Official New Year’s Eve Movie of 2006/07. Means our 2007 will be full of award-winning food, harsh competition, street fights, amazing bouncing meatballs, redemptive plastic surgery, obsessive crushes, big-money revenge schemes, meditation, and Chinese people.

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Martin says if we liked this, we need to see The God of Gamblers, The God of Gamblers II, The God of Gamblers III, The God of Beggars and The Gods Must Be Crazy. All in good time. Myself, I’d rather start with Fight Back to School (which Videodrome actually has).

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Katy liked it, and says it’s a joke on the Iron Chef show.

No wonder lead actress Lumi Cavazos looked familiar – she played Inez in Bottle Rocket. And I guess her wannabe-boyfriend was in Cinema Paradiso. But the best IMDB revelation of all: this movie was directed by El Guapo himself!

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Tita has always loved Pedro, but Tita’s the youngest daughter of her overbearing and unloving mother, and therefore disallowed to marry as long as mom is alive. So Pedro marries the young sister (Nacha?) and the other sister (Gertrudis, actually an illicit half-sister) runs off naked with a rebel soldier when he shower catches fire, and eventually Tita finds a nice doctor and her mom dies.

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Meanwhile, Tita cooks for everyone, and whatever she’s cooking has magical effect on whoever eats it, transferring Tita’s moods and emotions on to them. Seems whimsical, but more than one person dies as a direct result.

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Finally the one sister dies and Tita can be with Pedro. Their one night together kills them both with heart attacks and fires, and I think that might be a happy ending. Anyway it’s a nice movie, if a bit too dark (in lighting not mood). All about tradition and true love and mexico.

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Katy liked it.

1. Children of Men

2. A Scanner Darkly

3. Slither

4. Princess Raccoon – joyous and musical and unbelievably strange

5. Brokeback Mountain – yes, I saw it in 2006

6. Borat!

7. The Fountain

8. A Prairie Home Companion

9. Shortbus

10. The Promise

You’ll have to click on the links to get more thoughts on the movies… took all my thoughts just to gather ’em all here and put ’em in order. Was much more impressed overall with the older movies I saw on video this year (see list below). The first two on this list were my “best of the year” and the others are just in place to fake a top ten. Better luck next year!

Honorable mentions to Guy Maddin’s and Isabella Rossellini’s My Dad Is 100 Years Old, John Carpenter’s Cigarette Burns, We Jam Econo, Joe Dante’s Homecoming, The Hills Have Eyes remake, The Science of Sleep, De Palma’s The Black Dahlia, Takeshi’s Takeshis’, Lady in the Water, and Miike’s Great Yokai War.

1. Black Narcissus – I enjoyed this so much that the review I wrote that night is raving nonsense. I did call it one of the best movies I’ve ever seen, so I’ll take my word for it.

2. The Double Life of Veronique – beautiful in a way that doesn’t even make sense… will have to see it again and again.

3. Spaced, season 1 – good thing I’m accountable to no one with my end-of-year lists, so I can put a TV series up here among all the movies. Watched the whole season twice, and I’d do it again… hilarious and brilliant.

4. Edvard Munch – such a powerful movie, it troubled my mind all year.

5. Scarlet Street – I almost want to lower its ranking to punish Fritz Lang for being so cruel to Edward G. Robinson. So very dark… best noir I’ve seen since Out of the Past.

6. F.W. Murnau’s Faust – c’mon, it’s Faust.

7. Moolaade – best movie on female genital mutilation I’ve ever seen.

8. Dazed and Confused – a good time, a very happy movie.

9. Tokyo Story – not as happy, but an emotional trip… gotta see more Ozu soon.

10. Kageroza – glad to see what Seijun Suzuki did during his “time off” from filmmaking.

11. Touch the Sound

12. The Philadelphia Story

13. Greed (The TCM reconstructed version)

14. La Strada

15. Wages of Fear

16. Hypothesis of the Stolen Painting – made the list as soon as the curator fell asleep and the disembodied narrator started whispering so as not to wake him.

17. Jean Renoir’s The Lower Depths

18. Petulia

19. Mr. Arkadin (corinth version) – Orson Welles in full-on crazy mode… a bunch of amazing scenes loosely stitched together with a ridiculous (and poorly dubbed) framing device. Too weird not to love.

20. Letter From Siberia

Honorable mentions to The Thief of Bagdad, The Newton Boys, Knowing Me Knowing You with Alan Partridge, the Judex silent serial, and Fritz Lang’s While The City Sleeps, among many others.

1. Satantango at the Belcourt in Nashville with Jimmy and Trevor. Nice drive, nice theater, and the kind of movie that changes my feeling about movies.

2. Tales of the Tinkerdee and Handmade Puppet Dreams at the Center for Puppetry Arts – Heather Henson presents some of her father Jim’s early works, and some brand new shorts by indie filmmaker puppeteers

3. Bright Leaves at Agnes Scott. The movie was on DVD, but we got two Q&As by director Ross McElwee.

4. Viva Pedro! at the Landmark – six Pedro Almodovar movies in a week. Got to see Matador, Law of Desire, Talk to Her, The Flower of My Secret, All About My Mother, and Women on the Verge of a Nervous Breakdown, and missed Bad Education and Live Flesh.

5. George Pal’s Puppetoons shorts at Lincoln Center with Justin and Trevor

6. Three Mira Nair movies at Emory with Katy, and a talk/Q&A with the director.

7. Pickpocket at Emory. It’s nice when an acclaimed classic lives up to its reputation.

8. Kill! at Emory. It’s nice when a movie I’ve barely heard of turns out to be a brilliant classic.

9. Warren Sonbert shorts at the Eyedrum. Another filmmaker I never would’ve heard about if not for local artist/programmer Andy Ditzler.

10. Spirit of the Beehive at Emory

Only an honorable mention allowed for 2046 at the High Museum since I’d just seen it three times last year.

1. Kingdom of Heaven (director’s cut) – Not even its May 2005 release date can save this from being the worst movie of 2006.

2. Art School Confidential – The bit at the end – about how the only way to be a successful artist is to be a fraud (the cop) or a notorious killer (our protagonist) – wasn’t worth the whole misguided, hateful, unfunny journey.

3. Hostel – Couldn’t justify filling my head with nightmares of dangling eyeballs meeting power drills. I will be shocked if the revenge ending was supposed to be taken seriously… seemed so sloppy that it felt like a loving tribute to bad plotting.

4. Hellraisers 7 and 8 – I’d heard they were bad, I knew they’d be bad, I watched them anyway. Put the word “Hellraiser” on anything and I’ll watch it. At least they were bad/fun, hence only the number four slot.

5. The Yes Men – Such an obviously funny subject, and from the directors of American Movie. So why does it feel so dull and hastily-compiled? Most unexpectedly crappy movie of the year.

Dishonorable mentions go to Dance of the Dead (for being worse than the Hellraisers, but with lower expectations), The Leopard (for being extremely tedious), Fritz Lang’s Beyond a Reasonable Doubt (for having the most ludicrous script and characters), and Walk The Line (for pointlessly hollywoodizing Johnny Cash’s life)

Buster Keaton’s first film for MGM, and “first film BK made with a prepared script”. Silent. Unbelievably highly rated considering how lame it seemed to me.

Keaton costars with Marceline Day (60+ movies in a decade, stopped acting in ’33, lived till 2000). This is only a year after Sherlock Jr., The General and College, and just a few years before his career had completely devolved into junk like What, No Beer?. The beginning of the end for Buster!

So he “acts” in this one… he has facial reactions, falls in love, looks angry and sad and everything. No more blank faced humor. Scene in a pool changing room that was so long and obvious I started looking at the records on the wall instead of the movie. All sorts of trouble.

Keaton is a “tintype” photographer, charging for portraits on the street, when he meets M. Day. He follows her to the newsreel office where she works, trades in the tintype for an expensive (for him) ol’ beat-up movie camera. Tries to be johnny on the spot with the news, but can’t compete with the big fellas. So Day gives Buster a tip on the Chinatown riots, which Buster covers himself in the only great scene… putting himself in mortal danger with his accidentally acquired new pet monkey sometimes running the camera, making it all the funnier when the news fellas later see the footage and declare it the best camera work they’d ever seen. But first Buster has to be sadly disgraced and lose his girl to a showoffy strongman then he has to disgrace the strongman via a daring speedboat rescue, regaining the girl and securing a job at the news place. And everyone is happy except for the strongman (no girl, probably no job) and me (only two funny scenes, Buster losing his distinctive personality with no apparent gains). Not a waste of time or anything, don’t recommend against it, just sorta personally disappointing.

Sign on the door: “Ladie’s dressing rooms”

Tyrone Power (very normal looking white guy who wouldn’t live another decade, also starred in Nightmare Alley) stars as the only American who can save the Philippines from the Japanese. Along with his loyal troops (buncha white guys) and a cute French girl whose father was killed by the dirty Japs (Micheline Presle, still alive, later in Sacha Guitry’s Napoleon, Rivette’s The Nun, Demy’s Donkey Skin and Fuller’s Thieves After Dark), Tyrone stays hidden long enough to set up communication lines, kill off some Jap soldiers and local traitors, and help out the good guys until General MacArthur arrives.

Fritz Lang directs, with no particular style or interest. Crazy-eyed actor Jack Elam was supposed to be in there, but I didn’t see him.

Movie had a story to tell and a side to take, and it set right to work telling that story and taking that side. Nothing more to tell. Glad I was able to tape it off cable and didn’t have to spend $20 hunting it down.

Count with me: thirty-three Fritz Lang movies down, four Fritz Lang movies to go.

Would Katy have liked it? One day I hope to find out.

Kid has divorced parents, is picked Kirin Rider at an annual festival. Meets a red-faced guy, a cute gerbil muppet, and a hot naked girl:

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Kid must wield the legendary goblin sword and defeat the big evil guy (actor from Loft) and his hot girl assistant:

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Once we have our two opposing hot girls in place, the movie just cuts loose with nutty imagery:

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Awesomely disturbing children’s movie on the level of Neverending Story. Want to some day show this movie to actual children to warp them forever. Will have to narrate the japanese subtitles live, I guess, but it will be worth it. Me, I enjoyed every minute of this cruelly twisted flick.