lightning like the feral cat. Moral: life is just horrible.

The Alphabet (1968, David Lynch)

Now in high-def!

Les jeux des anges (1965, Walerian Borowczyk)

Heads roll.
Pipe organ becomes firing squad.
Angel wings.
Infinite scrolling.

Mouseover for decay:
image

The Sinking of the Lusitania (1918, Winsor McCay)

Didn’t realize this was a WWI propaganda film. “Germany, once a great and powerful nation, had done a dastardly deed in a dastardly way.”

Intro explaining how difficult the movie was to create, and plenty of title cards, so the nine minute short has maybe four minutes of animation. But the animation is real good stuff, all water and smoke.

We Give Pink Stamps (1965, Friz Freleng)

Absurd fun in a department store as the Pink Panther torments the night janitor.

Closed Mondays (1974, Will Vinton & Bob Gardiner)

Great claymation. Wino wanders into an art gallery, hallucinates (?) all the paintings and sculptures coming to life.

Night Mail (1936 Wright & Watt)

I’ve heard this is one of the greatest short documentaries. True, it’s admirably put together, showing all the moving parts in a great, manned machine that moves the mail across England and Scotland really damn fast. And it makes you marvel at the heights of human endeavor. And it ends with a post office rap song. So yeah I was gonna say it’s just a doc about a mail train, but I guess I see their point.

Monster (2005 Jennifer Kent)

Beginnings of The Babadook (there’s a pop-up book and everything). Monster-doll grows into full monster and attacks son, mom screams at it, tells it to go to its room.

Fears (2015, Nata Metlukh)

Terrific 2-minute animated short linked by Primal.
A man literally embraces his fears.

Restaurant Dogs (1994, Eli Roth)

Student film in which an evil brigade of fast-food restaurant mascots is bloodily defeated by a young dude who’s given a mission from the Burger King himself to save his daughter the Dairy Queen. Something like that, anyway. I thought the guy only wanted to buy a milkshake, and suspected he was drunk, so I’m surprised he signed up for the murderous mission so quickly.

Given all the trademarked properties being mixed with nazi images via Terry Gilliam-style cut-out animation, I thought I’d better watch this as soon as I heard about it, rather than wait until our corporate overlords remove it from the internet like they did the Soderbergh cut of 2001: A Space Odyssey which I’d been meaning to watch. Besides Reservoir Dogs, there’s some Deer Hunter and Apocalypse Now in the grimace/hamburglar flashback scene.

Ritual (1979, Joseph Bernard)

Under three minutes, viewed online as a trailer for the new Bernard blu-ray, which I obviously need. Drawings, figures, people and scenes and stuttering colors cut together into changing rhythms and overlays. My favorite bit has an overlay of two scenes, one of which is cutting, an effect I don’t see often.

by ·Comments Off on Surviving Life: Theory and Practice (2010, Jan Svankmajer)

Stop-motion cut-out animation of psychoanalytic dream-imagery.

Yes there’s a story – a married man attempts to carry on an affair with a woman in his dreams – but it’s the imagery and editing tricks and invention and sidetracks (eggs, fruit, flowers, suit-wearing coworker with dog head, fighting Freud and Jung portraits, reptiles, tongues, doppelgangers) that kept us endlessly entertained. Svankmajer’s features tend to feel overlong with their obsessions and repetitions but this one (though it opens with an extended apology from the director) was completely wonderful.

by ·Comments Off on Speed Racer (2008, Wachowskis)

The most inventive “live-action cartoon” movie?

The bright, color-manipulated sets ensure that we don’t take the action seriously for even a second – which is good, since the movie is a fairly faithful adaptation of the horrendous Speed Racer series, in which the mysterious Racer X is actually Speed’s brother. The movie’s main contribution (besides toning down the part of Chim-Chim) is a twist: Racer X turns out not to be Speed’s brother! But wait, another twist: Racer X is really Speed’s brother!

Not toned-down: Spritle

Evil racers with dollars in their eyes:

Speed is Emile Hirsch, having a big year with this between Into the Wild and Milk, with Christina Ricci as Trixie. His overqualified parents: Susan Sarandon and John Goodman (dressed like Super Mario). Rain (I’m a Cyborg But That’s OK) is a friend/enemy/informant/fall guy, Royalton (Al Gore-looking Roger Allam of The Angels’ Share and V for Vendetta) is the corporate baddie, and Matthew Fox (TV’s Lost) is Racer X, who is emphatically not Speed’s brother (yes he is!)!!!

by ·Comments Off on The Secret of Kells (2009, Tomm Moore)

Based on the poster I thought it was a Bug’s Life legend, but no that’s a human ghost girl hiding behind leaves. No-fun ol’ Abbot (Brendan Gleeson) thinks only about defending the town of Kells from viking invaders, but his nephew Brendan would rather follow the illustrator Aidan who comes to town hoping to complete a treasured book. Brendan gets help in the forest from the fairy Aisling, gathering berries for ink and a magnifying crystal from a cave creature (for drawing fine detail) and feathers from a goose’s butt. Turns out the Abbot’s defense plans weren’t all that, and the town gets sacked and nearly everyone dies, but Brendan completes the book, and so Irish culture lives on, I suppose. After a rewatch of Once, this was #2 in our Ireland Films Series.

Terrific design and compositions in this movie – some of it presumably based on Irish art and the real Book of Kells. Similar in ways to The Tale of Princess Kaguya, a simple/ancient folk tale animated with a singular style, and with one breathless centerpiece scene. In this one, it’s Aisling’s song, when she gives Aidan’s cat the power to retrieve a key to free the imprisoned Brendan. The real Book is an illustrated bible, but the movie avoids (almost?) any talk of bibles or religion, despite taking place in an abbey.

Also watched a 2001 short called Pitch n Putt with Beckett and Joyce, in which a tempermental, foul-mouthed, eyepatched James Joyce attempts to play mini-golf with an unresponsive Sam Beckett. Made Katy laugh, therefore good short.

by ·Comments Off on Television watched early 2015

Recently I have watched a lot of television.

Very little of it was watched on a real television.

–
Over The Garden Wall (2014, Patrick McHale)

Oh, this was wonderful. Fairy-tale voyage of Wirt (Elijah Wood) and his little half-brother Gregory (Collin Dean), with Beatrice the bluebird (Melanie Lynskey of Heavenly Creatures, Matt Damon’s wife in The Informant) and other voices by John Cleese, Christopher Lloyd and Tim Curry. They’re stalked by The Beast and a soul-collecting woodsman through a land called The Unknown, but in the last episodes this is all revealed to be unconscious fantasies as the boys are in real-life danger. Nice animation and use of music. Hopefully the show lives on… a quick look at twitter shows that it probably will.

–
Brass Eye (1997/2001)

Christopher Morris’s self-serious news-magazine show, a series of episodes about made-up current-affairs crises, accompanied by the kind of insane, over-the-top graphics familiar from The Day Today. For instance, here’s a 3D graph of the Man vs. Animal evil continuum paradox:

Frequent appearances by Mark Heap (Brian in Spaced). Morris interviews actual semi-celebrities and politicians about his fake issues, getting them to take stands against things with obviously humorous names.

Error I caught, which only someone in British television could make: Morris mentions “Dennis Potter in Blue Velvet”

–
Charlie Brooker’s 2014 Wipe and Weekly Wipe season 3

I wish it was all about news and politics, less about TV shows and advertisements since I don’t care about those. And I wish the Wipe annual specials didn’t cannibalize the previous year’s TV series, and those didn’t cannibalize themselves in their sixth episodes, and that the special and series were more spaced-out throughout the year, but hell, I love all the Brooker shows I can get.

–
Parks and Recreations seasons 5-6

Leslie’s time on city council (with Jon Glaser as Councilman Jamm) goes poorly and she’s eventually recalled. Pawnee and Eagleton merge. Ann and Chris move away together so they can leave the show (Rashida Jones is in a Patrick Wilson movie and a TV series written by Steve Carell, Rob Lowe’s in a Burt Reynolds movie and an apocalypse series). Andy gets a temporary job out of town so he can shoot Guardians of the Galaxy. Jerry gets his name changed to Larry and joins Donna in the opening titles for the first time. April has more responsibility, Tom loses his rent-a-swag business to Henry Winkler and opens a restaurant, Ron marries Lucy Lawless and becomes a stepdad. Ben and Leslie are married and she’s pregnant with triplets. Flash-forward three years??

–
Girls season 2 (2013)

Predictably, Jessa’s marriage with Chris O’Dowd (I didn’t recognize him last time because of the weird American accent he’s doing) doesn’t work out. Hannah and Adam have a pretty bad breakup (911 is called) and she dates Patrick Wilson for a while. Shoshanna is sorta with Ray, Marnie’s career is falling apart and she’s crushing on her ex Charlie, and Hannah is having a breakdown. It’s a very dark season, but also astoundingly funny and still one of the best shows ever.

Watched some of the extras, learned that one of my favorite jokes – DJ team Andrew Andrew – is actually a real thing. Oh, New York. Also, Jon Glaser is in every show I watch. Including him, I count about fourteen new familiar faces (“celebrity cameos” doesn’t sound right), pretty good for only ten episodes.

–
I’ve been missing Human Giant. I see Aziz every night on Parks & Recreation, and Matt Walsh is on Veep, so I checked out Rob Heubel’s and Paul Scheer’s latest shows, which both happen to be parodies of shows Katy watches.

Childrens Hospital season 1 (2008)

Sort of Grey’s Anatomy love-affair hospital show with Heubel, Rob Corddry as a clown, Rob’s brother Nate, Megan Mullally (Tammy 2 in Parks & Rec), Ken Marino, Lake Bell (In a World) and Erinn Hayes. Guests: Nick Offerman, Jason Sudeikis and David Wain.

–
NTSF:SD:SUV:: season 1 (2011)

More memorable and addictive than Childrens Hospital, maybe because it had twice as many episodes and an exxxtreeeme theme song (DIIEEEEGOOOO), a cop procedural parody starring Paul Scheer, June Raphael (Burning Love), Brandon Johnson, eyepatched chief Kate “Captain Janeway” Mulgrew, loser Martin Starr and ugly nerd Rebecca Romijn.

Guest villains: JK Simmons, John Cho, Rich Fulcher, Adam Scott, Tony Hale, Lorenzo Lamas, Jeff Goldblum, Jerry O’Connell, Wilmer Valderrama, Robert Picardo, Matt Walsh and Julian Sands

–
IT Crowd seasons 1-2 (2006-07)

I’d watched and not loved the first episode a couple times, but Fumi didn’t steer me wrong with Mighty Boosh, and I have unconditional love for Richard Ayoade so I finally gave in and watched more. After a few minutes you can ignore the awful laugh track and the show gets good.

Ayoade stars with Chris O’Dowd (Girls, The Boat That Rocked) and Katherine Parkinson (new Maggie Gyllenhaal show The Honorable Woman), and unexpectedly to me, Chris Morris of Brass Eye, though he suicides after eight episodes and is replaced by Matt Berry of Darkplace & Boosh. Also pleasantly surprising: Noel Fielding of the Boosh as Richmond, the secret third I.T. guy who is normally hidden behind a closed red door.

Written by Graham Linehan (Big Train, Black Books) with codirectors Barbara Wiltshire (10 O’Clock Live) and Ben Fuller (That Mitchell and Webb Look)

–
Bob’s Burgers season 1 (2011)

Terrific, filler for the Simpsons-shaped hole in my life.
Although hopefully later seasons are less obsessed with butts and pooping.

Jon Benjamin, Eugene Mirman and Kristen Schaal, of course. Dan Mitnz (a writer on Important Things, Human Giant, Lucky Louie) is Tina and John Roberts is Linda. Regular roles for Ron Lynch and Sam Seder (Fenton in Home Movies), appearances by Jon Glaser, Todd Barry, Amy Sedaris, Brendon Small, Paul F. Tompkins, Steve Agee, Kevin Kline, Jay Johnston, Jack McBrayer, Tim & Eric, Robert Ben Garant, Jerry Minor, Brian Posehn, Sarah and Laura Silverman.

–
Also watched Louis CK’s new special, Live at the Comedy Store. Good stuff, and I enjoyed the few minutes by opened Jay London – gotta see if he’s got his own special. And rewatched Spaced with the commentary tracks, now that I’ve finally found software that can read those infernal DVDs.

by ·Comments Off on The Lego Movie (2014, Lord & Miller)

All turned out to be in imagination of kid who’s not supposed to be playing with dad Will Ferrell’s precious lego collection. Ferrell gives in, lets the kid play – a tragic ending. Some of those sets are probably valuable! Will Arnett does a good batman voice.

by ·Comments Off on Animated Oscar Shorts 2014

Oh no, I got behind on the blog and didn’t write about these.
I tend to forget shorts pretty fast, so I’m using web sources to recall which of these was which.

Me and My Moulton (Torill Kove)
Narrated memoir of three girls growing up in a normal town with not-normal parents – they are art and design obsessed, and when the kids ask for bicycles they finally get a weird one the proud parents have mail-ordered. Kove won best picture in 2006 for The Danish Poet.

Feast (Patrick Osborne)
We saw this before, playing with Big Hero 6, and I forgot to mention it then. Dog’s-eye-view of food, food, doomed human relationship, more food. Osborne worked on Bolt, Tangled and Wreck-It Ralph.

The Bigger Picture (Daisy Jacobs)
One of my favorite things: wall drawings and real objects interacting, 2D and 3D blending, like the drawn animations on paper-mache backgrounds in Rocks In My Pockets, or in a different sense, the dimension-based drama of Rabbit and Deer. But while I love the idea, it’s still a drab little story about fighting siblings and a dying parent.

A Single Life (Blaauw/Oprins/Roggeveen)
My favorite – also the shortest. Woman puts a 45 on the player, and finds that if she skips to different parts of the record, she travels to different times in her own life. IMDB claims the story was conceived on a drunken college night.

The Dam Keeper (Kondo & Tsutsumi)
Lonely pig runs the windmill that keeps the darkness at bay, but nobody in town loves or respects him so one day he lets the darkness in. Both directors worked on Pixar movies. This was cool, dark and imaginative, so naturally there’s talk of sequels and franchises and live-action remakes.

Sweet Cocoon (Bernard/Bruget/Duret/Marco/Puiraveau)
A student film, I think. A caterpillar is fat!

Duet (Glen Keane)
Keane has been in animation forever, was a lead character animator on many Disney features, and this is his first solo film. A boy is sporty, and a girl is graceful, and they like each other, all in one continual, fluid animation. Katy thought it reinforced oppressive gender roles, but that was before she saw the new Cinderella.

Footprints (Bill Plympton)
Moebius-strip footprint-following detective story.

Bus Story (Tali)
Another memoir, this time of a young woman who dreams of being a bus driver, so rents a shitty bus from its grumpy owner. Tali made La Pirouette, which I saw in 2002 and liked, though I can’t remember at all.

by ·Comments Off on Rocks In My Pockets (2014, Signe Baumane)

A good night, with the energetic director in attendance, introducing then discussing her film. It’s an impressive feat too, an animated feature made by a very small team, 2D animation composited onto paper mache backgrounds. Not completely crazy about the movie since it felt like a wearying illustrated audiobook after a while with her relentless narration, but it’s a mostly charming work about her family history of depression and suicide.

Grandma is well educated but runs off with her nationalist entrepeneur boss and bears eight children in a secluded forest, as Latvia is fought over by Russians and nazis and nationalism becomes irrelevant. She raises the kids, tends the animals, carries buckets of water up the hill all day while the entrepeneur works for years on his anti-Russian manifesto, which is burned when discovered by the kids years later. It’s said that grandma would have drowned herself but she kept floating because she didn’t know to put rocks in her pockets. Signe explores her family history while dealing with her own periodic depression, learning about strange and suicidal cousins, before returning to her own feelings and the way she deals with them through art.

by ·Comments Off on My Neighbor Totoro (1988, Hayao Miyazaki)

We watched this the same week as Princess Mononoke, and not long after Princess Kaguya, and it suffered by comparison. Also suffered by expectation, since it’s possibly the most beloved Studio Ghibli movie, providing the company their mascot. Surely it’s a good, enjoyable movie, but it’s simpler, more oriented towards kids. Gives a Coraline vibe, as kids move into a new house and find magic within. Coraline wanted everything to be more wonderful and centered around her, but these girls have real problems – mom in hospital with tuberculosis (see also: The Wind Rises).

The girls are excited about their new house, especially when the younger one crawls into a tree grove and discovers a Totoro (like a giant raccoon-bear that can fly on a spinning top and create massive temporary trees).

Then Totoro eats them.

No he doesn’t. An elderly neighbor tells them about the soot sprites (black dust balls with eyeballs) in the attic and the girls eventually meet the neighbor’s grandson, a silent, socially awkward boy. Gradually things get more real as we learn that their transplant to the country was prompted by a sick mom, and the youngest girl wanders off to visit her, but gets lost, prompting a search party and leading the older girl to seek out Totoro’s help.

Totoro summons the greatest thing in the history of movies: the catbus.

Then it eats them.

No it doesn’t.