The movie Carol Reed made between Odd Man Out and The Third Man. I’d never heard of it before it opened outta nowhere at the Landmark.

The Idol in question is Baines, the butler, and the Idolizer is Phillipe, a typical shrill young movie kid who says “Baines” a whole damned lot. Baines doesn’t kill his wife, but she falls down the stairs and dies. At the end, I’m not sure if the kid is covering for Baines, “growing up” by claiming to be telling the whole truth while consciously not mentioning that he thought he saw Baines kill his wife… OR if the kid is smart enough to realize he didn’t actually see Baines kill his wife, and to trust Baines even though he realizes Baines has lied to him in the past. So the kid’s either learning to lie or learning to trust despite others’ lies… either way, that’s what the movie’s about.

Baines is having an affair and preparing to leave his wife, and shows no grief at all when faced with his wife’s death in front of the cops. One of those movies where you can see that everyone’s problems come from hiding something important and that all their troubles would clear up if they’d just stop being so secretive. A lotta movies like that.

But then, also one of those movies where everyone (except the dead wife, who died quite by accident so let’s not worry about her) gets away without trouble, where the movie doesn’t force any undeserved consequences on its characters to teach us a harsh life lesson… not all “Quai des Orfevres” feelgood, but nice nonetheless.

Cool looking part when the kid runs through the streets, terrified of Baines and the death, meets a cop… just the right mixture of low angles and shadows. Gets very tense towards the end, with Baines pulling a gun alone in the basement, threatening to kill himself over the false murder accusation.

Good enough picture but low, crackly sound made it hard to understand dialogue. Glad I saw it, but not gonna be a repeat fave. Movies with shrill British kids as protagonists never are.

Not as Altmanesque as I’d first considered… just a lot of easily distinguishable characters in an ensemble piece. Should be easy, but hardly anyone can pull it off.

Dazed and Confused

I was barely two when the seventies ended. Avoided this movie for so long because I thought it was meant only for stoners and/or seventies kids wanting to relive their stoner and/or seventies days. But not having lived through that era myself, I can still tell this is a damned brilliant movie. Captures the high-school experience yes, but captures so MANY experiences, and character types, and so well, it’s almost an unbelievably good movie, one for the ages. Better even than most Linklater movies. I think. Better watch it again before making any sweeping declarations (“best movie of the nineties, better than Dead Man, etc”).

Dazed and Confused

No real point in outlining plot, since story wasn’t the point. No real point in outlining characters… just see it again sometime. Wiley Wiggins was great. Now I feel bad that I’m the last person to see this movie… somehow got it mixed up with Reality Bites or something. Now I wonder if I’d like Fast Times at Ridgemont High. Or Rock and Roll High School.

Dazed and Confused

Not really a comedy like I’d thought, except for the parts with Grandpa in ’em.

Heaven Can Wait

Guy marries girl he likes, then when he dies, insists he deserves to go to hell but is wrong. I kinda don’t remember much already.