by ·Comments Off on L’important c’est d’aimer (1975, Andrzej Zulawski)

I’m going with the original title, since the English That Most Important Thing: Love has always annoyed me. Made between The Devil and Possession, the camera rushes and roams, the Delerue music rises and fades.

Seedy burnout photographer Fabio Testi (a Monte Hellman regular) interjects himself into the lives of fallen actress Romy Schneider (Inferno, The Trial) and her husband Jacques Dutronc (the Godard of Every Man For Himself). They’ve all got some intense half-unspoken feelings for each other, and strict rules around their encounters. Despite his own money problems, Fabio bankrolls a Shakespeare play with Klaus Kinski to get his new actress friend some self-respect. Feels very based-on-a-novel, and it is, but Zulawski and DP Aronovich (Providence, Time Regained) keep it interesting enough.

Fabio’s book collector friend:

by ·Comments Off on Vogel 15: The Spanish Earth (1937, Joris Ivens)

Unfortunately they still haven’t invented commie propaganda films that aren’t boring, but in the early scenes Joris pulls out some terrific images of the farmland before it goes into newsreel-like war scenes. What does lboxd mean by “The film would have been seen by those making it as a documentary.”

The soldiers and the farmers working for the same cause, driving back and destroying fascism. Nice story – of course this outcome brought decades of prosperity and creativity, which is why Spanish cinema was so dominant in Europe throughout the mid-century. The music is pretty decent, and halfway through I realized there were two narration tracks and switched from Hemingway to Welles.

by ·Comments Off on Juror #2 (2024, Clint Eastwood)

Clean-cut white family man Nick “Steve” Hoult pulls jury duty (in Savannah GA, so not quite a rural juror). He hears the story of Problematic James (Super 8 kid Gabe Basso) murdering his girlfriend (the director’s own daughter), and suddenly Hoult realizes that maybe he hit the girl with his own car when he was out not-drinking after an emotional day. Out of guilt he tries to 12-angry-men the jury into acquitting, then after consulting his lawyer friend Kiefer, he tells his pregnant wife that he will Protect Our Family and tries to 12-angry-men the jury into convicting.

Stressed-out Hoult:

DA Toni Collette is running for office and wants this to be an open-and-shut case, but ex-cop juror J.K. “J/K” Simmons thinks she hasn’t investigated well enough and starts sniffing around until he’s kicked off the jury and replaced with an alternate. The throughline is professionals getting into lazy ruts and missing details that don’t fit the easiest story. Toni’s redemption arc is to be dissatisfied with victory and putting in the extra work to track down Hoult. Not a showy film, letting the script and actors carry the drama, though crosscutting between the defense and prosecution during the opening arguments was cool. The defense lawyer was in the Devilevator, other jurors whose names I caught include a boys club guy from Bojack, the purple lady from Logan Lucky, Leslie Bibb of Midnight Meat Train, and a stoned kid from the recent Halloween remakes.

by ·Comments Off on Eastern Condors (1987, Sammo Hung)

Chinese prisoners are dropped into Vietnam days after the US pulled out of the war to destroy a weapons cache before it falls into enemy hands. Kind of a Dirty Dozen plot, but these guys are not soldiers, and the first one dies tragicomically because he doesn’t open his parachute in time due to a stutter when counting to twenty. But the USA was counting on the idea that all Chinese people know kung fu (true), and that losing comrades one at a time over the course of an arduous Vietnam mission in a 1980’s movie will turn one of them into Rambo, and this happens to Sammo, who completes the mission. By the end he’s killing people using tree leaves as missile weapons – it’s acting like a serious war movie, the action scenes short and brutal (and sometimes astounding), but with the kinds of moves you’d expect from a parody.

Thin-mustached colonel in charge is Lam Ching-Ying of Mr. Vampire and all the Bruce Lee movies. Yuen Woo-Ping is Mouse (loses his legs during a machine gun bridge crossing) and Original Foon Yuen Biao is Weasel, but various translations refer to both men as Rat, so overall the cast is hard to figure out. The commando girl who sticks with them is Joyce Godenzi (the future Mrs. Sammo Hung), and the evil giggling general (Criterion: “like a eunuch villain from a King Hu film transported to the present”) is Yuen Wah of Kung Fu Hustle.

The movie’s final words still resonate today:

by ·Comments Off on Golden Eighties (1986, Chantal Akerman)

A mall-set musical. Nobody respects horny young Robert, not his girl Lili at the salon across the aisle, not even his parents who run the clothing store where he works. Lili waits until Robert is about to marry her coworker Mado before running off with him. Meanwhile his mom has her own drama, bumping into long-lost American lover Eli, who wants her back, while she focuses on running her shop and barely gives him the time of day.

Reluctant salon owner Lili played the lead in a Vicente Aranda movie.

Jean (Jean-François Balmer of Cosmos) owns Lili’s hair place but she doesn’t love him, so he finally wrecks the place in a rage and sells his lease to the neighbors.

Robert’s mom Delphine, post-makeover, with Eli: American director John Berry, who made He Ran All The Way with fellow blacklistee John Garfield

Pascale Salkin (left, the girl who isn’t Maria de Medeiros in I’m Hungry, I’m Cold) bounces between plots, and is the only person in Golden Eighties to also star in The Eighties, which is somehow not out on video. Would-be fiancee Mado later appeared in Carnages. Nathalie “Conann” Richard played a nameless hairdresser coworker of theirs, and neighbor Sylvie who runs the snack shop was in films by Demy, Varda, Sautet, Ozon, Lelouch, etc.

Robert’s dad has the best voice of the men here (Charles Denner aka The Man Who Loved Women). Delphine Seyrig would only star in one more feature – Joan of Arc of Mongolia – before dying of cancer at 58.

by ·Comments Off on Ricky Jay vs. FDR

Ricky Jay and His 52 Assistants (1996)

These shows have been nicely restored by a pirate wizard with a hacked VCR, but 30fps isn’t nearly enough to see what Ricky’s hands are doing. And even if you account for the speed and attention and memory this would take, I don’t think human fingers can pull single cards so accurately from the middle of card decks, which accounts for the demons on his shoulders on the movie poster. Peak television.

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FDR: A One Man Show (1987)

Chris Elliott acts out lesser-known episodes from the US president’s life, like how he lost his legs to a shark attack, how Eleanor lost her head when the Japanese bombed the White House, and the two years of his presidency he spent lost on a desert island. This is a filmed stage show with an audience, like the Ricky Jay, but this one gets interrupted by the stagehands, the makeup artist, an understudy who speaks only German, and the local basketball team that was playing next door.

by ·Comments Off on Chaplin’s First Nationals (1919-1922)

After the Essanays and the Mutuals…

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A Day’s Pleasure

Family vacation, but the family fades into the background as Charlie (1) tries to start the car, (2) fights with a big dude on a bouncy boat, (3) argues with an intersection traffic cop. I heard about three seconds of the intended music then switched over to Hesitation Marks.

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Sunnyside

A couple good jokes (sending his girl’s annoying brother to play in traffic blindfolded) but mostly plotty, as hotel odd-jobsman loses his girl to a city slicker then finds out he’d been dreaming the whole episode.

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The Idle Class

Two Charlies – the idle rich drunk neglecting his lovely wife Edna, and the golfing tramp who stumbles into a costume ball where everyone thinks he’s the husband, who is stuck inside his armor costume. The golfer whom Tramp Charlie has been antagonizing turns out to be Edna’s father. Lotta asses get kicked.

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Pay Day

The best of this batch, with great elevator timing and reverse brick-tossing gags. Episodic like the others, he works in construction, takes a lunch break, goes out drinking with the boys, can’t catch a bus, finally makes it home to his horrible wife Phyllis Allen. Edna barely appears, but Foreman Mack Swain played her dad in this and The Idle Class.

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The other three First National shorts were rounded up in The Chaplin Revue, then he got into features with The Kid and never looked back.

by ·Comments Off on Godzilla Minus One (2023, Takashi Yamazaki)

I get that in today’s marketplace you’ve gotta reboot everything at least once per decade, but it’s a shame to churn out new reboots so soon after the superior Shin Godzilla. This is as talky as the Anno, but some cheesy shit from the director of Parasyte. What’s funny is this movie stops every 20 minutes so our hero (coward would-be-kamikaze Shikishima, survivor of Godz and war, played by the voice lead of Your Name and Summer Wars) can have a trauma breakdown, while Hideaki Anno, who invented trauma breakdowns, never did this in Shin.

He shacks up with a neighbor whose kids died in WWII bombing (she’s the great Ruri-Ruri from Shin Kamen Rider) and gets work as a minesweeper, until Godz returns. They blow up a mine in its mouth, but it has hyper-healing abilities and nuclear-blast-attack, which it uses to destroy a battleship. When the wild-haired doctor’s plan to sink the lizard using bubbles(?) doesn’t work, our guy gets help from a mechanic who hates his guts (Munetaka Aoki of the new Serpent’s Path) then uses his plane-crashing skills to blow up the monster’s head. His not-wife, who’d apparently sacrificed herself to a nuclear attack to save him, escapes with minor injuries.

by ·Comments Off on The Big Chill (1983, Lawrence Kasdan)

Great opening titles, introducing all the characters as a music montage cut with the body of their dead friend being dressed, closing on shot of his stitched-up wrists. It’s a hangout film after that, former classmate/friends who now all have good jobs and drug habits. Some light resentments and conflicts, some secrets and such, one delightful ending.

JoBeth Williams had just starred in Poltergeist, her outsider husband is an object of fun. Meg “sister of Jennifer” Tilly (Body Snatchers), also an outsider, had been Dead Alex’s girlfriend so they all feel responsible towards her. Mary Kay Place (between New York, New York and Pecker) is a lawyer with bad hair who wants to get pregnant but has no man, so is sizing up her friends (and gets the movie’s best insult-comic line). Kevin Kline is the nice-guy husband of Glenn Close (between Garp and The Natural) who’d had an affair with Dead Alex. William Hurt, messed up on pills, had already starred in Altered States and Body Heat. Mustachioed Tom Berenger is a TV celebrity (actually on his way to Major League immortality after an oscar-nominated stop in Platoon). And reporter Jeff Goldblum would reunite with Kline and their dead friend Kevin Costner in Silverado. Lost the same writing oscar as Fanny & Alexander, Kasdan went on to make the terrifically bad Dreamcatcher. Wiki says the last ten minutes were meant to be a 1960s flashback with Costner-as-Alex, and it was cut… and I see the blu-ray has ten minutes of deleted scenes… but they’re completely different scenes, no fair. At least Criterion had the good sense to commission an essay by Lena Dunham.