Expertly choreographed steadicam movie. I put off watching this, thinking it was about nazi youth or something, but it’s three smalltime criminals, not such bad guys (“the only good skinhead is a dead one”) who get into a spot of bother when one of them gets a gun (they all die). Unexpected Vincent Lindon appearance towards the end. The director went on to have an undistinguished career, the three guys ended up in (1) The Constant Gardener, (2) Three Kings & John Wick 3, (3) Irreversible & The Shrouds. Won best director at Cannes the year of Underground.

I’ve got a bit of a backlog, and sometimes I’m in the mood for a Kiyoshi movie and wonder why I never watched this one from eight years ago, and the title Foreboding sounds generic enough, and it takes me 20 minutes to realize this is the alien invasion companion piece to Before We Vanish. This starts out effectively unsettling, with elements of the paranormal social malaise from his other movies, then as it introduces the human-concept-reaping alien Dr. Makabe (the two guys in Asako I & II) it gets silly.

The fake doctor, coming for your concepts:

Kaho of Tokyo Vampire Hotel and a Gamera movie is our lead, refusing to play the alien’s games, but her husband Tetsuo (starred in Tokyo Tribe and Lesson of Evil) is happy to lead the fake doctor to people who’ve wronged him. Health Minister Ren Osugi arrives too late in the game. Humans start disappearing from the earth, somehow this all still leads to the classic movie ending of people talking and fighting in an abandoned warehouse.

Humanity’s future rests with them:

The Funeral Parade of Roses guy two decades later has turned to narrative… but it’s super-meta-psycho-narrative, at least. In the 1920s an institutionalized amnesiac is given conflicting stories by a hairy Dr. Detective and a bald Wacky Doctor, and instead of piecing together the real story, he either goes on a killing spree, or doesn’t.

Which of these doctors would you trust:

Labyrinth of Dreams was based on the same author’s work, and I wondered if the novel was an influence on Shutter Island. The boy went on to be a voice actor, most notably dubbing Leo in Titanic, and the not-bald doctor/detective Hideo Murota is in all the Kinji Fukasaku movies. Unsurprisingly this cinematographer also worked with Terayama.

A Fistful of Dollars (1964)

What a picture. Clint comes to town and meets the grey-haired bartender next door to the busy coffin carpenter, proceeds to get paid by both sides of the warring criminal families, then after Clint does a good deed by rescuing an imprisoned girl, he and his bartender are tortured. The coffin maker secrets Clint away to a cavern so he can recover then return and slaughter everybody.

Been a while since I saw the not-really-sequel – this is just as good, though it suffers from lack of Lee Van Cleef. The girl was in Franju’s Spotlight on a Murderer, the lead Rojo gangster in Le Cercle Rouge, his main brute in Dead Pigeon, and at least two others are from Viridiana. If nobody has yet made a supercut of atrociously dubbed children in Italian movies, nobody ever should.


Duck, You Sucker (1971)

Real class-warfare pervert stuff, right from the start. “He doesn’t know anything” says the white man’s mouth in grotesque Svankmajer-esque extreme closeup about the peasant their coach picks up, unaware they’ve picked up bandito Rod Steiger. The bandits next encounter a fellow criminal, explosives-rigged James Coburn, so they team up. Coburn is fighting for a cause, Steiger for cash, but after the idiot bandito gets pulled into the revolution and the government slaughters his family he becomes a true believer.

Steiger is the Run of the Arrow guy, and Coburn is the oscar winner for Affliction who was also in 100 other movies I haven’t seen. I’d preferred the alternate title A Fistful of Dynamite but once you hear Irish Coburn say his catchphrase moments before his bombs go off, you realize Duck, You Sucker is correct. He drops the accent almost immediately, but Steiger lays his on so thick I had to turn on subtitles – at long last the Italians are working with sync sound, and it’s actually worse than before. Ultimately the movie gets tedious, and the Leone apologists out there making excuses for Steiger are wrong, but some stuff blows up real good.

Coburn + parakeets:

Flannery (2019, Coffman & Bosco)

PBS bio-doc about fellow Georgian O’Connor. A couple of crazy details in here. She was terrified of catching lupus, the disease that killed her beloved father, so when she did catch it, her doctors and family told her she had arthritis. And attending the Iowa Writers Workshop, Southern fiction and Faulkner were all the rage, yet the students there mocked her accent. Movie trips over itself trying to explicate her racism, otherwise a good introduction.

“I know they’re stupid and all, but they have a lot to be proud of”


Wildcat (2023, Ethan Hawke)

Some wild visuals, much weirder than it seems from outside. Not a mild prestige biopic drama, but something more prickly, a Flannery Naked Lunch, spinning the stories into the biography. So this is my second movie in a week to combine artist biography with adaptation of their work, and Hawke easily beats Guadagnino. I’m not saying it always works, but it’s refreshing.

Some of the same quotes used in the doc. Flannery likes Cal, the suicidal environmentalist of First Reformed, and holds out hope of living a normal life until rejection and disease send her into writing seclusion. The Licorice Pizza kid looks too Elonesque in this, and I hate to say but Laura Linney is the weak point. It sure is fun to try on a new accent, and I know it’s stupid to ask this, but why not cast southerners in the role of southerners?

Self-portrait of the suicidal trans youth of a hopeless city, with sober narration from a coffin.

The director cast Camilo in his gay ghost dystopia film, but Camilo died, and half his friends followed, real ghosts in an actual dystopia.

Obviously I should now rewatch Unknown Pleasures, in which Xiao Wu reappears, but I didn’t love it the first time. He’s a good character, the oldest of a gang of thieves, prickly and annoying, avoided by family and friends, bad with women, finally arrested and publicly shamed.

Josh Lewis:

Unlike Bresson who takes an interest in the tense procedural craft of his titular pickpocket (as well as the protagonists spiritual and existential crisis), Jia focuses almost entirely on the wandering weariness that comes with the knowledge that the only thing you’re good at is destined to alienate you from civilized society. My man just wanted to smoke, drink, play pool, and sing karaoke with a beautiful woman, and he gets ruthlessly humiliated and punished for it.

Has its moments. It’s my own fault that I stopped reading Burroughs long ago and let the Cronenberg version take over my imagination. Daniel Craig’s love interest is Drew Starkey of the latest Hellraiser remake. Craig convinces the kid to go on a South America trip to find ayahuasca, but becomes messed up from drug withdrawls along the way.

Mike Leigh muse Lesley Manville protects the ayahuasca – that’s Lisandro Alonso in the background:

Bill Lee’s Space Odyssey finale:

True/False Fest is happening now and we are skipping it for budgetary reasons. We discovered the fest in 2017 and faithfully attended (virtually in 2021) for eight years, with all the t-shirts and posters to prove it. Sure, I complained about the quality of films the last couple years and started making alternative “False/True” lists of movies that should’ve played the fest, but we’re always happy to be there in packed theaters, applauding movies destined for streaming which will never be seen on the big screen again, with their directors present for intros and Q&As, grabbing beers and pierogis and talking about pictures and stories instead of our regular lives for one long weekend. We’ll try to think of something to replace it this year, but in the meantime here’s a roundup of those years (not counting shorts, since this is already long enough).

2017:

Abacus: Small Enough to Jail
Brimstone & Glory
Casting JonBenet
Communion
Did You Wonder Who Fired the Gun?
Dina
Distant Constellation
Donkeyote
Gulistan, Land of Roses
HyperNormalization
I Am Not Your Negro
Lindy Lou, Juror Number 2
Long Strange Trip
LoveTrue
Manifesto
Mimi (2003)
Quest
Rat Film
Step
Still Tomorrow
Stranger in Paradise
Strong Island
The Challenge
The Graduation
The Grown-Ups
The Road Movie
Venus
Whose Streets?
* Austerlitz
* Dawson City: Frozen Time
* Escapes
* Fire at Sea

2018:

Adriana’s Pact
America
American Animals
Bisbee ’17
Black Mother
Caniba
Combat Obscura
Crime + Punishment
Gabriel and the Mountain
Grace Jones: Bloodlight and Bami
Hale County This Morning, This Evening
Handsworth Songs (1987)
Kinshasa Makambo
La Flor de la Vida
Lovers of the Night
Makala
The Next Guardian
Of Fathers and Sons
Primas
Shakedown
Shirkers
Taming the Horse
The Task
Testament (1988)
The Family
The Rider
Three Identical Strangers
Won’t You Be My Neighbor?
* Ex Libris: The New York Public Library
* Faces Places
* Infinite Football
* Narcissister Organ Player
* A River Below
* Wormwood

2019:

Amazing Grace
American Factory
Apollo 11
Atman (1997)
Caballerango
Chinese Portrait
Cold Case Hammarskjöld
Finding Frances
The Game
The Grand Bizarre
The Hottest August
Island of the Hungry Ghosts
The Magic Life of V
Midnight Traveler
Mike Wallace is Here
Mr. Soul!
Now Something Is Slowly Changing
One Child Nation
Segunda Vez
Tanjuska and the 7 Devils (1993)
Treasure Island
Untitled Amazing Johnathan Documentary
Up the Mountain
* Aquarela
* Just Don’t Think I’ll Scream
* Recorder: The Marion Stokes Project
* What You Gonna Do When the World’s on Fire?

2020:

Bloody Nose, Empty Pockets
Boys State
Catskin
Collective
Crestone
Dick Johnson Is Dead
Dope is Death
The Faculties
The Giverny Document
Malni, towards the ocean, towards the shore
The Metamorphosis of Birds
The Mole Agent
Ridge
So Late So Soon
Some Kind of Heaven
Still/Here (2001)
Talking About Trees
That Cloud Never Left
Those That, at a Distance, Resemble Another
Time
The Viewing Booth
* The American Sector
* Fireball: Visitors from Darker Worlds
* In Transit (2015)
* Swimming Out Till the Sea Turns Blue
* This Is Not a Movie: Robert Fisk and the Politics of Truth
* The Truffle Hunters

2021:

All Light, Everywhere
Delphine’s Prayers
Faya Dayi
From the Wild Sea
The Grocer’s Son, the Mayor, the Village and the World
No Kings
Rock Bottom Riser
Songs that Flood the River
Summer of Soul
The Two Faces of a Bamileke Woman
This Rain Will Never Stop
Users
* Can’t Get You Out of My Head
* Gunda
* Her Socialist Smile
* In the Same Breath
* A Man and A Camera
* The Mole: Undercover in North Korea
* Radiograph of a Family
* Terra Femme
* Town Bloody Hall (1979)

2022:

2nd Chance
After Sherman
The Balcony Movie
Brotherhood
Canoa: A Shameful Memory (1976)
Children of the Mist
Dos Estaciones
Eventually
Fire of Love
I Didn’t See You There
It Runs in the Family
Last Days of August
Mija
No U-Turn
Octopus
Riotsville, U.S.A.
Sirens
The Territory
We Met in Virtual Reality
Where Are We Headed?
* Burial
* Il Buco
* Language of Birds
* Mutzenbacher
* Procession
* Rewind & Play
* Taming the Garden
* Topology of Sirens
* The United States of America

2023:

Anhell69
Art Talent Show
Bad Press
Bobi Wine
Crossing Voices
Dogwatch
Feet in Water, Head on Fire
Forms of Forgetting
Going to Mars: The Nikki Giovanni Project
Going Varsity in Mariachi
Hummingbirds
Last Things
Milisuthando
A Moment of Innocence (1996)
Moosa Lane
Our Body
Ramona
Three Women
Time Bomb Y2K
* All That Breathes
* The Fire Within: A Requiem for Katia and Maurice Krafft
* Reality
* Subject
* The Tuba Thieves

2024:

Agent of Happiness
Alien Island
As the Tide Comes In
Daughters
Girls State
Gwetto
Ibelin
Look Into My Eyes
Magic Mountain
The Other Profile
A Photographic Memory
Spermworld
Sr
There Was, There Was Not
Three Promises
Union
* Dahomey
* Flipside
* Menus Plaisirs – Les Troisgros
* The Night Visitors
* Pictures of Ghosts
* Ren Faire